Tag Archives: Broadsheet Trailer Park

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What you may need to know:

1. The Marvel Cinematic Universe rumbles on; it’s the third Thor movie but we’ve kind of lost count what the total number is by now.

2. Thor and its sequel Thor: The Dark World are arguably the worst of the series so far, so Kevin Feige and the lads had a bit of a gamble on their hands for a third outing. When Guardians of the Galaxy was an unexpected (sic) smash hit, all the praise went to its comedy elements. Marvel have now doubled down on that by engaging the services of New Zealand director Taika Waititi for Thor: Ragnarok. Waititi gave us Hunt for the Wilderpeople (2016) and the vampire mockumentary What We Do in the Shadows (2014), two of the funniest films of the past few years.

3. Hard to tell whether Thor: Ragnarok will go full comedy, but that big green punchline at the end is timed well. Chris Hemsworth has shown some promise in the comedy department now and again as Thor too, including with these spoof shorts.

4. Everyone reacted well to Guardians’ rock soundtrack, so it seems now the rule is all comic book movies need to go that way. Great use of Led Zeppelin tbf. It’s fitting, unlike the truly horrific choices made in Suicide Squad. Eminem? K7? Who thought that was a good idea.

5. There’s Cate Blanchett, looking the part. A quick wiki tells us she plays Hela, ruler of Hel and Nifleheim, frequent foe of Thor in the source comics. Her schemes often involve attempting to raise the dead from Valhalla.

6. There’s Jeff Goldblum. If this wasn’t already shaping up to be a hoot, well…

7. As for the title, Ragnarok is Norse mythology’s version of the apocalypse, during which a great many natural disasters befall the world, leading to the deaths of many of its gods.

8. To be followed by Black Panther in February 2018 (directed by Ryan Coogler, whose blistering debut Fruitvale Station was followed by the improbably excellent Rocky spin-off Creed), and Avengers: Infinity War in May 2018 – rumoured to be the first ever film to touch a budget of €1billion. Before any of those we’ve got Guardians of the Galaxy vol. 2 this May and Spider-Man: Homecoming in July. Hard to keep up, isn’t it?

Verdict: Aswell as spiralling budgets, the MCU seems increasingly willing to take risks as the years clock up. There’s little to lose with the Thor franchise (see pt. 2). Pretty sure this will be ace.

Release Date: October 27th 2017


What you may need to know:

1. Here comes the new one from Edgar Wright, director of Shaun of the Dead (2004), Hot Fuzz (2007) and The World’s End (2013), sometimes known as the Three Flavours Cornetto trilogy. You’d have thought the trailer would signpost that fact, but it looks like a bit of a tonal shift for him so perhaps you don’t want to create an expectation of the same kind of slapstick comedy and endless film references.

2. Wright was also responsible for Channel 4 sitcom Spaced (1999 – 2001) and the underappreciated graphic novel adaptation Scott Pilgrim vs The World (2010).

3. Baby Driver sees Ansel Elgort (The Fault in Our Stars) play the title role as an unnaturally talented driver who puts his skills to work as a wheelman for Kevin Spacey’s idiosyncratic armed robbers. That is until he meets the girl of his dreams and sees a way to get out of the criminal life before his ruthless boss blackmails him into one last….wait a minute, we’ve got déjà vu

4. The similarities to Drive (2011) are certainly there, right down to the hero’s savant-like skills, but that was hardly a groundbreaking work itself. According to Wright, his film owes more of a debt to Walter Hill’s The Driver (1978) than anything else. Also, given Wright’s track record, you’d hope Baby Driver has a similar surfeit of ideas that would give a well-told story a feeling of freshness.

5.The film, while not a musical, is entirely driven by music happening within each scene – i.e. what’s Baby’s iPod rather than on a soundtrack or score. (It’s less common than it sounds). The film takes its title from this Simon & Garfunkel song.

6. The supporting cast includes Spacey, Jon Hamm, Jon Bernthal, as well as (if rumours are to be believed), an uncredited Meryl Streep. Oh, and Flea.

7. Wright has also been busy with Marvel in recent years. He was slated to direct Ant-Man (2015) but left the role after shooting had begun, while retaining screenwriting and executive producer credit. Given his hyperactive directing style, it’s a good bet he wanted to do something “different” with the otherwise indistinguishable Marvel universe, but Kevin Feige and the lads had different ideas. That’s a question of ‘who knows best?’ Look what happened with Rogue One last year, for example.

