A rug-cutting celebration of memorable movie dance scenes by Brazilian film critic and video artist Diego Carrera.
Annie Onishi, general surgery resident at Columbia University, breaks down the medical accuracy of operating room scenes from a variety of television shows and movies.
A breakdown by Vanity Fair of the take-home pay earned by the hypothetical cast and crew (excluding non-human costs, and based on average union rates) of a hypothetical 200 million dollar Hollywood movie. To wit:
Moviemaking is an art, of course—but it’s also a business, and a lucrative one at that. How lucrative? Well, that depends on your place in the pecking order. Let’s just say that if you’re helping to make a $200 million movie, it’s better to be a producer than a dolly grip operator—although as you’ll learn in this video breakdown of who’s earning what, based on average union rates, even the gaffer makes out pretty well.