Rhyme, Reason And Rahoonery

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Poet Kevin Higgins

This morning.

Kevin Higgins has responded to criticism of his poem posted yesterday to mark the 5th anniversary of the Carrickmines fire.

Kevin writes:

I grew up mostly, from the age of seven, in the Rahoon/Newcastle area of Galway City. We moved here in 1974, and I have lived back here since 2004. This area has been notorious for its anti-traveller racism, much of it stoked by local politicians. The area has even added the word “Rahoonery” to the language.

I know the voice of the anti-traveller racist, which I channel for satirical purposes in my poem ‘After The Barbecue’, intimately. I am happy that this poem has provoked outrage; I think the idea that a tasteful poem should be written about such an event is itself a disgrace.

There was nothing tasteful about what happened and certainly nothing tasteful about the anti-traveller protests of those Carrickmines residents.

The Irish poetry world is awash with tasteful poets. I do not aspire to be part of that tradition. Mine is the tradition of Brecht and Swift, neither of whom, despite their very varying politics, gave any consideration to what crying liberals and closet racists considered tasteful.

In this sense, though I don’t take pseudonymous comments on the internet very seriously, I embrace the distaste of some of the commenters on this poem. I am delighted that I have succeeded in exposing the fact that they appear to be far more exercised by a poem than they were about the deaths of these travellers, and the racism of local residents.

Let them get up an online petition against this poem; I couldn’t care less. If anyone has a serious critique of this poem, let them write an article about it and publish it somewhere.

Kevin Higgins

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67 thoughts on “Rhyme, Reason And Rahoonery

  1. Charger Salmons

    Wahaay – good man Kevin.
    There’s nothing like a bit of woke-poking on here to have them up on their hind legs whining in an instant.
    Great poem which had the intended effect.
    The KFC line was sublime.
    Note to admin – more of the same please.

  2. broadbag

    Ah, so people who felt your poem crossed the line are racist and/or are more outraged by your distasteful phrases than they were by the tragic death of humans? Hmmm…maybe, just maybe, there’s different levels of outrage available for different things, but that’s far too nuanced for such a maverick wordsmith as yourself Kevin, oft mentioned in the same breath as Brecht and Swift…

    Anyway, fair play for doubling down and proving beyond doubt that you have a loose grasp on reality, your poetry always hinted at it, good to have it confirmed.

    1. Gabby

      Poetic inspiration, poetic sentiment, insight into life and topic,poetic craft & auditory imagination are among things to consider when evaluating a poem.

  3. Bertie Theodore Alphege Blenkinsop

    “I am delighted that I have succeeded in exposing the fact that they appear to be far more exercised by a poem than they were about the deaths of these travellers”

    Speaking as someone who queued to sign the book of condolence he’s wrong.
    Although i’d happily sign a book of condolence for Kevin’s writing if it stopped him.
    Still. he got the attention he craves for his deliberately provocative drivel, so job done presumably.

    PS Kevin, when Charger is admiring your work, it’s time to check yourself.

      1. Charger Salmons

        Ireland has one of the worst records in the EU for the treatment of black people.
        Travellers come even further down the food chain.
        They’re marginalised and victimised and live in horrendous Third World conditions.
        No wonder so many on here get irate when it’s pointed out to them.
        Even by a poet.
        ” But poets are one of us aren’t they ? This fellow sounds like one of those angry rapper types “

        1. Janet, dreams of big guns

          lol, half my family are not white so the racist card doesn’t work,
          my mother’s first friend in the south was a travelling woman, she didn’t care my mother wasn’t catholic or had no money like her fellow prods,
          I have also been on the receiving end of plenty of racism here, usually auld wans who don’t realize they are being racist or young scumbags looking for a fight ( or at least they think they are until they get a clatter ),
          I’m not about to label the whole of Ireland racist, stop with the everything is black and white trolling, leave that to Kevin, you’re better than that

        2. Bertie Theodore Alphege Blenkinsop

          Is that a hangover from the 270 years we spent trading in African slaves to toil in our colonies? Oh wait, that wasn’t Ireland….

