I’m a bit of movie buff and enjoy doing some video editing now and again on the side. I have just created an Oscar montage of all the movies nominated in all of the categories (except Docs/Foreign and Short Film – I was under time constraints ) for this year’s awards. I just thought it would be something fun and relevant. It ends with the titles of each of the Best Picture Nominees ( 9 in total)….
It’s widely known how Christopher Nolan used Michael Mann’s Heat (1995) as inspiration for The Dark Knight (2008) in terms of the look and feel, themes and so on.
This side-by-side comparison of the two shows exactly where that influence ended up. There are also some shots from Mann’s other films Collateral (2004) and LA Takedown (1989) – of which Heat was a remake.
2. Aftermath is an upcoming drama based on the events and, er, aftermath of the Überlingen mid-air collision in 2002. Probably don’t read up on it if you don’t want to know how the film ends.
3. As you can see, Arnie plays a doting grandfather, and is acting his bristly beard off. Is this against type? It’s hard to tell. His post-political output has been patchy; his action chops aren’t what they used to be, while his indie/drama output has tried its best to utilise his singular presence to confound audience expectations with limited success. 2015’s Maggie was a bit of a revelation, while Terminator Gene-whatever was simply appalling. He looked like he didn’t even know where he was in The Expendables 3 (2014).
5. Aftermath is written by Javier Gullón (2013’s Enemy), and produced by Darren Aronofsky, whose The Wrestler (2008) was of course a brilliant paean for Mickey Rourke’s own career as well as his character’s. That’s the kind of thing Arnie should be angling for at this stage.
6. He can’t be bargained with. He can’t be reasoned with. He doesn’t feel pain, or remorse, or fear. And he absolutely will not stop, EVER…until you apologise.
1. Before you get excited, this is not an actual trailer, more of an “announcement” that production has finally begun on CBS’s latest addition to the 50 year old sci-fi franchise.
2. That’s better than nothing, since the original plan was for the new series to air in January this year. That’s obviously not going to happen. Do you want it done quick, or do you want it done right?
3. Discovery is the first Star Trek TV series since the disappointing Star Trek Enterprise ended in 2005.
4. It hasn’t been a smooth ride so far: admired showrunner Bryan Fuller (Hannibal) was at the helm initially, but announced last year, before a single frame had been shot, that he would be stepping back from the role due to the responsibilities of other TV shows he was juggling. According to Variety, he has remained on board as executive producer and the show will follow his creative vision.
5. As for the plot, little has been revealed thus far, other than it is set before the original 1963 series. From the show’s wiki page: “The season-long storyline revolves around an incident and an event in Star Trek history that’s been talked about but never been explored”. There’s a ton of speculation about what that could mean here:
6.Michelle Yeoh has been cast in a major role, but it’s thought that the lead character (for the first time) won’t be a starship captain, but a lower-ranked officer.
7. Also – pay attention now – Star Trek Discovery will be set in the “original” universe (i.e. William Shatner and the lads) rather than the “alternate” timeline created by the recent big-screen reboots (i.e. Chris Pine and the lads). It’s a whole time travel thing that Star Trek fans will be au fait with, but nobody else will probably care.
8. It’s about time we got a high-profile, big-budget sci-fi series. The insane success of Game of Thrones – among non-fantasy or high-concept fans, crucially – proves that there’s an appetite out there for more than just crime drama series. Applying the 21st century style of small-screen storytelling to Star Trek’s rich tapestry is an enticing prospect for everyone.
9. No air date is set but May of this year is the best guess. On Netflix, naturally.
What you may need to know:
1. It’s awards season, which means the historical biopics are getting their annual workout. The Founder sees Michael Keaton play salesman Ray Kroc, who recognised the potential of the “fast-food” concept established by the McDonald brothers (John Carroll Lynch and a distressingly facial hair-free Nick Offerman) in the 1950s. He helped build it into a billion-dollar business before stealing it out from under them, completely legally.
