Tag Archives: electronic


REPLETEKilkenny electronica

What you may need to know…

01. Replete is Kilkenny-based electronic composer Peter Lawlor, releasing material through American techno label Always Human.

02. Having been on the scene in some capacity or other for a few years now (your writer seems to remember streaming some old stuff on ye olde Drop-d.ie), it comes as a surprise that his first physical release only occurred recently, compiling some older material with an EP’s worth of fresh kill.

03. The (fairly amusingly-monikered) Zizek at the Discotheque is streaming now from Always Human Tapes’ Bandcamp page, premiering this week on The Thin Air.

04. As the label’s name might suggest, it’s available for download and purchase (plus shipping from the States!) on cassette.

Thoughts: No-nonsense beats and pieces from a consistent producer who’ll hopefully finally get his dues in 2017.



2016 has has been a pivotal year for Irish music.

sheet music editor Mike McGrath Bryan writes:

This year has been the strongest in recent memory for Irish music, managing so despite the dissolutions of a great many leading outfits in the community in times of yore, among them this year Fight Like Apes, Enemies and Funeral Suits.

In the eight months your writer has been doing daily explainers on Irish independent music, there’s never been a morning where we’ve been without content, a story to tell, something that’s exciting to put in post and press ‘publish’ on.

What a lot of us figured would be a passing golden era a few years back has become the foundation for something far more sustained – without so much as a look from daytime radio or television, and with minimal coverage from our country’s mainstream media (all this despite good people in each, fighting the good fight, might I add).

Ireland’s music scene is easily the equal of any other offering, anywhere in the world, and arguably, pound-for-pound, the best in terms of quality of releases.

With that being said, let’s dig in to the list.

The divisively-named Top Ten Irish Records of 2016 does come with a caveat, though – joint winners (both ranked #1, with the #2 spot vacated, for the pedants among you).

It’s been that good of a year. Enjoy.

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ELLLLreleasing new extended-player Romance

What you may need to know…

01. Last time we checked in with ELLLL, she’d been putting the finishing touches on her first “proper” collection of songs after years of gigging and composing under the name.

02. Veering from her initial explorations in drone, ambient & noise, and into an atmospheric take on minimal techno, her debut extended player, Romance, finally releases across various formats this winter.

03. Streaming above is the eponymous leadoff tune from the extended player, with a full stream/interview over at the 405.

04. The E.P. releases this week digitally and next month on 12″ vinyl, via Sligo-based label Art for Blind, with the quest apparently on to assemble more tracks for a follow-on E.P.

Verdict: Laden with textures, and built on menacing, foreboding reinterpretations of a multitude of samples, this ought to be something else entirely to hear on wax.



BANTUMnew album available today

What you may need to know…

01. Last we saw of Dublin-based Corkman Ruairí Lynch, aka BANTUM, he’d released his first new single in a while, a collaborative effort with soul singer Loah.

02. Four years on from his debut album Legion, one of the best Irish LPs of recent years, he’s back with sophomore effort Move, featuring appearances and collaborations from Rusangano Family, Senita, Loah and more.

03. It’s streaming above in its entirety, and available for download via Bandcamp. His back-catalogue of EPs, single, and the aforementioned debut are all free, too, and you really owe that much to yourself, today being Friday and all. Treat yo’ self.

04. Next confirmed to be appearing live in support of Rusangano Family at the Sudden Club Weekender at the Kino in Cork on December 9th, though that’s certain to not to be the case for long. Check out this chat he’s had with the Times, also.

Verdict: On first listen: the logical progression from Legion. A wider musical frame of reference and Lynch at his best when working with others.


Photo: Bríd O’Donovan


Researchers at the University of Canterbury in Christchurch, New Zealand, have restored what is claimed to be the earliest recording of computer-generated music, created by modern computing patriarch Alan Turing.

Sez The Grauniad:

“Alan Turing’s pioneering work in the late 1940s on transforming the computer into a musical instrument has been largely overlooked,” they said.

The recording was made 65 years ago by a BBC outside-broadcast unit at the Computing Machine Laboratory in Manchester, England.

The machine, which filled much of the lab’s ground floor, was used to generate three melodies; God Save the King, Baa, Baa Black Sheep, and Glenn Miller’s swing classic In the Mood.

But when UC professor Jack Copeland and composer Jason Long [pictured above] examined the 12-inch (30.5cm) acetate disc containing the music, they found the audio was distorted.

“The frequencies in the recording were not accurate. The recording gave at best only a rough impression of how the computer sounded,” they said. They fixed it with electronic detective work, tweaking the speed of the audio, compensating for a “wobble” in the recording and filtering out extraneous noise.