          1. Charger Salmons

            Ireland has been ranked the second worst among EU countries where black people have experienced “racist violence”.
            The lowest rates were observed in Portugal and the United Kingdom.
            https://www.thejournal.ie/racism-europe-4363823-Nov2018/

            Of course the picture may have changed in the past two years but somehow I doubt it.
            Even my white Slovakian gardener has some harrowing tales of abuse from supposedly respectable people.

          1. Charger Salmons

            Nope.
            For some Travellers it’s still Third World conditions as they haven’t developed in decades.
            Do try to keep up.

          2. Charger Salmons

            Providing a link to a story about an extenstive EU survey into racism is ” a racist narrative ” ?
            Unbelievable.

  4. Mr .T

    I think Kevin is a booper boop – but I can see what he was going for.

    It’s still not a great poem – but its clear from the reading what the perspective is and the intent, if you cant get that then maybe poetry isn’t your thing

  5. millie madonna

    I think it’s a pity. Kevin can write a decent poem – I think the last one published here was very good, so the ability is there.

    I don’t think it makes me racist for disliking a poem that is so aggressively provocative that to read it feels like some silly getting in my face and asking me “Are you startin’?”.

    It means I have taste, and I’ll stick by my initial comments, thank you.

  6. Vanessanelle

    If anything it demonstrated the Poet’s own inherent or possibly own default racism

    Check my last post out on the original thread
    or not, this is easier actually

    just swap out the Carrickmines victims in the second bit verse thingie
    for the Stardust victims

    and lets see how cocky the Poet is to title his work a Barbeque
    or Broadsheet is to host Kentucky Fried Stardust Victims

    Double Standards, Twofaced n’ all that

    Tell you what Kevin
    I will write it up, and I will publish it elsewhere
    and you won’t like it one bit
    Funny enough was a racist that had Frilly Keane shuttered
    didn’t hear a word of your indignation then

    Double Standards and Twofaced n’all that
    Boys oh Boys

    1. Gay Fawkes

      I don’t think swapping in the Stardust victims would quite work Vanessa. It would be a completely different poem then. I presume you have heard of A Modest Proposal by Swift, a published satirical essay in which he proposes that poor people eat their young. If Swift had written that rich people should eat their young it might not have had the same effect and probably wouldn’t have been published.

      I do think he is confronting NIMBYism rather than promoting it.

      1. Vanessanelle

        Actually I plugged in a link to that essay yesterday on the other thread
        but thank you for the lesson

        And I know a bit about satire meself
        and stretching it until it snaps back into the face like a whip
        then it gets called ‘conceit’

        Funny how t’was when Bunty Twungtington McFuff (aka Norma Burke) did satire
        this gaff wasn’t a bit pleased with it
        Shur’ yis weren’t boys n’ girls
        I seem to remember quiet a few comments, here and in the Chat Pit that wouldn’t look good today
        Where’s all that talk now lads

        Invoke Satire if you like, but be prepared to eat a bit of Bigoted Free Speech back-at-yas
        a good bit actually

        anyway, less about Satire …. double standards n’all that
        I don’t like that commenters here get to pick and choose what Satire is ok with them
        That denies the freedom of Satire to be allowed be exactly that
        Satire on its own terms

        at best this poem was bad poetry and crass
        But it is most definitely exploitive
        it is an old poem that the Poet himself rebooted yesterday
        for no other reason than for the reaction it got here
        That’s exploitive

        I’m not afraid to call it cowardly and racist either
        Because it is

        He used Carrickmines because he could just about get away with it
        Stardust barbeque
        Kentucky Fried Stardust Relatives
        I’d be very surprised if Broadsheet would have published that

        oh, little thing about Swift btw
        He coined the name Vanessa
        That’s how I like my Satire
        The last word

        1. Gay Fawkes

          Clearly it’s a satirical poem in the vein of Swift. I wasn’t trying to give you a lesson either. I said I presume you know it because I presumed you did because you’re an intelligent woman. Your response is a bit catty, Vanessa, and there’s no need for it.

          Also Broadsheet has just published your “Kentucky Fried Stardust relatives” riposte and allowed it.

          I mean you have written that out and people may be offended by your riposte regardless of your intentions of using the Stardust victims to support your argument.

          Maybe you should consider the intentions of the poet also.