4. The timing of the release suggests The Founder’s producers had an eye on a few Oscar nominations – especially since director John Lee Hancock’s last two features Saving Mr. Banks (2013) and The Blind Side (2009) were very awards-friendly works. Despite positive reviews though, it has failed to make much of a splash on that front.
5. Perhaps the broader timing is the issue. Big-business anti-heroes have long been a staple of cinema, from Gordon Gekko all the way through to Jordan Belfort. But now that we’re in the era of you-know-who, it might be slightly harder for audiences to take to a character whose “ruthless drive to succeed alienates everyone in his yadda yadda yadda…but he’s really an OK guy!”
6. The comparisons are impossible to avoid though, of course. Laura Dern, who play’s Kroc’s first wife Ethel Fleming, called it “wonderfully appropriate timing. The theme of the film addresses a much larger question: Can capitalism and compassion coexist? It is really incredible to look at what’s happening right now in this country and ask that question. It’s not just that we’re seeing severe narcissism. We’re seeing people who need to attack and bully others. I think there are a lot of parallels to what’s happening right now.”
7. The role of Ray Kroc looks to be a perfect fit for Michael Keaton, whose penchant for barely-concealed manic energy bubbling just below the surface is well-suited to an obsessive businessman. His recent career renaissance that we’ve mentioned before has served him well, but other than this year’s Spider-Man: Homecoming, his slate’s looking a little dry. Let’s hope he hasn’t expended all that goodwill that came after Birdman (2014).
8. It may look ultimately like a big-screen marketing exercise, but eventually comes across as a sort of confession. “It’s an ad that becomes a warning before circling around and becoming another, darker kind of advertisement,” writes Matt Zoller Seitz of Rogerebert.com. “In the end, it seems vaguely ashamed of itself for letting this happen.”
1. Sigh. Bright Lights is a documentary set to premier on HBO in the States this Sunday (next Tuesday on Sky Atlantic], following the lives of inseparable mother-daughter duo Carrie Fisher and Debbie Reynolds, both of whom died suddenly within days of each other last month.
2. No, this wasn’t hastily thrown together to capitalise on their deaths; Bright Lights has been doing the festival rounds since last summer, and was set to air later this year. Following the sad events, HBO announced its decision to move the screening forward to this weekend.
3. Bright Lights’ technique of filming the mother and daughter in their home environment doing everyday things is strongly reminiscent of the Maysles Brothers’ ground-breaking “direct cinema” documentary Grey Gardens (1975)
4. Carrie Fisher was already known for her anti-celebrity down-to-earth persona; this film looks like it will only expand on that and create a lasting legacy.
5. Sometimes, documentaries take on an extra level of meaning due to unexpected events during or after filming that – if you’ll excuse the morbidity – make them infinitely more effective than they already were.
6. Think One Million Dubliners’ devastating and masterful ending; Metallica’s unexpected freefall in the bizarre and tragically hilarious Some Kind of Monster and more. Bright Lights was already a love letter from daughter to mother and back again; now it’s an unexpected eulogy for two generations of Hollywood royalty.
2. It turns out nothing, in fact, is sacred. Blade Runner 2049 is the sequel to Ridley Scott’s astounding, monolithic and baffling 1982 sci-fi drama Blade Runner. In the original, Ford played the titular detective tasked with tracking down and destroying a group of rogue replicants, murderous androids on Earth illegally after absconding from their off-world work zones. The sequel sees Ryan Gosling, also a blade runner, “unearth a long-buried secret with the potential to plunge what is left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Ford), who has been missing for 30 years.”
3. For fans of the original, a sequel presents some problems right away. There are no less than FIVE official versions of Blade Runner, each with its own characteristics and differences, some minor and some major.
4. The biggest one is the debate over whether Ford’s character is in fact a replicant himself. Depending on what version you watch, he either definitely is, definitely is not, or might be. Ford and Ridley Scott have themselves disagreed over the years. Will this sequel answer that question, add to the mystery or simply sidestep it? Whichever one it is, it couldn’t possibly satisfy everyone.