8. Aswell as being needlessly long, this trailer struggles to put across the tone of the film. It’s colourful, with plenty of pause-for-a-one-liner moments, but none of them seem particularly funny. Spacey is playing it straight, while Foxx and Flea are not, and Elgort is somewhere in between. The vehicular stunts do promise there’s plenty more where that came from though…dig those donuts and reverse-180s. The reviews from its premier last weekend at SXSW are mostly very positive.

9. Variety calls Wright’s style of directing “a bit like someone smoking in a fireworks factory”: packed with potential but with the possibility of all going horribly wrong at any moment. Sounds about right.

Verdict: Bad trailer for a great film? Let’s hope so.

Release: TBC


What you may need to know:

1. Ridley Scott’s sequel to Ridley Scott’s prequel to Ridley Scott’s 1979 sci-fi classic. Who says Hollywood has run out of ideas?

2. Prometheus (2012) was ambitious and very well made, but spoiled by a few too many plot points and lots of unanswered questions; Covenant looks like it wants to answer some of those questions. Hopefully it doesn’t throw up a load more.

3. Another thing Prometheus arguably got wrong was the absence of the actual Alien; probably why it didn’t use the moniker. This movie clearly aims to make up for that with Alien and Facehugger carnage dialled up to eleven.

4. The official synopsis:

“The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.”

5. You can guess the above, but there looks to be more going on. Fassbender’s presence is wisely unelaborated-on; it’s safe to assume he’s an android, the same type last seen as David’s talking lopped-off head, escaping from the Engineers to go and find their homeworld and do…something. (It was a baffling movie really). He’s credited on wiki as Walter/David so let’s leave it at that for now.

6. There’s Kenny Powers being an action hero.

In Greek mythology, Prometheus was the creator of human life. A Covenant, meanwhile, is a formal agreement with God. What we might glean from this is David/Walter is aware of the trap the crew is walking into, while they have no idea he is an android – just like Ian Holm’s character in the 1979 original. But who is God in that case? The Company? Peter Weyland? Then there’s the Adam + Eve connotations we can take from the crew of couples travelling to what they believe to be paradise.

8. It wouldn’t be the first time the series has invested in religious symbolism. Let’s once again take the opportunity to point out David Fincher’s Alien3 (1992) is a massively underrated film and I will fight anyone who says different.

9. That said, it’s also possible we’re looking too much into a film essentially about loads of people getting killed by monsters, but these elements don’t make their way into films by accident.

10. Lots to intrigue and satisfy fans in this trailer; it really didn’t need that last shot. Kind of overkill, like LOOK LOOK THERE’S PROPER ALIENS THIS TIME AND THEY DO COOL STUFF OK PLEASE WATCH IT.

Verdict: Stop Your Grinnin’ and Drop Your Linen (RIP Bill Paxton)

Release Date: May 19.


What you may need to know

1. He’s back. (sorry)

2. Aftermath is an upcoming drama based on the events and, er, aftermath of the Überlingen mid-air collision in 2002. Probably don’t read up on it if you don’t want to know how the film ends.

3. As you can see, Arnie plays a doting grandfather, and is acting his bristly beard off. Is this against type? It’s hard to tell. His post-political output has been patchy; his action chops aren’t what they used to be, while his indie/drama output has tried its best to utilise his singular presence to confound audience expectations with limited success. 2015’s Maggie was a bit of a revelation, while Terminator Gene-whatever was simply appalling. He looked like he didn’t even know where he was in The Expendables 3 (2014).

4. Also on Arnie’s slate, you’ve got action comedy Why We’re Killing Gunther (he plays Gunther) and Russo-Chinese fantasy adventure Viy 2: Journey to China (no, really) in which he stars alongside Jackie Chan, Rutger Hauer and Charles Dance. Sold. Oh, and The Expendables 4.

5. Aftermath is written by Javier Gullón (2013’s Enemy), and produced by Darren Aronofsky, whose The Wrestler (2008) was of course a brilliant paean for Mickey Rourke’s own career as well as his character’s. That’s the kind of thing Arnie should be angling for at this stage.

6. He can’t be bargained with. He can’t be reasoned with. He doesn’t feel pain, or remorse, or fear. And he absolutely will not stop, EVER…until you apologise.

