The Redneck Manifesto – back catalogue reissues for Dublin post-rockers
What you may need to know…
01. Last we checked in with Dublin instrumentalists The Redneck Manifesto, they’d taken to stage at Clonakilty Guitar Fest ahead of getting in shape for a new record.
02. While there’s no further announcement on that front as of yet, the band have released their complete discography to date on streaming services as of this week, as announced through a post (and with a special playlist) on Nialler9.
03. Streaming above is the title track from 2005 long-player I Am Brazil. The band’s music is available now across Apple Music/iTunes, Spotify, Google Music and Tidal.
04. Live dates are happening next month. February 15th and 16th at Whelan’s, the latter being sold out; the 17th at the Roisín Dubh in Galway, and the 18th, at Dolan’s in Limerick.
Thoughts: A distinguished body of work that helped set the precedent for a generation of instrumental music from this island. Well worth the revisit ahead of new tunes.
Mongoose – jazz/folk Dublanders curating special gig line-ups
What you may need to know…
01. Dublin four-piece Mongoose bring together a wide pool of influences to create folk with an alternative tinge.
02. Coming together in 2012, the release of the band’s self-titled debut album last year follows a clutch of self-released singles and extended-players.
03. Streaming above is Doing Things Wrong, a single released earlier this year in solidarity with the Repeal the Eighth campaigns.
04. They’ve recently been curating their own line-ups of musical and spoken word artists, in a series of gigs called Winter Longing. Next up: Levis’ of Ballydehob on Saturday night, with Anna Mieke Bishop and more in support.
Verdict: Solid and spirited jazz/folk with a keen melodic sensibility.
The Orange Kyte – madness escaping Dublanders via Canada
What you may need to know…
01. Dublin-rooted psychedelia/fuzz/pop, emerging nowadays via their home in Vancouver, British Columbia.
02. Led by vocalist/guitarist Stevie Moonboots, a solo recording project took a transcontinental move to be fleshed out into a functioning band, but the last year has seen exponential growth, including monthly single releases throughout 2016, and consistent gigging around their new home territory.
03. Streaming above is the band’s last single of the year, Fizzy Orange, available for streaming and download at their Bandcamp.
Verdict: A madcap rush through a whole musical idiom, from minor-key shoegazing and psychedelic walls of sound to retro-pop keys and four-to-the-floor indie-rock stomping. A treat for those what wants it.
AIG Insurance today released the first video of its three-part mini documentary series, ‘Playing for Dublin and Fighting for Ireland’.
The short series focuses on three individuals; Frank Burke, Tilly Simpson and Charlie McMahon, who each represented Dublin at intercounty level, but who also fought for independence in Ireland in 1916.
The first video released as part of the mini-series tells the story of Frank Burke )above). Frank, who studied under Padraig Pearse at St. Enda’s school, travelled into the GPO with Pearse by tram on Easter Monday, 1916..
After the Rising, Frank would arguably become Dublin’s greatest ever player, winning two All-Ireland hurling titles and three in football. On Bloody Sunday, while playing for Dublin, Burke who was being marked by Michael Hogan was shot by British forces.
The ‘Playing for Dublin and Fighting for Ireland’ mini-documentary series is produced by Paul Cahill and narrated by Paul’s father, Des Cahill….
The video for Dublin alt-songstress Naoise Roo‘s new single Whore premiered yesterday on Nialler9.
Directed by Girl Band visual collaborator Bob Gallagher, and starring actor Aron Hegarty, it accompanies a tune that provides a backing track for internal conflict and examination of roles/power structures.
“The song Whore was born out of a sense of longing and frustration. The idea of playing with power and submission. I think Bob’s video reflects those feelings, but takes a different slant. Religion and sexuality have had centuries of conflict and in Ireland we know this all too well. But at the root of it sexuality and sexual energy are the essence of being human. I’ve often wondered where that energy goes, what that inner conflict looks like”
On a recent visit to Dublin, Henrik Jacobsen a Danish graphic designer and architect was quite taken with the city and particularly the Nordic origins of Dublin which date back to 841 AD.
In true Danish, style he gathered up as many books as he could and read up on Viking Dyflin.
“The Viking story of Dublin is illuminating both from a Norwegian and Danish perspective.The fact that this city was almost a proto-Venice of the Irish and North sea is something that has largely been forgotten.
One of the things that struck me, is that there is an undercurrent of Nationalism in many of the accounts of Viking Dublin. I think many Irish people narrate the story of the Vikings as ‘us’ and ‘them’, when the truth is far more complex and interesting. I was amazed to learn that a Norse dialect was still spoken in parts of Dublin up until the early 14th century.“
A lifelong vexillologist (flag lover) he set about a simple task (from a design perspective) of crafting a Nordic flag for Dublin using the city’s navy and sky blue colours.
“Every town and village in Denmark has its flag and crest. Ireland is no different in that respect, but you don’t see them, unless you attend a Gaelic football game. Indeed many of those flags are of recent origin. I personally think, Dubliners should be proud of the Norse origins of their city.
It took me a while to get my head around the fact that the colours used at those football matches were not the official colours of the city but only introduced when colour television was introduced for GAA matches…
The Danish flag was formulated in 1748, the design but not the colours were copied by the Norwegians, the Swedes (typical) and the Finns etc. I can see no reason why Dubliners cannot have their own Nordic flag.
I think it looks good. Also, one has to accept that the Irish national flag is itself a knock-off of the French tricolore, so there is no need to stand on ceremony about such things”