Tag Archives: Áine Carroll

From top: IMAGE Woman of the Year 2018 logo; Tweets between Áine Carroll and Image magazine’s Digital editor Dominique McMullan; Áine

IMAGE.ie published their Women of the Year list at the weekend. All of the women featured were deserving of the accolade, but one thing stood out and made the list seem, well, odd. They were all white:

Dominique McMullan, IMAGE’s digital editor, responded on Monday to a tweet I had sent over the weekend (see above), but later deleted her reply.

Dominique subsequently reached out and provided a statement, which you can read at the bottom of this article.

There should not be two lists, and yet here we are. In 2018. With a white-only list and an alternative list that, frankly, I should not have had to compile.

Here are some exceptional women that IMAGE could have included, but didn’t:

Ellie Kisyombe
Ellie is from Malawi and is set to become the first woman living in Direct Provision to stand in the local elections when they take place next year. Running for the Social Democrats in the North Inner City ward of Dublin City Council, Ellie is an activist speaking out about Direct Provision and founded Our Table to highlight the ban on asylum seekers cooking their own food in Direct Provision centres. Ellie is seeking asylum in Ireland and has lived here for more than nine years. She was recently celebrated in an exhibition of specially commissioned works of art, Local Heroes, run by Dublin City Council Culture Company.

Wuraola Majekodunmi
Ola is absolutely smashing it as a fluent speaker of Irish and has a weekly radio show on Raidió Na Life every Saturday from 4pm-5pm. She is also a contributor to the Motherfoclóir podcast. With Nigerian heritage, she has a degree in English, Media and Cultural Studies from the Dún Laoghaire Institute of Art, Design and Technology. Ola is also a video producer and recently produced and directed a video, What does ‘Irishness’ Look Like, challenging stereotypical assumptions of what it means to be Irish in 2018.

Shubhangi Karmakar
Shubhangi is a young person of colour who is queer and disabled and who has recently moved on from housing insecurity to starting a not-for-profit brand. She raised over €10,000 for Repeal and other social causes in Ireland, on top of being a medical student and researcher who is lecturing publicly about the need for diversity in science communication. Shubhangi also recently created a website, repealist.ie, to platform diversity in Ireland.

FeliSpeaks
FeliSpeaks (aka Felicia Olusanya) is a young Nigerian-Irish spoken word performance artist, writer and poet who is in demand. She delivers show-stopping performances and co-wrote a sold-out spoken word play called ‘BOYCHILD’. Felispeaks is also an award winning artist, honoured by the African Professional Network of Ireland for her unique contribution to the Dublin City art scene in 2017. Blurring the lines between music and poetry, she has performed alongside Saul Williams, Super Silly, JyellowL, NC Grey and more. With poems that explore different ideas of feminism, coming of age experiences and universal personal experiences, her art is centred on connecting with her audience through honesty, openness and thought provoking observations.

Ilaina Khairulzaman
Ilaina is scientist and public engagement coordinator with Sense about Science, a charity campaigning to challenge the misrepresentation of science and evidence in public life. Ilaina has a research masters in immunology from Trinity College Dublin and is trained as a bioinformatician. Ilaina is also a campaigner and activist highlighting issues faced by migrant women and ethnic minorities.

Celaviedmai
Celaviedmai, also known as Maimouna Salif, is an Irish-born rapper who has opened for Lil Wayne, Mac Miller, Hoodie Allen, Tinchy Stryder, Sneakbo, Section Boyz and recently Jimothy Lacoste. She also wrote the catchy theme tune to the popular It Galz Podcast. The 25 year old from Galway is a talented songwriter and regularly performs at festivals and events, including Electric Picnic, the Fringe Festival and recently Working Class Heroes. Celaviedmai has been featured in the New York Times and Vice’s Noisey and is the face of hip hop in Ireland on Google. She has her own catalogue of music on Spotify.

Filomena Kaguako
Filomena is a blogger, YouTuber and Tedx speaker with a special interest in modern dating and relationships. She regularly features as a commentator and writer in Irish media and recently wrote about the nuances in implied consent for thejournal.ie. Her viral open letter titled ‘Dear Irishmen, Please Stop Sexualising Us,’ garnered immense media attention last summer where she shut down a phenomenon that has been recognised as the fetishisation of black women in dating circles. This catapulted her across the internet and featured her in over 15 publications worldwide, including Huffington Post, Refinery 29 and The Metro, to name just a few. Filomena made her television debut in May 2018 where she was part of the cast for a ground-breaking Channel 4 series called Genderquake. Watch her Tedx talk here.

Dr. Ebun Joseph
Dr. Joseph is an author, social justice activist, motivational speaker, intercultural consultant and researcher in the field of race relations, racial stratification and the labour market. She oversees a module in UCD, the first of its kind in Ireland, called Black Studies and Critical Race Perspectives in Education. The course examines “the histories, social movements and contributions of people of African descent, as well as look[ing] at contemporary forms of Blackness in society and around the world.”

