Tag Archives: Tarantino
Talented button jockey Jabob T. Swinney (he of the excellent thing we called Quentinnitus) sez of this nifty montage:
Quentin Tarantino is the master of the extreme close up and utilizes the technique for a variety of reasons. The shots are often used to convey the gravity of a particular situation or the manipulative strength of a character’s vice. Some express power, some express weakness, and others just simply look cool. Here is a look at Tarantino’s masterful use of the extreme close up throughout his feature film career.
MORE: Video Essays: Quentin Tarantino and Jonathan Demme’s Use of Close-Ups (Rope Of Silicon)
Quentinnitus
atA really very-crisply-edited-indeed exploration of the trademark soundscapes of director Quentin Tarantino by Jabob T. Swinney.
Another frenetic, shouty speedrun classic from 1A4studio.
Previously: The Big Lebowski In 60 Seconds
httpv://www.youtube.com/watch?v=wJKe-u9-zS8
What you may need to know:
1. This martial arts spectacular is co-written, directed by and stars Wu-Tang Clan legend The RZA.
2. The film is ‘presented’ by Quentin Tarantino. Naturally.
3. RZA previously starred alongside Russell Crowe in American Gangster (2007). Rusty looks like he’s having fun here.
4.Best tagline of 2012: ‘They put the F-U in king fu’.
5. Plus: Possibly the best eye-popping scene since Evil Dead 2.
Release date (Ireland): Unconfirmed
The Man With The Iron Fists (IMDB)
Australian überremixer Nick ‘Pogo’ Bertke’s catchy new joint: Lead Breakfast – a blistering (NSFW language) take on Pulp Fiction.
And for true fans, here’s the man himself explaining how he does what he does.
http://www.youtube.com/watch?v=ykgYj0VaoHY
http://www.youtube.com/watch?v=4W8p1MVrueg
By re-editing the famously unchronological Pulp Fiction into chronological order, Youtuber crimewriter95 has done a very interesting and very awful thing.
We love Pulp Fiction the way it was intended. So we’re not watching it. No way. OK, maybe the first twenty minutes.
via/pic
From the ‘Quentin versus Coen’ exhibition at San Francisco’s Spoke Art Gallery last June : a feast of eye candy from various artists, all paying homage to the work of the three filmmakers. Available as prints from $30 to $240.
(Above from top: Greg Gossel’s “Quentin vs. Coen Round Two”, Joe Smith’s ‘Far From OK’, Joshua Budich’s “Reservoir Dogs” and Isaac Bidwell’s “Soggy Bottom Boys”)
[vimeo clip_id=”19469447″ height=”” width=”640″]
As part of their Everything’s A Remix project, Kirby Ferguson and Robert Grigsby Wilson take a slick, extended look at how Quentin ‘Kill Bill’ Tarantino pays homage to cinematic history.
You may not agree with every juxtaposition, but most of them are undeniable.