Verdict: They should have taken the chopper

Release Date: April 7, 2017.


What you may need to know

1. Before you get excited, this is not an actual trailer, more of an “announcement” that production has finally begun on CBS’s latest addition to the 50 year old sci-fi franchise.

2. That’s better than nothing, since the original plan was for the new series to air in January this year. That’s obviously not going to happen. Do you want it done quick, or do you want it done right?

3. Discovery is the first Star Trek TV series since the disappointing Star Trek Enterprise ended in 2005.

4. It hasn’t been a smooth ride so far: admired showrunner Bryan Fuller (Hannibal) was at the helm initially, but announced last year, before a single frame had been shot, that he would be stepping back from the role due to the responsibilities of other TV shows he was juggling. According to Variety, he has remained on board as executive producer and the show will follow his creative vision.

5. As for the plot, little has been revealed thus far, other than it is set before the original 1963 series. From the show’s wiki page: “The season-long storyline revolves around an incident and an event in Star Trek history that’s been talked about but never been explored”. There’s a ton of speculation about what that could mean here:

6. Michelle Yeoh has been cast in a major role, but it’s thought that the lead character (for the first time) won’t be a starship captain, but a lower-ranked officer.

7. Also – pay attention now – Star Trek Discovery will be set in the “original” universe (i.e. William Shatner and the lads) rather than the “alternate” timeline created by the recent big-screen reboots (i.e. Chris Pine and the lads). It’s a whole time travel thing that Star Trek fans will be au fait with, but nobody else will probably care.

8. It’s about time we got a high-profile, big-budget sci-fi series. The insane success of Game of Thrones – among non-fantasy or high-concept fans, crucially – proves that there’s an appetite out there for more than just crime drama series. Applying the 21st century style of small-screen storytelling to Star Trek’s rich tapestry is an enticing prospect for everyone.

9. No air date is set but May of this year is the best guess. On Netflix, naturally.

Verdict: Fascinating.


What you may need to know:

It’s awards season, which means the historical biopics are getting their annual workout. The Founder sees Michael Keaton play salesman Ray Kroc, who recognised the potential of the “fast-food” concept established by the McDonald brothers (John Carroll Lynch and a distressingly facial hair-free Nick Offerman) in the 1950s. He helped build it into a billion-dollar business before stealing it out from under them, completely legally.

2. It’s the American dream in action, then.

3. The events were previously dramatised in…wait for it…the Mark Knopfler song Boom, Like That.

4. The timing of the release suggests The Founder’s producers had an eye on a few Oscar nominations – especially since director John Lee Hancock’s last two features Saving Mr. Banks (2013) and The Blind Side (2009) were very awards-friendly works. Despite positive reviews though, it has failed to make much of a splash on that front.

5. Perhaps the broader timing is the issue. Big-business anti-heroes have long been a staple of cinema, from Gordon Gekko all the way through to Jordan Belfort. But now that we’re in the era of you-know-who, it might be slightly harder for audiences to take to a character whose “ruthless drive to succeed alienates everyone in his yadda yadda yadda…but he’s really an OK guy!”

6. The comparisons are impossible to avoid though, of course. Laura Dern, who play’s Kroc’s first wife Ethel Fleming, called it “wonderfully appropriate timing. The theme of the film addresses a much larger question: Can capitalism and compassion coexist? It is really incredible to look at what’s happening right now in this country and ask that question. It’s not just that we’re seeing severe narcissism. We’re seeing people who need to attack and bully others. I think there are a lot of parallels to what’s happening right now.”

7. The role of Ray Kroc looks to be a perfect fit for Michael Keaton, whose penchant for barely-concealed manic energy bubbling just below the surface is well-suited to an obsessive businessman. His recent career renaissance that we’ve mentioned before has served him well, but other than this year’s Spider-Man: Homecoming, his slate’s looking a little dry. Let’s hope he hasn’t expended all that goodwill that came after Birdman (2014).

8. It may look ultimately like a big-screen marketing exercise, but eventually comes across as a sort of confession. “It’s an ad that becomes a warning before circling around and becoming another, darker kind of advertisement,” writes Matt Zoller Seitz of Rogerebert.com. “In the end, it seems vaguely ashamed of itself for letting this happen.

Doug’s verdict: I’m Lovin’ It

Release date: February 10.


