Tag Archives: Ray Darcy


Paul Kimmage

Sinéad Harrington writes:

Brides-to-be and Say Yes To The Dress fans are in for a huge treat as wedding dress guru Randy Fenoli will share his fascinating life story and offer a unique twist on Say Yes to the Dress live in studio.

Sports journalist Paul Kimmage will tell Ray just why he turned down the chance to interview Lance Armstrong in Dublin and will give his thoughts on the disgraced cyclist’s imminent arrival to Irish shores. He will also talk about his recent highly controversial comments in relation to the use of drugs in rugby and other sports.

All five Celebrity Operation Transformation participants -Brenda Donohue, Elaine Crowley, Gerald Kean, Katherine Lynch and Karl Spain -will join Ray on the couch to chat about the success of the recent series

Ray is also bringing ‘Good News’ back to our TV screens again this week, following a great response from the public when it was hosted by guest newsreader Brendan O’Carroll on the first show of the new season last month. Once again, the show team are keeping the identity of this week’s newsreader secret- can you guess who it might be?


The Ray D’Arcy Show tomorrow night on RTÉ One at 9:40pm.


Need more Carrigstown and Kerry Katona?

Read on.

Sinead Harrington writes:

Former girl group star and reality TV queen Kerry Katona will be live in studio with Ray to discuss reuniting with her husband George Kay, juggling work with five children and will also reveal her plans for the future.

To mark its recent 4,000th episode, three Fair City stars will join Ray on the couch. Actor Bryan Murray who plays lovable rogue Bob, Rebecca Grimes who plays sex siren Hayley and Tony Tormey whose character love rat Paul Brennan has everyone talking, will chat about life on Carrigstown and give Ray the low down on a few behind-the-scenes secrets!

Writer Sophie White will share her powerful story about suffering from a bad ecstasy trip at Electric Picnic, which led to her having a breakdown…

…Two well known faces will go head to head in a lip sync battle in aid of the Marie Keating Foundation’s ‘Fake some Noise’ campaign. And musical lovers are in for treat as the stars of the West End musical version of The Commitments will also perform a special medley of some of their biggest hits.

*kicks telly, heads to McCoy’s*


The Ray D’Arcy Show this Saturday 8th October, RTÉ One, 9:35pm.

Pic: RTÉ


Fr Brian D’Arcy

Staying in tomorrow night?

Ma, that priest is on again.

Rayna Connery writes:

On this week’s Ray D’Arcy Show Father Brian D’Arcy will be dropping by to reflect on his 47 years as a priest, and to share his memories of the late Terry Wogan and Frank Kelly, amongt others. Dr. Pixie McKenna will lift the lid on what young Irish people really think about sex and sexual health. Republic of Telly star Joanne McNally will be updating us on her search for her birth parents…music will be provided by up and coming Dublin band State Lights

Ray D’Arcy Show tomorrow on RTÉ One at 10:05pm.


Shane Paul O’Doherty, aged 18, on the run in London, 1972

Repentant IRA bomber Shane Paul O’Doherty went on the Ray D’arcy Show on RTÈ Radio 1 yesterday to discuss his life growing up on the ‘wrong side of the border’and why he turned to violence.

In a lengthy, compelling interview Mr O’Doherty, who took to religion in Long Kesh, addresses ‘misconceptions’ about when the Troubles began, questions the role – if any –  of the 1966 Easter Rising commemorations in luring young men to the IRA and speculates on the organisation’s most famous ‘non-member.

Grab a tay.

Ray D’Arcy: “My next guest, Shane Paul O’Doherty received 30 life sentences for his bombing campaigns with the IRA in 1975. Seeing his victims in court sent him on a journey of discovery through years of studying the Bible and corresponding with his Bishop, he found the truth he’d been looking for in the isolation of his solitary cell. Today, he’s still atoning for his actions. How’re you doing Shane?”

Shane Paul O’Doherty: “Who wrote that Ray?”

D’Arcy: “Will wrote it. You were the subject would you believe of a documentary on Sunday night?”

O’Doherty: “I accidentally emailed Roger Childs – “

D’Arcy: “…Who is the Head of Religious Programmes at RTÉ”

O’Doherty: “ – about six months ago, I said Roger, ‘Can you think outside the box, can you make a sexy, different play about Kevin Barry about his last few weeks?’ So, it worked out that we got a documentary about me writing a play about Kevin Barry and more, and more of my story than I really wished – because, I mean I’ve had this book out about donkeys years – that I’ve brought you a copy of and one for Will, there isn’t a copy for everyone in the audience.”

