Tag Archives: Quentin Tarantino

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A deftly edited montage by Beyond The Frame celebrating the shared universe of Quentin Tarantino’s various films. To wit:

Everything’s connected. There are two universes shared by Tarantino’s characters. Everyone’s related, but unlike real families they talk to each other on the phone. They all eat Big Kahuna Burgers and smoke Red Apples, but somehow seem fit. K-Billy. Records scratching. Shots from trunks.

MORE: Tarantino’s Cinematic Universe (explained) (Patreon)

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A side by side compilation of the first and last appearances of various characters in Quentin Tarantino movies by editor Albert Goméz for some reason but why the hell not.

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The video editors of Mashable Watercooler’s Trailer Mix imagine how Spielberg’s 1998 epic would have been pitched by The Quent.

In short, as is, only moreso, with tunes.

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The final installment of editor Jacob T. Swinney’s rather fine four part series on the  Tao of The Quent. To wit:

Out of all of the trademarks that define Tarantino’s style, the filmmaker may be most recognized for his gratuitous use of blood and violence. The excessive bloodshed often seems to serve as a tribute of sorts to a style or genre of filmmaking (Japanese cinema, Westerns, etc.), but according to Mr. Tarantino himself, he indulges in the red liquid simply because “it’s so much fun” (see end of video). Here is a look at some of Quentin Tarantino’s bloodiest moments.

Previously: Part I, Part 2 and Part 3.

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Editor Jaume R. Lloret’s compilation of snuff from Reservoir Dogs (1992); Pulp Fiction (1994); Jackie Brown (1997); Kill Bill Vol. 1 (2003); Kill Bill Vol. 2 (2004); Death Proof (2007); Inglorious Basterds (2009) and Django Unchained (2012).

Warning: gore, obviously.

Music: Didn’t I (Blow your mind this time)? by The Delfonics

Brad said it best.

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A college project by graphic design student Timor Barshtman:

…which depicts his ability to transform and reintroduce familiar actors as completely new characters with detailed network of connections through different movies.

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In case you missed it: Quentin Tarantino enjoys (and gives his imprimatur to) the Kerry Shtyle lip dub of the Royale with Cheese scene from Pulp Fiction on last night’s Graham Norton Show.

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A deftly cut tribute to the films of Quentin Tarantino by editor Joel Walden, who sez:

The work of Quentin Tarantino has always left an impression on me. Although many think that he delves too deeply into paying homage to his influences, I feel that his films are kinetic, deep and always offer a great time at the cinema. Whether it be is unique style of dialogue or impeccable moments of tension, it’s undeniable that Quentin Tarantino is one of the most talented directors working today. With this action packed and bloody installment of ‘The Works’, my goal was to display exactly what I feel makes Tarantino such a great director.

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