Tag Archives: Doug Whelan

From top: Rami Malek; Léa Seydoux, Ben Whishaw; Lashana Lynch and Daniel Craig: The ‘just dropped’ No Time To Die trailer

What you may need to know:

1. Daniel Craig has no time to die, but he does have time for one last outing as James Bond, despite cash-…sorry categorically stating that he was done with the role following the release of Spectre (2015).

2. He’s joined this time by Lashana Lynch as a fellow MI5 superspy; you may recall mass wringing of hands by the Piers Morgans of this world earlier this year, when it emerged that the role of “007” would be played by a woman. A nifty prank, but also surely a test balloon as to whether the series could and should be fronted for real by a female Bond.

3. The screenplay was co-written by in-demand Pheobe Waller-Bridge, creator (and star) of BBC sitcom Fleabag as well as espionage drama Killing Eve. Waller-Bridge was brought on board in April of this year to “polish” the script by Neal Purvis and Robert Wade.

4. It’s directed by Cary Joji Fukunaga, currently best known for his work on the first run of True Detective. You’ll remember this astonishing tracking shot he masterminded in one of the episodes. Fukunaga replaced Danny Boyle, who left following “creative differences” with long-time producers Michael G Wilson and Barbara Broccoli.

5. You’ve also got Rami Malik in there, fresh from his Oscar winning turn as Freddie Mercury in Bohemian Rhapsody (2018), about which the less is said, the better. He plays a “megalomaniac scientist”, whose dastardly scheme apparently has an environmental angle to it. Topical.

6. I’m not entirely sold on No Time to Die. It looks fun, but more of the same: efficiently packaged stunts, explosions and suits, combined with another personal crisis for the guy to overcome. It looks fun, but fun we’ve all had a zillion times before. Well, twenty-four times before, to be exact. I can’t help thinking if this trailer was for a Danny Boyle-directed Bond film, it would have far more going for it.

7. Finally, while we’re on the subject, have a chuckle with these excellent “Bondagrams

Release: April 2020

Doug’s Verdict: Let’s have a Ron D movie instead next time.

Thanks Sandra Houlihan

What you may need to know:

1. You ever get the feeling there are just too many trailers? There are so many things audiences are expected to get fired up about now that a lot of it just whistles by in the timeline before the next thing comes along. Next, next, next.

2. Well, never mind all that, because DisneyCorp has just “dropped” the final trailer for the final movie (as if) in the Star Wars saga, The Rise of Skywalker. They say final, as in the last in the trilogy of trilogies that George Lucas accidentally kicked off back in 1977, but Star Wars is very much here to stay.

4. For one, it’s only a few weeks until the long-awaited TV series The Mandalorian arrives. No word on when it’ll be available in this part of the world until DisneyCorp confirms its plans for the Disney+ streaming service, but the early word on John Favreau’s space western is very positive.

5. Back to The Rise of Skywalker; what can one say about the plot? Rey and Finn and company blast off across the galaxy on another adventure to apparently visit the wreckage of the Death Star and do something, stop something, start something, etc. Hot on their heels once again is Kylo Ren, who may or may not turn into a goodie by the end, if he and Rey can sort out their differences. He faked her out twice already though, so who knows.

5. Also in there in the most transparent attempt to keep tetchy “fans” on side is one Emperor Palpatine, played by Ian MacDiarmid, who was thrown down a shaft by Darth Vader in Return of the Jedi (1983) and by far the best thing about the wonderfully terrible prequel trilogy (1999 – 2005).

6. I say wonderfully terrible because despite their unquestionable awfulness, those movies have stubbornly refused be forgotten – exemplified by PrequelMemes, the spirited Reddit community that serves as an antidote to the “toxic fandom” that has grown around Star Wars since it was brought back to life in 2012.

7. On that note, I’m looking forward to the debate over which is the better trilogy once all this blows over. A strong case could be made for the prequels.

8. By the way, since they’re visiting the Death Star, does that mean Ewoks will make an appearance? Don’t bet against it.

9. Ahead of the December release date, why not take a trip back to 1976, to the very first Star Wars promo, before John Williams’ famous score was even written.

10. It will be the final screen appearance of Carrie Fisher, who would have been 63 yesterday.

Release: December 20

Doug’s Verdict: Here we go again.

What you may need to know:

1. The only thing you need to know about The Day Shall Come is that it heralds the return of comedy eminence Christopher Morris, who wrote and directed this farcical comedy thriller.

2. It is unquestionably in the same wheelhouse as Morris’ last big-screen outing Four Lions (2010), about a crew of incompetent wannabe jihadists determined to launch a terror attack in the UK.