D’Arcy: “Thanks Shane. Well, I watched that and I watched Peter Taylor’s documentary, which was made in 1989, in which he spoke to your four brothers and your ma – it’s very fascinating and the interesting thing was that you wrote a letter when you were nine, which said, ‘When I grow up I want to fight and if necessary die for Ireland’s Freedom’. Signed Shane Paul. Well, you were nine – in 1965.”

O’Doherty: “Yeah, well I was 10. I had been reading books about Irish history for years, there was a real library at home and I somehow got stuck into books on Irish history, with you know the terrible sorrows of Irish history, and you know there was one book there – ‘Speeches from the Dock’ – an old book, I’ve still got copies of it yet. and I was fired up as a kid, you know, as someone who was reading from a very young age, my Da was a teacher in the Christian Brothers, he was a great man for reading and I had read so much about Irish history that i was overwhelmed by its tragedies and I had a notion, you know that I wanted to grow up and fight for Ireland – to die for Ireland. But the interesting thing was when I was being interrogated by the RUC much later, having been arrested during the cease-fire in ’75 – they raced in with great glee at one point in the interrogation and showed me this – and I was more embarrassed by that note…”

D’Arcy: “…that you’d written as a nine year-old.”

O’Doherty: “…than I was being embarrassed about being captured. So embarrassed by it.”

D’Arcy: “So they were using that as evidence against you?”

O’Doherty: “Ah well, I’d say it was intended to cause me embarrassment. You know, what a D Head you are – we’ve captured you, you know?” Continue reading

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From top: Boni Odoemene and Elham Osman

RTÉ’s documentary I Am Immigrant is on RTÉ Two tonight at 9.30pm.

This afternoon two people from the documentary – Boni Odoemene, originally from Nigeria, and Elham Osman, originally from Libya – spoke to Ray D’Arcy on RTÉ Radio One.

They talked about racism, prejudice and change in Ireland.

Grab a tay.

Ray D’Arcy: “So, Boni first,  you came to Ireland when you were…”

Boni Odoemene: “Two years old.”

D’Arcy: “From?”

Odoemene: “Nigeria.”

D’Arcy: “And tell us why you came?”

Odoemene: “My dad was a diplomat so it was one of the countries of his diplomatic duties to be here. So, it was in 1998, I was two years old and here, we go, Dublin.”


D’Arcy: “So have you gone back to Nigeria to holiday?”

Odoemene: “No, unfortunately not, I haven’t, I have not once. It’s 18 years, is it 18 years? Yeah I think so.”

D’Arcy: “You’re 22..”

Odoemene: “I’m 22 in two months, 21 in two months, my mistake but yeah, I haven’t gone back so everything I know and everything I’ve seen in my life has been here in Ireland.”

D’Arcy: “And you’ve no memories of Nigeria?”

Odoemene: “None whatsoever.”

D’Arcy: “Are there pictures in the family album of you in Nigeria?”

Odoemene: “Yes, there is.”

D’Arcy: “Right ok, and you’re mum and dad, do they share stories of your home country with you?”

Odoemene: “Oh yes, they share stories, a lot of stories, I’ve had the privilege of learning about the history and the culture of two different countries so I’m very happy with that.”

D’Arcy: “And do you feel as comfortable as being called a Nigerian as you would being called Irish? Which label do you feel most comfortable with?”

Odoemene: “Both, on the face of it. But when I was younger, no-one ever said it to me but  you always felt that you were lying to yourself if you’re looking in the mirror as a black lad and say, ‘I’m Irish’. No-one ever said, ‘you’re not’. But you, in your head, always felt that you were deceiving yourself.”

D’Arcy: “Yeah.”

Odoemene: “Yeah.”

D’Arcy: “I suppose you know, I’m from a generation, and I used to say it, like we were probably one of the most homogeneously white countries in the world because we’re on the western extremities, we were up, and people travelled as far as England and stopped so people were, we were predominantly white. And it’s only happened in the last while. Now, for the next generations, it’ll be completely acceptable. We’re in a period of transition I think. And you’re living in that.”

Odoemene: “Yeah.”

D’Arcy: “Yeah. How does, does that explain things a bit to you? It’s going to be more, it’s going to be easier for people like you in years to come.”