What you may need to know:

1. Sigh. Bright Lights is a documentary set to premier on HBO in the States this Sunday (next Tuesday on Sky Atlantic], following the lives of inseparable mother-daughter duo Carrie Fisher and Debbie Reynolds, both of whom died suddenly within days of each other last month.

2. No, this wasn’t hastily thrown together to capitalise on their deaths; Bright Lights has been doing the festival rounds since last summer, and was set to air later this year. Following the sad events, HBO announced its decision to move the screening forward to this weekend.

Bright Lights’ technique of filming the mother and daughter in their home environment doing everyday things is strongly reminiscent of the Maysles Brothers’ ground-breaking “direct cinema” documentary Grey Gardens (1975)

4. Carrie Fisher was already known for her anti-celebrity down-to-earth persona; this film looks like it will only expand on that and create a lasting legacy.

5. Sometimes, documentaries take on an extra level of meaning due to unexpected events during or after filming that – if you’ll excuse the morbidity – make them infinitely more effective than they already were.

6. Think One Million Dubliners’ devastating and masterful ending; Metallica’s unexpected freefall in the bizarre and tragically hilarious Some Kind of Monster and more. Bright Lights was already a love letter from daughter to mother and back again; now it’s an unexpected eulogy for two generations of Hollywood royalty.

Release date: Sky Atlantic at 9pm on January 10


What you may need to know

1. Hmm.

2. It turns out nothing, in fact, is sacred. Blade Runner 2049 is the sequel to Ridley Scott’s astounding, monolithic and baffling 1982 sci-fi drama Blade Runner. In the original, Ford played the titular detective tasked with tracking down and destroying a group of rogue replicants, murderous androids on Earth illegally after absconding from their off-world work zones. The sequel sees Ryan Gosling, also a blade runner, “unearth a long-buried secret with the potential to plunge what is left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Ford), who has been missing for 30 years.

3. For fans of the original, a sequel presents some problems right away. There are no less than FIVE official versions of Blade Runner, each with its own characteristics and differences, some minor and some major.

4. The biggest one is the debate over whether Ford’s character is in fact a replicant himself. Depending on what version you watch, he either definitely is, definitely is not, or might be. Ford and Ridley Scott have themselves disagreed over the years. Will this sequel answer that question, add to the mystery or simply sidestep it? Whichever one it is, it couldn’t possibly satisfy everyone.

5. The sequel has been in development since 1999.

6. Naturally, this teaser trailer doesn’t reveal much, other than the fact that Harrison Ford cares little for nostalgia about his body of work. Indiana Jones, Han Solo and now Rick Deckard. Indy 4 was an embarrassment, Han Solo he got away with. One out of two ain’t bad so far.

7. The cast includes Jared Leto, Robin Wright and Guardians of the Galaxy’s Dave Bautista. No sign of Sean Young, however. That hardly seems fair, does it?

8. Blade Runner’s ambiguous ending(s) is one of many great things about it, another being its extraordinary feat of world-building. It was one of the first sci-fi films of the modern era to propagate a “lived-in” future.

9. Denis Villeneuve’s sequel looks keen to stick to that very same aesthetic – driving rain, seedy streets and a claustrophobic atmosphere, contrasted by otherworldly neoclassical interiors and warm – but hardly comforting – light.

10. The better option would be to not make this film at all, but if they must, Villeneuve is a perfect choice to direct. In this year’s superb Arrival, also Sicario (2015) and Prisoners (2012), he has shown a talent for understating typically bombastic genres. If he can walk the line between expanding the universe but not showing TOO much of it, they may well get away with it. Blade Runner’s Los Angeles of the future is nothing if it’s not understated, so, sacrilegious as it may be, cautious optimism is justified.

11. Just please, no attack ships on fire, C-beams or tasteful shots of the Tannhauser Gate. Nobody ever knew what they were, and it’s important that it stay that way.

Verdict: Dry those tears in the rain.

Release Date:
October 6, 2017


What you may need to know

1. The new film from Christopher “just give me a god-damn Oscar already” Nolan.

2. He changed superhero movies (possibly peaked them) with the Dark Knight Trilogy and re-energised smart science fiction with Inception (2010) and Interstellar (2014); Nolan is back now with this surprisingly conventional-looking World War II drama based on the Battle of Dunkirk in 1940, when hundreds of thousands of British and Allied soldiers were stranded at the northernmost tip of France. Surrender was on the cards, until a flotilla of fishing boats, yachts and merchant vessels set sail from across the south of England to mount a daring rescue. It’s known as “the miracle of the little ships”.