3. In the meantime, he has been directing episodes of Veep, while also co-writing the brilliant Stewart Lee’s Comedy Vehicle, but mostly keeps a low profile.

4. Of course, he will always be best known for the still-extraordinary satire Brass Eye, whose “Paedogeddon!” episode was, at the time, the most-complained-about episode in British television history and even got raised in Westminster.

Doug’s verdict: Looks pretty akbar.

Release: October

What you may need to know:

1. I recall reading somewhere that Stephen King has had more works adapted for the big screen than any other author; Shakespeare or Dickens (or Danielle Steel) might disagree, but where multiple adaptations of their works would beef up the numbers, story after story after story by the King of Horror has been adapted – with varying degrees of success.

2. For every Shawshank Redemption (1994), there’s a Maximum Overdrive (1986); for every Stand by Me, (1986) there’s a Dark Tower (2017)

3. The past few years have seen King’s screen credits soar once again, as the modern medium’s thirst for content opens up untold hours of screen real estate.

4. Currently running TV series based on his works include Mr. Mercedes and Castle Rock, while upcoming It Chapter 2, Salem’s Lot and The Long Walk will be joined by 2013’s Doctor Sleep, yet another legacy sequel, this time to King’s 1977 sophomore novel The Shining and/or Stanley Kubrick’s flawless 1980 film adaptation.

5. Doctor Sleep reacquaints us with Danny Torrence, now an adult who looks just like Ewan McGregor. Torrence, still traumatised by the events at the Overlook Hotel, works at a hospice using his clairvoyant gifts to provide comfort to terminally ill patients. It’s a peaceful life until he meets Abra (newcomer Kyliegh Curran), a teenager with the same gift being pursued by a ruthless group who want to use “the shine” in their quest for immortality.

6. I love the tone of this trailer. It puts its debt to Kubrick front and centre, mostly avoiding jump scares and any of that “red band” nonsense, instead concentrating on a sense of dread and anticipation.

7. Take the recreation of that shot of Jack Nicholson looking through the smashed door – one of the most recognisable images in all of cinema. Rather than a vain attempt to recreate the moment, it’s done in a detached and dreamlike way, as though it’s something Danny only half-remembers. It’s light-years from Steven Spielberg‘s vandalism of the same film in Ready Player One.

8. Director Mike Flanagan has moderately good horror credentials. He was responsible for 2013’s Oculus, and well-received Netflix series The Haunting of Hill House, among others.

9. Both of those were effective and well-made, if a little derivative, but to be fair to Flanagan it’s practically impossible not to be derivative in the horror genre. He also directed the superb King adaptation Gerald’s Game for Netflix.

10. I’m not familiar with the source material, but despite being overdue and unasked-for, this feels and looks like it might be one of the good ones. It seems that despite the appearances of going back to the well instead of coming up with something new, with Doctor Sleep, King expands and deepens The Shining rather than rehashing it. If this film can do the same thing, it could be a winner.

11.  Shout-out to 2010, the criminally underrated 1984 sequel to Kubrick‘s 2001: A Space Odyssey (1968), which does that exact thing. Seek it out.

12. Finally, of the upcoming King stuff, I’m most looking forward to the TV adaptation of King’s apocalyptic 1978 masterpiece, The Stand.

13. No cast or other details have been announced, but done right, the story of the end of the world and what comes next has the potential to be one of the greats, with a strong contemporary resonance in the Trump era through its malevolent villain Randall Flagg.

Doug’s Verdict: The next big King

Release: November 2019

What you may need to know:

1. Joaquin Phoenix looks simply astonishing in this grounded and gritty-looking “origin story” of the clown prince of crime and Batman’s arch-nemesis.

2. Martin Scorsese was on board as producer early on, and despite departing the movie this time last year, his presence is still very apparent: Taxi Driver (1976) and The King of Comedy (1982) both are clearly major influences, underscored by the presence of Robert de Niro.

3. Yes, it’s the prequel nobody asked for, but despite unfortunately being one of those “teasers” that in fact gives away the entire movie, Joker has suddenly shot up the list of 2019’s most anticipated movies.

4. The question now is, will the Batman – due for yet another reboot after Ben Affleck‘s disastrous turn in the cape – make an appearance ahead of, well, The Batman (2021)?

Doug’s verdict: No laughing matter.

Release date:
October (US), TBC (Europe).