Odoemene: “Definitely, whenever you ask yourself a question like, ‘why’s it like this?’, oh you have to understand that it’s only been what 15/20 years since the whole kind of change, multiculturally here. But then you say to yourself, but at the same time, it’s what, 2010, 2015, 2016, it’s not the 1960s where this was new to the whole world. So it’s hard to wrap your head around. But it’s something that we’re getting, we are finding a conclusion, as a country ourselves and I’m happy to be part of it.”

D’Arcy: “Elham, what’s your story?”

Elham Osman: “I moved to Ireland at the age of eight. I was born in Tripoli in Libya and then moved to Egypt at the age of two and then left Egypt when I was eight. We came here to join my dad, he came here in 1999. He came to work and then we came two years later. ”

D’Arcy: “What age were you?”

Osman: “Right now? 23.”

D’Arcy: “So you’ve been here 15 years.”

Osman: “Yeah.”

D’Arcy: “And you consider yourself…”

Osman: “Both.”

D’Arcy: “Both.”

Osman: “Yes, a malteaser. I’m brown on the outside but I’m white on the inside, a lot of people would call us that, or a coconut or anything that had two colours.”


Osman:Here I’m a stranger but, back home, I’m also a stranger because I’m the girl who is living abroad. But here I’m the girl who’s wearing a head scarf.”

D’Arcy: “What’s? How many muslims are in Ireland now? What’s the population?”

Osman: “Last time I heard or saw, it was 50,000 I think, 55,000.”

D’Arcy: “That’s a good chunk..”

Osman: “It’s a big population.”

D’Arcy: “So your family, you go back to Egypt regularly.”

Osman: “Yes, to Cairo.”

D’Arcy: “And your husband is…”

Osman: “In Egypt, yeah.”

D’Arcy: “Mohammed is his name?”

Osman: “Yes.”

D’Arcy: “In the documentary you’re talking about the fact that he’s finding it difficult to get a visa to stay in Ireland.”

Osman: “Yeah. It was easier a few years ago but nowadays, with what’s happening, things have changed and a lot of rules came in and it’s just getting harder I think. But I don’t really blame them because of what’s happening right now in the western world in general. It, yeah, it just gets harder. But we’re just waiting to see what’s going to happen.”

D’Arcy: “And you, obviously, you know when things like Brussels and Paris happen, how does that affect you?”

Osman: “It used to offend me years ago and I used to get in defence mode where I’d have to justify myself and I used to literally sit there and explain to people this is not what Islam says and stuff but nowadays, I just, like I even tell my friends, we don’t have to justify ourselves because, you know, it’s not our fault people think that way and it’s not our fault the media shows this, you know? It annoys me when I see something like that because people automatically think ‘it’s a muslim’, you know, even before you know who did it. Whenever an attack or bombs, or whatever, you just assume it’s a muslim. And nowadays if anyone wants to bomb anywhere, they just say ‘Allahu Akbar’ and there you go…”

D’Arcy: “Do you not think that ISIS were responsible for that? They’ve claimed responsibility for…”

Osman: “I don’t know where they came from. Because I, I don’t consider them muslim because they don’t follow anything that Islam says..”

D’Arcy: “But they’re doing it in the name of…”

Osman: “Unfortunately, unfortunately.”

D’Arcy: “Yes.”

Osman:Unfortunately, and that’s what people see on the media. And that’s what makes people’s ignorance grow as well unless they, people who deal with other cultures have more of an open mind to take in things and understand other cultures and other religions. But other people who just see the media and have no connections with the outer world, I guess, or people like myself, or Boni, or whatever, they just, all they have is this media and they just have to go by what they see..”

D’Arcy: “And the muslim population in the world is 1.8billion.”

Osman: “Exactly, like if we were all terrorists, the whole world would be gone, you know?’

D’Arcy: “Yes, it would. So what about living then and racism? Boni, have you experienced racism?”

Odoemene: “Oh yeah, it’s something anybody that’s non-white is expecting in some shape or some form, whether that be the old school in-your-face mystery mentor yelling of, can I say the n word, can I?”

D’Arcy: “You can yeah.”

Odoemene: “Nigger, yeah? Deadly craic, right?”

Osman: “Or Paki and I’m not even Pakistani, like I’m not Asian, if you want to be racist, be right like.”

Odoemene: “For real. But yeah it’s something that for all of us who are non-white have expected it in some shape or some form. What’s happening now is that the traditional in-your-face racism is slowly being filtered away and what’s being replaced, what’s replacing it is the more indirect one and it’s so subtle only those who are on the receiving end..”