5. The sequel has been in development since 1999.
6. Naturally, this teaser trailer doesn’t reveal much, other than the fact that Harrison Ford cares little for nostalgia about his body of work. Indiana Jones, Han Solo and now Rick Deckard. Indy 4 was an embarrassment, Han Solo he got away with. One out of two ain’t bad so far.
8. Blade Runner’s ambiguous ending(s) is one of many great things about it, another being its extraordinary feat of world-building. It was one of the first sci-fi films of the modern era to propagate a “lived-in” future.
9. Denis Villeneuve’s sequel looks keen to stick to that very same aesthetic – driving rain, seedy streets and a claustrophobic atmosphere, contrasted by otherworldly neoclassical interiors and warm – but hardly comforting – light.
10. The better option would be to not make this film at all, but if they must, Villeneuve is a perfect choice to direct. In this year’s superb Arrival, also Sicario (2015) and Prisoners (2012), he has shown a talent for understating typically bombastic genres. If he can walk the line between expanding the universe but not showing TOO much of it, they may well get away with it. Blade Runner’s Los Angeles of the future is nothing if it’s not understated, so, sacrilegious as it may be, cautious optimism is justified.
11. Just please, no attack ships on fire, C-beams or tasteful shots of the Tannhauser Gate. Nobody ever knew what they were, and it’s important that it stay that way.
Verdict: Dry those tears in the rain.
Release Date: October 6, 2017
2. He changed superhero movies (possibly peaked them) with the Dark Knight Trilogy and re-energised smart science fiction with Inception (2010) and Interstellar (2014); Nolan is back now with this surprisingly conventional-looking World War II drama based on the Battle of Dunkirk in 1940, when hundreds of thousands of British and Allied soldiers were stranded at the northernmost tip of France. Surrender was on the cards, until a flotilla of fishing boats, yachts and merchant vessels set sail from across the south of England to mount a daring rescue. It’s known as “the miracle of the little ships”.
5. Good showing for Ireland on the cast, which includes Cillian Murphy – a regular member of Nolan’s troupe – and Love/Hate cat killer Barry Keoghan.
6. Yes, that’s One Direction dreamboat Harry Styles at .48. Now that the pop career has started to dry up, he’s decided to try his hand at acting…and landed a role in the biggest film of the year by the biggest director in the world. How jammy can one kid be? All while Dancing with the Stars and I’m a Celebrity… beckon for the other four. The other three? Whatever.
7. Nolan has been gunning for an Oscar for years. The Dark Knight was denied a richly-deserved nomination in 2008 (the snub eventually led to an increase in Best Picture nominees); Interstellar was in there in 2014, but never had a hope of winning. The director is clearly heeding Ricky Gervais’ advice to Kate Winslet.
8. The production spent $5m on an authentic former Luftwaffe fighter, with the intention of strapping it with an IMAX camera and then crashing it. You’d wonder what is the point in the age of CGI everything, but there you go. Might be a load of guff too, for that matter.
9. It’s a somewhat underwhelming trailer to be honest. That said, it’s the first film Nolan has made without any science fiction or high-concept elements (other than the good-but-not-great Insomnia (2002)), so that’s what is missing. Knowing his propensity for going big on the psychological elements of his characters and stories, one expects that Dunkirk will be just as concerned with personal battles as explosive ones.
Verdict: War, what is it good for? Absolutely Nolan.
2. The “Homecoming” title isn’t just a reference to the film’s high-school setting. It’s also a knowing nod to the fact that Marvel Studios has regained control of the character after the screen rights spent several so-so years in the hands of Sony Pictures. There we had Sam Raimi/Tobey Maguire’s hit-and-miss trilogy (2002 – 2007) and two kind of pointless films with Marc Webb/Andrew Garfield (2012 – 2014).