3. Brexit: the movie basically.

4. The events were previously dramatised in Joe Wright’s Atonement (2007) with this extraordinary 5-minute tracking shot.

5. Good showing for Ireland on the cast, which includes Cillian Murphy – a regular member of Nolan’s troupe – and Love/Hate cat killer Barry Keoghan.

6. Yes, that’s One Direction dreamboat Harry Styles at .48. Now that the pop career has started to dry up, he’s decided to try his hand at acting…and landed a role in the biggest film of the year by the biggest director in the world. How jammy can one kid be? All while Dancing with the Stars and I’m a Celebrity… beckon for the other four. The other three? Whatever.

7. Nolan has been gunning for an Oscar for years. The Dark Knight was denied a richly-deserved nomination in 2008 (the snub eventually led to an increase in Best Picture nominees); Interstellar was in there in 2014, but never had a hope of winning. The director is clearly heeding Ricky Gervais’ advice to Kate Winslet.

8. The production spent $5m on an authentic former Luftwaffe fighter, with the intention of strapping it with an IMAX camera and then crashing it. You’d wonder what is the point in the age of CGI everything, but there you go. Might be a load of guff too, for that matter.

It’s a somewhat underwhelming trailer to be honest. That said, it’s the first film Nolan has made without any science fiction or high-concept elements (other than the good-but-not-great Insomnia (2002)), so that’s what is missing. Knowing his propensity for going big on the psychological elements of his characters and stories, one expects that Dunkirk will be just as concerned with personal battles as explosive ones.

War, what is it good for? Absolutely Nolan.

Release Date: July 2017



What You May Need to Know

1. Everyone scoffed when it was first announced back in 2007/2008, but here comes the sixteenth film in the Marvel Cinematic Universe, and the first full-length outing for Tom Holland’s Spider-Man, after his show-stealing introduction in Captain America: Civil War (2016). Next year will also see the release of Guardians of the Galaxy vol.2 and Thor: Ragnarok.

2. The “Homecoming” title isn’t just a reference to the film’s high-school setting. It’s also a knowing nod to the fact that Marvel Studios has regained control of the character after the screen rights spent several so-so years in the hands of Sony Pictures. There we had Sam Raimi/Tobey Maguire’s hit-and-miss trilogy (2002 – 2007) and two kind of pointless films with Marc Webb/Andrew Garfield (2012 – 2014).

3. Some may balk at the teenybopper Spidey, but really what would be the point in casting another smouldering, conflicted twenty-something and remaking the same film we’ve seen five times already? According to Marvel head-honcho Kevin Feige, the films of John Hughes are a strong influence on Homecoming. Make of that what you will.

4. The trailer works hard to make everyone know this is part of The Avengers franchise. There’s Robert Downey Jr’s presence, for one thing (and Jon Favreau lurking in the background, as he does in these movies since relinquishing directorial duties), the mask-wearing bank robbers, the brief shot from Civil War, etc. Holland is also set to appear in The Avengers: Infinity War in 2018.

5. Michael Keaton making the most of his Birdman-based career renaissance by playing…wait a minute…Birdman? Not really, he’s something called The Vulture. Feige also let slip that the great Cate Blanchett has been cast as the villain in another upcoming Marvel film. They really do run the game at the moment.

6. Let’s hope Keaton and Marisa Tomei share a scene together, it can be a reunion of the forgotten-but-excellent newsy comedy The Paper (1994)

7. Sixteen films later, and it’s generally understood that Marvel films are basically the same thing over and over. Colourful chemistry, witty dialogue, forgettable villains (sorry Michael) and a baffling CGI aerial climax. But it’s been box-office gold for Marvel (aka Disney), hence Star Wars following suit, along with DC Comics (showing us how NOT to do it); expect to see lots more “shared universes” in the coming years.

8. What it’s really about though, is getting bums on seats. Just like it did back in the 60s when television first exploded, the current golden age of TV has mostly been kicking cinema in the teeth. Studio bosses are keen to re-establish themselves as the prime purveyors of storytelling, so just as TV has been cherry picking cinematic elements for itself, cinema is taking tips from TV. Namely cliff-hanger/to-be-continued endings and episodic storytelling.

Verdict: Spidey-sense tingling .

Release date: July 7, 2017