“It was a beautiful moment when we first heard the true sound of Turing’s computer,” Copeland and Long said in a blogpost on the British Library website.

Beeps and boops streamable above.

First recording of computer-generated music – created by Alan Turing – restored


Loner Deluxenew “cassingle” Long Shore Drift

What you may need to know…

01. Since the last time we stopped in with Rusted Rail Records jefe Keith Wallace, he’s put together a third in a series of digital “cassingles” under the pseudonym Loner Deluxe.

02. Entitled Long Shore Drift, the whole enterprise was inspired by a trip to a remote island off the west coast, and slowly developed from there into tunes for imagined, abandoned spaces.

03. Streaming above is the video for lead-off track Moon Dunes, animated by Galway studio Tiny Epics. It’s a sequel to Deluxe’s last vidjo.

04. Long Shore Drift is streaming and available for download now at Rusted Rail’s Bandcamp.

VERDICT: Beatsier than previous outings, but with no less emphasis on spacey noises or atmosphere.

Loner Deluxe


Tenronew single from electronic power-duo

What you may need to know…

01. Tenro ply an oddly trippy, contemplative ambient electronica, busy, yet sparse.

02. Comprised of Marc Aubele (Nanu Nanu, Bell x1) and Brian Conniffe (CatscarsNurse With Wound), the duo have been slowly working on their debut full-length inbetween live appearances and cryptic social media postings.

03. Streaming above is single Vimana, replete with suitably psychedelic (and possibly not for the light-sensitive) visual accompaniment.

04. The duo’s debut album comes out through Little Gem Records next month.

VERDICT: Fragments of recognisable musical reference points abound, but escape the grasp as quickly as the next one appears. These lads aren’t for pigeonholing, and all the better for it.



SKYMASnew single ‘No Easy Way Out’

What you may need to know…

01. SKYMAS are a Belfast electronic/rock duo comprised of Martin Corrigan and Nick Todd.

02. Emerging in 2013, the band have slowly been releasing a series of singles that have begun to bring them to the attention of Northern music media, including The Thin Air, who’ve called them “an act that aim straight for the sonic jugular”.

03. Above is streaming audio of the new single, as premiered on TTA’s website.

04. Available for download now via Amazon Music, with another single and attendant live engagements to follow later this year.

VERDICT: Like early Therapy?’s big-beat moments, welded to the grooves, riffs and rhetoric of Nine Inch Nails. For those who are so inclined.



OSTNew single from Limrock soloist’s third album

What you may need to know…

01. Artist and musician Shane Harrington’s OST project continues his ongoing observations of life in New York City, and his own internal monologues.

02. After moving to New York from Limerick in 2011, Harrington released debut album Invisible Ink for Sketching Ghosts the following year, and followed up with last year’s drone-inflected Dreams During Hibernation full-length.

03. Streaming above is new single Homeless, the first from album #3, Uncaused, releasing September 19 on iTunes, Spotify and Bandcamp. Pre-orders available now.

04. Harrington relates some of his experience with collaboration on this record:

“Guitars, bass, sequencers, synths, organ, engineering and mixing were all handled by myself. This contributed to the lengthy time it took to finish the album. Drums were played by Zoe Black, a homeless (at the time of recording) percussionist from Japan, who has since left New York.

“She was living out of a suitcase near Tompkins Square park when I met her and I feel she has elevated the songs with her unique jazz-influenced style. The final track contains a field recording of her singing with a gospel choir in Prospect Park. I do not know the name of the song, nor do I know what became of her.”

Verdict: Doing away with sampling completely has entirely changed Harrington’s trajectory, resulting in bare-bones, jazzy, post-rock excursions like this. This record could be one of the year’s sleeper faves.



I Am the Cosmosnew single and launch gig this weekend

01. Ross Turner and Cian Murphy are Dublin electronic duo I Am the Cosmos.

02. 2013’s debut album Monochrome was an impressive statement of intent, and made off with Nialler9’s Album of the Year. They’ve kept appearances scarce since, but have signed a publishing deal with magnates Faber Music.

03. Streaming above is the band’s new single Letting It Go, released earlier this month via Happy Valley Records digitally and on 7″.

04. Launch show goes down tomorrow night at the Bello Bar in Dublin. Support from Padraig Moore and a DJ set from the good folk behind culture blog/collective This Greedy Pig. A tenner in, tickets available here.

Verdict: Minimal, yet spacey electronica with a stern-faced, almost post-punk sensibility.

I Am the Cosmos