The video for The Laws of Nature, the new single from Dublin singer/composer Candice Gordon, featuring dancer Zoe Darling. A foreboding visual for a foreboding slice of noirish psychedelia. Says Gordon of the video, and the Butoh dance through which Darling tells the song’s story:
“Butoh is a Japanese dance form where you see a lot of transformation through animals. In the video, the dancer makes very slow dance moves and you see her transforming into different life forms.
I wanted parts of it to be unclear and uncanny. It’s a very wytchy song, it’s about being under the spell of the natural order,” said Candice.
The single is taken from upcoming album Garden of Beasts, available for pre-order here and released via Proper Octopus.
”This record is a lot more personal than any of our previous work. The songs touch on mental health and well-being themes, a central point being the anxiety caused by stability and instability in your life and dealing with your ability to ‘be ok’. This time the writing is more personal to each of us individually, and from a new stand-point in each other’s lives in comparison to ‘A Different Space of Mind’.”
Thoughts: Strident yet sensitive. Inspiring in its honesty, The Winter Passing’s perseverance is reaping its just reward.
Last week, we asked you to fill us in on the sounds that ease you into your Sunday mornings.
To be specific, we asked you to complete the following sentence.
‘On Sunday mornings I fill my home with the sounds of___________________________because_____________’
At stake was a €25 voucher for Golden Discs, redeemable at any of their 14 locations nationwide.
The competition, as ever, was stiff, but there can only be one (as ever).
Kolmo wins with this rhyming clincher:
“On Sunday mornings I fill my home with the sounds of Bill Withers’ ‘Lovely Day‘ because I’ll tell you why – you wake up, feeling like a slug, climb out of bed after giving her a hug, scratch your head as you hop from the bed, have the dogs been fed? We’ll have to see after quite a lengthy pee. Roll downstairs, tip on over to the shiny kettle, still not feeling the finest of fettle, fill her up as you look at the pup, right so, let’s start the show – on goes ‘Lovely Day’, a warm wave melts over you that everything is going to be OK.”
Strong contenders from the running:
Odockatee: “On Sunday mornings I fill my home with the sounds of Badly Drawn Boy’s Hour of the Bewilderbeast because from the opening, cornflakes-themed The Shining, it’s a gentle but interesting meander near the water and back. Just a beautiful document of moments in time.”
James M.Chimney: “Sunday morning. It could be Dream Wife or possibly Screaming Females. Sometimes the vinyl goes on, or sometimes it’s purely digital. If I’m busy cooking breakfast, I’ll opt for something upbeat, Joy Division or a bit of Batcave. As the sausages sizzle under the grill, I’ll reach for imaginary cobwebs. As I pour the orange juice, I lament to Cave’s refrain… ‘why are all the women weeping?‘”
Shayna: “It’s Sunday morning, there’s no-one to gently warm my croissants in the oven, there’s no Illy freshly ground coffee percolating, the Papers have arrived (mags not fully intact – Damn you, little neighbour paperboy/kid). I’m trying to feel better about my disastrous artichokes entrée at my last dinner party (balsamic vinegar on the table, what was I thinking?). Anyhoos, I got Bob.”
Harry Molloy: “On Sunday mornings I fill my home with the sounds of Procol Harum’s Whiter Shade of Pale because it sounds great, you can sing along without knowing what you’re singing about (poxiest bleedin’ lyrics ever written) and it reminds me of being little when my dad would be singing along to classic gold while making a fry, and would give me a sausage on a fork which would satisfy my little stomach”
The Citizen: “On Sunday mornings I am mostly listening to the talented Irish singer and producer Gavin Glass and the title track from his most recent album Sunday Songs because he gets it. The getting old, the hangover, the fun, the realism and the optimism. Worth a listen anytime, Sunday morning ideally.”
gorugeen: “on Sunday mornings I like to fill my home with the sound of Dummy by Portishead. Why? Because it’s the perfect soundtrack to Sunday morning happy time.”
mildred st. meadowlark: “On Sundays I fill my home with the sounds of Sunrise by Norah Jones because it’s a wonderfully warm song and just makes me bliss out as I make an enormous stack of food. Also anything by Fleet Foxes. They have a wonderfully uplifting sound to their music that would suit a relaxing and ponderous Sunday morning.”
Our weekly look at audio auteurs Dublin Digital Radio continues, as we serve up some of the lads’ choice cuts of recent weeks, and a three-hour, on-location special at Cork’s Quarter Block Party festival (co-hosted by yours truly).
Writes DDR collective member Brian:
Our first excursion down south to Cork city for Quarter Block Party wasn’t without its minor bumps but we got through it and what a wonderful festival it was. Find the recording below where our hosts Dwayne Woods and Mike McGrath-Bryan take you through interviews and performances from Wastefellow, Myles Manley, Dowry, ELLLL and more.
Vincent Dermody returned for his bi-weekly venture into folk and experimental while the One-CP crew had German SUED Records boss SVN come into DDR towers for a mix.
RíRá – Irish hip-hop legend lasts the test of time
What you may need to know…
01. One of the founding fathers of Irish hip-hop, Tullamore man RíRá helped lay the foundations for our homegrown beat game as part of Scary Éire, alongside DJ Mek, Dada Sloosh and Mr. Browne.
02. He’s been more than active since Scary Éire’s initial album-shelving-induced disbandment, with a string of singles, extended-plays and LPs, all self-released. In addition, he’s had countless features on Irish hip-hop releases, most recently of note, his collab with Waterford’s Nylon Primate.
03. Streaming above is the visual for new single Still Around, released on Monday, created and edited by Cras Cassidy.
04. Available for download and streaming now from Bandcamp and iTunes Music Store, if that’s more your bag.
Thoughts: One of the true “lifers” of Irish independent music affirms his commitment to doing things his way, waxing philosophical in his distinctive gritty tones.
The IMRO Live Music Venue of the Year Awards happened at their HQ in Dublin last night. Who got the gongs, you ask?
The National Venue of the Year went to Wexford’s National Opera House.
The regional awards for outstanding venues went out thusly:
Dublin – Vicar Street Rest of Leinster – Watergate Theatre, Kilkenny Connacht – The Quays, Galway Munster – Coughlan’s, Cork Ulster – Voodoo, Letterkenny, Co Donegal
IMRO Music Festival of the Year: Sea Sessions, Bundoran IMRO Small Live Music Festival 2016: Kilkenny Tradfest IMRO Tech Crew of the Year: The Olympia
IMRO Outstanding Contribution to Live Music: Frank Murray (manager of Thin Lizzy/The Pogues)
Special commendations were also handed out to venues by Hot Press head Niall Stokes:
“It has been an outstanding year for live music in Ireland. That is, of course, true in relation to what is happening in the big venues, like The Olympia Theatre, which has just been refurbished with spectacular results, and at festivals – which are so important to the ongoing health of Irish music.
But from the point of view of working Irish musicians, it is really encouraging also to see the emergence of venues in smaller towns around the country, where they can go and gig – and both find an audience and earn their wages. Which is why I am so pleased to have presented awards tonight to Mike The Pies in Listowel and Boyle’s of Slane.
It is the hard work and dedication of the people who make things happen in venues and bars like these – and countless others around the country – that make all the difference. Long may they flourish.”