          1. Vanessanelle

            You know I did think of that when I wrote it
            That people would be offended by my Stardust Tragedy interventions

            However you’ve just proved my point(s) about the Poet’s real intentions
            by isolating one tragedy from another, and treating them differently
            Even in a poem
            at the very least he exploited one tragedy within a community that we have never done right by, and ignored another that we still haven’t done right by

            For a person who’s livelihood and reputation relies on the use of words
            Words are very important
            the title
            Barbeque
            the description
            Kentucky Fried Relatives
            no amount of poetic licence can hide that cheap glibness
            Or carelessness,
            I stand by my assertions that the Poet would not have referred to the Stardust Tragedy as a Barbeque

            Please don’t invoke Satire as a cloak for the poet here
            Not here

  7. curmudgeon

    “the racism of local residents”. Says it all really.

    You don’t live in the real world Kevin.

  8. dan

    It’s a crap poem Kevin. When the only publicity you generate involves about 30 on line posters you know that your desired result of causing outrage has failed, failed good but failed nonetheless.

    It did get me curious about your other poetry, but to be honest that’s not great either

    there once was a poet called Kevin
    Who believed he was born in Heaven
    He wrote a poem about death
    Crass, unsensitive, tripped out on meth
    His admirers then numbered 7

    1. Janet, dreams of big guns

      I think there’s one about grabbing testicles …or am I confusing him for Swift ?;)

      1. Hammy

        I think that was our good friend Terry telling us his tale of auditioning for fair city and the vast extent of the chip on his shoulder

  9. Daisy Chainsaw

    It can’t all be “wandring lonely as a cloud”. If a young spoken word artist performed this, I wonder would the response have been the same?

    1. Janet, dreams of big guns

      Do you think Kevin’s unpopularity in general among readers here has spurred this response ? While I’ll admit to never enjoying his style, tone or general delivery of ideas I felt something different this time, if it was my family is feel Kevin was using them to his own gain in a way I’m not comfortable talking about the dead.

      1. Daisy Chainsaw

        Personally, I think a lot of modern
        poetry is just badly
        punctuated
        sentences.

        So I’m not the biggest fan of the poetry ouvre, but the anger in this poem wasn’t aimed at the victims or the survivors and their families, it was aimed at the nimbys and those who made those kind of “jokes” in the aftermath of the tragedy.

    2. millie madonna

      If I may offer another poem by Robert Frost, which I always found shocking and provocative, and it always stayed with me because of the imagery and language used. It never strays into crass or crude, in the way that Kevin’s poem did for me, which is memorable for the wrong reasons imo.

      ‘Out, Out—’

      The buzz saw snarled and rattled in the yard
      And made dust and dropped stove-length sticks of wood,
      Sweet-scented stuff when the breeze drew across it.
      And from there those that lifted eyes could count
      Five mountain ranges one behind the other
      Under the sunset far into Vermont.
      And the saw snarled and rattled, snarled and rattled,
      As it ran light, or had to bear a load.
      And nothing happened: day was all but done.
      Call it a day, I wish they might have said
      To please the boy by giving him the half hour
      That a boy counts so much when saved from work.
      His sister stood beside him in her apron
      To tell them ‘Supper.’ At the word, the saw,
      As if to prove saws knew what supper meant,
      Leaped out at the boy’s hand, or seemed to leap—
      He must have given the hand. However it was,
      Neither refused the meeting. But the hand!
      The boy’s first outcry was a rueful laugh,
      As he swung toward them holding up the hand
      Half in appeal, but half as if to keep
      The life from spilling. Then the boy saw all—
      Since he was old enough to know, big boy
      Doing a man’s work, though a child at heart—
      He saw all spoiled. ‘Don’t let him cut my hand off—
      The doctor, when he comes. Don’t let him, sister!’
      So. But the hand was gone already.
      The doctor put him in the dark of ether.
      He lay and puffed his lips out with his breath.
      And then—the watcher at his pulse took fright.
      No one believed. They listened at his heart.
      Little—less—nothing!—and that ended it.
      No more to build on there. And they, since they
      Were not the one dead, turned to their affairs.

          1. Gay Fawkes

            By writing about one tragedy, it doesn’t mean the poet doesn’t care about other tragedies. Maybe he has a Stardust one up his sleeve. Claiming that he “isolated” one tragedy to write about and denigrate it is a bit of a wild assertion.