Vanessa Ifediora
Vanessa is a talented photographer and actress originally from Belfast. She was living in Japan when she took up photography to help her combat anxiety. Vanessa moved to Dublin in 2017 to attend acting school and from there contributed to the What does ‘Irishness’ look like video. Her mental health and recovery project, Zone In, was exhibited in A4 Sounds to raise money for the rape crisis centre and Vanessa’s newest project is called Off-White Sheets.

Clara Rose Thornton
Clara Rose Thornton is a spoken word artist, culture journalist, event organiser and radio and television broadcaster. Her work focuses on the arts and their intersection with social justice, identity politics, history and place. She is a three-time Dublin/Leinster Poetry Slam Champion. Clara Rose frequently contributes to RTÉ radio shows including “The Ryan Tubridy Show”, “The History Show”, and “Arena”. She was instrumental in founding the inaugural Black History Month Ireland in 2014, and toured the country as the observance’s headlining performer. She performs her provocative spoken word at festivals and venues across Europe and North America and her print cultural criticism is published internationally, including in the Irish Independent and the Irish Times.

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From top: protests in Dublin city centre following the Belfast rape trial verdict; Àine Carroll

Last  Wednesday’s verdict was a difficult day for survivors of sexual violence and trauma – not because the verdict was flawed – but because our culture is.

Comedian Linda Hayden, herself a survivor of an horrific rape, had the following to say on Twitter,

“Today is about us rape survivors texting each other to check we are all OK. The answer is no, we are not.”

It is never wise to dispute a jury’s decision but only a fool would suggest that nothing should change in the aftermath of this particular verdict.

While on one hand we can accept it, we cannot accept the attitudes that the case illuminated. Momentarily we glimpsed inside the mind of youthful misogyny – and it is darker than any of us could have imagined.

The men involved now face into the future knowing things could have been a lot brighter and neither the complainant nor the  acquitted will ever carry themselves in quite the same way again.

If this case has done anything useful, it’s shown that we need to get real about how exposed our young men are to the toxic attitudes around sex, and how this in turn exposes not only our daughters, but also our sons, to risk.

As parents, we  need to get real about our own experiences before we can even start working it out for our children: how can  we reasonably expect boys to learn that actions have consequences when the system consistently fails to make grown men accountable?

How can we reasonably expect young men to respond appropriately to the conversation around consent if victims themselves cannot yet describe their experiences without shame and fear of being called a liar?

How can we reasonably expect men to know where the line is when we don’t always know ourselves when something criminal has occurred?

And how can we stand over the fact that an estimated eighty percent of sexual assaults go unreported?

It wasn’t until the #metoo movement in the aftermath of the Weinstein allegations that I began to look back on my own experiences with new understanding.

It took 12 years for me to realise I had been sexually assaulted by that stranger when he twisted my  nipple as I passed him on the street in broad daylight. Rather than make a “fuss”, I kept walking, in case confronting him made matters worse.

Some years later in a Spanish nightclub, a young Englishman, unknown to me, grabbed my vagina, hard, over my clothes. This time I wasn’t so polite and I slapped him – hard  – across the face.

What was most interesting about the incident was that he looked genuinely hurt by my response.

Now in my thirties, I can look back at my twenty-something self and feel a sting of menace towards that really nice guy I had been seeing who proceeded to have unprotected intercourse with me, moments after assuring me he would use a condom.

It is only now, thanks to the women who have spoken out ahead of me, that I can begin to understand that these were in fact criminal acts.

With this greater understanding comes a deep sense of relief and I no longer feel obliged
to stay quiet out of politeness. I have also been conditioned into believing I am ‘lucky’ for getting off ‘lightly’.

These attitudes demean men just as much as they demean women.

After Wednesday’s verdict was read out, I emailed the man I mentioned above to let him know  that what he did was criminal. Call it doing my bit towards ending a culture of male sexual entitlement that thrives on women staying quiet.

Instead of being heartbroken again on Thursday, comedian Linda Hayden decided to change the things she could no longer accept.

Dozens of people have responded to her call to action and an alliance of survivors, professionals and allies convened earlier this week to plan a road map for action in the aftermath of events in Belfast.

Action Against Sexual Violence Ireland (AASVI) intends to support victims while also being a vehicle for change.

Linda tells us that people need to channel anger into action:

“For now we are talking, and in talking we are creating  safe spaces that are charged by anger but soothed by healing. We will not stop until perpetrators of sexual violence are held to proper account.

The women and men who experience rape, sexual assault and trauma are not vessels or playthings and we are no less than the victims of any other crime.”

Those who question whether #metoo has gone too far should be reminded that silence is an ally of abuse.

If we want  make meaningful change we need to stop being polite and start making people uncomfortable about sexual violence and assault, especially those who are responsible for committing it.

Recent events have made it clear that while our boys need to be taught the meaning of consent, our girls need to be taught how to make a fuss.

The time for quiet politeness is over.

Áine Carroll is a writer and part time social care worker living in Dublin, Follw Áine on twitter: @ainecarroll127

Top pic: Rollingnews.