3. Some may balk at the teenybopper Spidey, but really what would be the point in casting another smouldering, conflicted twenty-something and remaking the same film we’ve seen five times already? According to Marvel head-honcho Kevin Feige, the films of John Hughes are a strong influence on Homecoming. Make of that what you will.
4. The trailer works hard to make everyone know this is part of The Avengers franchise. There’s Robert Downey Jr’s presence, for one thing (and Jon Favreau lurking in the background, as he does in these movies since relinquishing directorial duties), the mask-wearing bank robbers, the brief shot from Civil War, etc. Holland is also set to appear in The Avengers: Infinity War in 2018.
5.Michael Keaton making the most of his Birdman-based career renaissance by playing…wait a minute…Birdman? Not really, he’s something called The Vulture. Feige also let slip that the great Cate Blanchett has been cast as the villain in another upcoming Marvel film. They really do run the game at the moment.
6. Let’s hope Keaton and Marisa Tomei share a scene together, it can be a reunion of the forgotten-but-excellent newsy comedy The Paper (1994)
7. Sixteen films later, and it’s generally understood that Marvel films are basically the same thing over and over. Colourful chemistry, witty dialogue, forgettable villains (sorry Michael) and a baffling CGI aerial climax. But it’s been box-office gold for Marvel (aka Disney), hence Star Wars following suit, along with DC Comics (showing us how NOT to do it); expect to see lots more “shared universes” in the coming years.
8. What it’s really about though, is getting bums on seats. Just like it did back in the 60s when television first exploded, the current golden age of TV has mostly been kicking cinema in the teeth. Studio bosses are keen to re-establish themselves as the prime purveyors of storytelling, so just as TV has been cherry picking cinematic elements for itself, cinema is taking tips from TV. Namely cliff-hanger/to-be-continued endings and episodic storytelling.
1. The 2017 blockbuster previews keep coming, so here’s the Tom Cruise’s latest excuse to run fast and jump off things, The Mummy. He plays a military type charged with transporting an entombed mummy from the deserts of Egypt to London, only to find the creature (Sofia Boutella) is alive and set on causing chaos and revenge.
2. Yes, technically this is a remake of the immensely silly Indiana Jones rip-off The Mummy (1999), but it’s actually a franchise that goes all the way back to the 1930s, when the likes of Boris Karloff and Lon Chaney played the titular creature. Things got a bit out of control when Abbot & Costello got in on the act.
3. It’s a well-established fact that blockbusters and sequels aren’t enough anymore; at least four movies are required in any franchise, so Universal Pictures are getting the band back together.
4. So The Mummy is the first in a series that will see outings from Frankenstein’s monster, Count Dracula, The Wolf Man, Creature from the Black Lagoon, The Invisible Man, Bride of Frankenstein and more.
5Russell Crowe plays none other than Dr. Henry Jekyll, of Dr. Jekyll and Mister Hyde. Here Jekyll is the head of Prodigium, an organisation which tracks the whereabouts of these creatures, which is presumably how the producers will crowbar those eventual team-ups off the page. They haven’t got a script yet, but they can bang one out by Friday.
6. Rather than the retro swashbuckling of the Brendan Fraser movies, or the gothic nature of, say, Penny Dreadful, this is a supernatural film set very much in the present, with what looks like the same globe-trotting antics as something like Mission: Impossible.
6. Tom Cruise seems to be giving less of a **** as he gets older. He’s got little to prove, and seems to choose roles based on what kind of stunts he gets to do. Rumour has it he actually spent a weekend in a body bag in a morgue before filming.
7. The Mummy is directed by Alex Kurtzman, the seasoned writer best known for the likes of the newer Star Trek movies. Kurtzman says he wants audiences to fall in love with each character first; if they can do that, then a world will present itself. “You have to make great individual movies, first and foremost,” he told journalists at a briefing last week. “And if you do that, then the audience will follow you.”