D’Arcy: “Give us an example..”

Odoemene: “Oh for example I could be sitting on the bus and if I’m the only black person on the bus I’m probably the only person who’ll think, ‘who’s going to sit next to me?’.”

Osman: “Exactly.”

Odoemene: “Just in my head. There could be two or three seats left, or no seats at all. But I’m still thinking, she probably won’t, he or she probably will not sit next to me.”

D’Arcy: “Cause you’re black.”

Odoemene: “Yeah, oh, definitely. Or I could get on the bus right now and the whole bus could be packed up or there could be three or four spots left. I’m looking at whose reaction to me, walking past them, is the most open reaction so I can sit next to them. So it’s little things like that…”


Osman: “[On Dublin Bus] I was with a friend of mine going back home, well going into town from DCU, that’s where I went to college, and a group of six, well seven, girls attacked us. Just because. They were about 16/17 and first it was verbal abuse like, they were just saying stuff but that’s something we’re used to so whatever, like, you brush it off. But they kept going on and then, at some stage, my friend said something back to them and then they actually physically attacked us on the bus. And as the driver was getting out, the girls to go downstairs, well they should have been kicked off but they went downstairs, and when he came up, he told them to go so he could see who actually, you know, was doing the whole trouble, problem, whatever. One of them said, ‘I’m ginger, get them off the bus‘.”

D’Arcy: “I’m what?”

Osman: “I’m ginger, I’m Irish. I feel so pathetic saying this but that’s what she said. And it actually made me laugh, like, are you serious? You know. And then they..”

D’Arcy: “That antagonised them more I would imagine, the fact that you laughed. Were they referring to your headscarf or..”

Osman: “Yeah she was like, actually it was right after Bin Laden was dead or something and they were like, ‘are you upset with Bin Laden your da?’ and I was like, ‘ok’. I clearly wasn’t. And then, when we got downstairs, we got off the bus, they followed us off the bus onto Dame Street to College Green and they physically attacked us then.”


Odoemene: “What I can see is that there’s becoming more of a youthful awakening politically. Being different is the norm nowadays, it’s being celebrated more. Example of that was the wonderful result from the marriage referendum last year. What we’re doing as a nation, celebrating the difference, but, at the same time, that safe haven you see around maybe within your college walls or your youth centres but it’s when you go outside to far more traditional areas, it’s not the same. Or when you go back to your home town or outside Dublin, as well, it’s not the same as you may feel. There’s a slow change but it’s coming.”

Listen back here in full

Previously: ‘I Used To Fantasise About Being White’

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Former Secretary General of the Department of Finance Kevin Cardiff at the launch of his book Recap – Inside Ireland’s Financial Crisis in Dublin last night 

He’s back.

And he’s on RTÉ Radio One’s Ray D’Arcy Show right now.

How’s that going?

Right so.

Eamonn Farrell/Rollingnews



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The perils of technology for all to see (The Catholic News)

Previously: Panti’s Back On

“Everyone Sat There Enjoying The Spectacle Of Me Being Savaged”


World champion amateur boxer Michael Conlan




The Ray D’Arcy Show on RTÉ One at 10.05pm

Tara O’Brien writes:

Fresh from his Gold medal winning performance at the World Amateur Boxing Championships in Doha, newly crowned bantamweight World Champion Michael Conlan will join Ray to talk about his recent success and his plans to target Olympic glory. Former Coronation Street actor Bruce Jones (who played the role of Les Battersby) will be telling Ray about hitting rock bottom after he lost it all And one of Ireland’s top models Roz Purcell will also be joining Ray on the couch to talk about her interest in fitness, fashion and food…..Former Westlife star Markus Feehily will be performing his new single.


Pic: Michael Conlon


Drone footage of the new set for the Ray D’Arcy Show debuting tomorrow night on RTÉ One.

Set designer Sinead O’Hanlon writes:

One of the key challenges for any chat show set is to ensure that both the presenter and their guests feel comfortable and at ease. Ray wanted the set to feel warm and to have an intimate feel, bearing that in mind we have tried to make sure he is as close to his guests and the audience as possible. We have used a blend of colours, materials and lighting to create a warm, engaging and contemporary design for the set. We also have a larger than usual performance area with a simple but effective LED background which allows a variety of looks for the many bands and performers that we hope to welcome to the show.


Previously: The Rays Of Our Life