            Having read the poem, I don’t think he holds anti-Traveller intentions. Quite the opposite in fact.

  10. GiggidyGoo

    Why the need to remind what happened by repeating this ‘poem’ five years later? Any why the disgusting language? And why call anyone here ‘closet racists’ for their views on his ‘poetry’?

    And as regards poetry – Kevin Higgin’s attempts are just sentences with ‘carriage returns’ placed randomly. Anyone can do that, and claim ‘Poetry!’

  11. Janet, dreams of big guns

    well Kevin why don’t you send the family the poem and see what they think, I believe how they feel about it is the opinion that counts

        1. Janet, dreams of big guns

          I read this poem to my Dad , he said if that was about his family someone would feel the back of his hand ( he’s a bit old fashioned that way )

  12. italia'90

    Systemic racism of Travellers is very real and very subtle too.
    I commend Kevin for writing such a provoking and uncomfortable poem for todays readers.
    I am familiar with the Glenamuck halting site and the many different families that lived there,
    from the 70’s through the 80’s and 90’s. After returning from America, I only bumped into them on a rare occasion. There were Cashs’, Connors’, Moorehouses’, Lynchs’, Nashs’, Dorans’, Redmonds’ and Joyces’ to name but a few, that were indigenous to the area.
    They picked up temporary work where they could and were great trades people and crafters, selling housewares, and repairing pots, pans, farm tools and machinery. Always very helpful and obliging.
    Singing, storytelling and musicianship seemed to come naturally to them too.
    I’m old enough to remember at least 15 or 20 old halting sites in the general area that no longer exist. Moved on by the councils and left unused to this day in most cases.
    I also remember the battles of Foxrock and Sandyford. The siege on Brighton road that went on for months.
    The Sherriff’s men wouldn’t look out of place in Brownshirts or Blackshirt uniforms.
    I also know the Sherriff, he lived in Kilternan and drank in the Golden Ball. A couple of his violent psychopathic deputies too. One of them described to my late father what they did to these families in great detail. He was very proud of his efforts to try annihilate these people.
    I’m not surprised at the comments on here. Just the commenters.

    Mincéir Abu

    1. Janet, dreams of big guns

      Italia I have absolutely no probs with travelers and deplore how they are treated, please don’t confuse that with a reaction to Kevin’s choice of words.

      1. GiggidyGoo

        Exactly that Janet. There were no comments anti-traveller. The attempt to depict it as so by Italia90 is
        a pure example of “I’m not surprised the of Italia90s comment on here. Just the commenter”

      2. italia'90

        Hi Janet, hope all is well with you.
        Unfortunately, there were a few awful jokes and jibes about bbq’ed kn**kers and KFK at that time.
        This is the language of racists and xenophobes.
        I believe Kevin was using this same language to provoke our collective revulsion of this racist terminology.
        And you know what? It just might be working?
        It’s just my interpretation, but “barbecue” used this way is also a social reference, as in the “barbecue social set”.
        Darren puts it across much better than I can
        https://www.broadsheet.ie/2020/10/12/people-like-us-4/
        These Socodu’s are full of entitlement and exceptionalism used by temporarily embarrassed millionaires.
        The loudest nimbys back 5 years ago were not the locals, but the new Socodu set, who had in recent years moved onto Glenamuck rd.

        @giggidykkklu Do you know the 5 lamps?

        1. Janet, dreams of big guns

          I was unaware of the fact those phrases were being at the time,
          what is wrong with people…

        2. Daisy Chainsaw

          I thought that’s where those phrases would have come from, not Kevin coining them himself.

  13. ian-oh

    Whoa there Kevin!

    I was a bit shocked at some of the terminology used to describe dead human beings but I have interest in ‘cancelling’ you or your work and I most certainly will not be signing any petition that wants to do so.

    I personally did not like the usage of certain words but that’s all, just because I do not like something does not mean I want it gone, it just isn’t for me is all.

    Keep on with the poetry and I appreciate where you were coming from just not my cup of tea this time out.

    To be fair though, you got people talking and in that, you’ve done a good job as a poet.

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