What you may need to know

1. Jim Jarmusch, one of the most significant US indie directors of the past four decades, returns with undoubtedly his most audience-friendly film to date. That’s not to say he hasn’t been accessible in the past, but the wacky slapstick and record-scratch punchlines on show here are quite far removed from the austere drama in the likes of Dead Man (1995), Ghost Dog: The Way of the Samurai (1999) or The Only Lovers Left Alive (2010).

The Dead Don’t Die is Jarmusch’s second film with Adam Driver, following 2016’s light-hearted drama Paterson. It’s also his second film with Bill Murray after Broken Flowers (2005) and Tilda Swinton (The Only Lovers Left Alive), plus he has worked with Tom Waits and Iggy Pop on several occasions over the years, most notably in 2003’s Coffee and Cigarettes – overtly referenced here by undead, coffee-craving Iggy Pop.

It’s always pleasing to see Tom Waits on screen; he’s doing a lot of acting at the moment with roles in Robert Redford’s The Old Man and the Gun as well as The Ballad of Buster Scruggs last year; some new music would be even better but it’s good to know he’s out there either way.

With The Twilight Zone currently making its TV comeback, you can’t help notice that opening voiceover aping Rod Sterling’s ominous voiceovers from the original 60s TV series. Take it as another attempt to help audiences make sense of 2019.

5. “Ghouls” is why Adam Driver is one of the best in the business at the moment.

6. We’ve seen plenty of zombie comedies pave the way for this one, of course, most notably Shaun of the Dead (2004) and Zombieland (2009), but the sardonic, deadpan tone here is one that can only come from an indie type like Jarmusch, and will offer something new to the genre.

Doug’s verdict: A horror movie with brains

Release: June TBC

What you may need to know

After years of false starts and broken promises, the long-hoped-for return of HBO’s masterful western drama is really real.

Deadwood, set in the eponymous frontier town in the late 19th century South Dakota, initially ran for three seasons from 2004-2006. It didn’t find much of an audience at the time but has since been consistently hailed as one of the all-time greats due to its realism, complex characterisation, production value and blending of actual events with fiction.

3. Ever since its rather undignified cancellation, creator David Milch and much of the cast kept a candle lit for its eventual return. That has taken more than a decade, but fans are currently punching the air in ecstasy.

4. A healthy portion of Deadwood’s acclaim is for Ian McShane (top) in the role of saloon owner and local crime boss Al Swearengen, whose penchant for soliloquies and getting his hands dirty for what he believed to be the greater good gave him the air of a dusty Shakespearean king.

5. Beyond that, there are actually too many good things to say about Deadwood, other than there’s plenty of time to catch up between now and the end of May.

Doug’s verdict: Yer darn’ tootin’

May 31 (Sky Atlantic TBA)

What you may need to know:

1. There’s just too much to get into at this stage. It’s season 8, with a dizzying amount of loose ends, subplots and mysteries to be sorted out. At this stage you’re either in or out.

2. The shortened season will consist of six episodes rather than the usual ten, with each hyped as a “mini-movie”

It has gotten its share of criticism over the years, due to excessive and often gratuitous violence and scenes of rape.

4. Some say Game of Thrones took a dip once the writers overook George R.R. Martin’s source material, but there’s no question it will go down as one of the all-time great TV series and pop-culture touchstones.

5. This is hardly goodbye. HBO has already confirmed it will go back to the well for a new “prequel” series, set in one of the multitude of historical eras outlined in the mythology.

6. Glorious fart acting from Lena Headey at 1.06.

Doug’s verdict: Winter really is coming this time

Release: April 14/15, Sky Atlantic

What you may need to know.

1. After The Ballad of Buster Scruggs and Roma (and others), another A-list director going straight to Netflix is further evidence of the vicious circle cinema is stuck in.

2. Studios just aren’t willing to spend the kind of money these guys want, and can easily get from Netflix, with its deep pockets and near-zero interference.

3. The Irishman’s production budget is $200m+ according to Wikipedia; no studio would pony up that kind of money for a septuagenarian crime drama, not in a million years.

. What happens instead is those A-list dramas are going straight to the small screen (albeit with a limited US release) leaving audiences with the perception that multiplexes are filled only with superhero movies – which the studios ARE willing to splash out on because their serialised and homogenised nature draws audiences back again and again.

5. They are the only sure things, currently.

Doug’s verdict: n/a

Release date: Autumn 2019

Earlier: Favourtiism

What You may need to know

1. Over the past 20 years, the “golden age of TV” combined with the DVD revolution led to a shift in how series were written. We’ve gorged on long-term character development, microscopic attention to detail and ostensible “ten-hour movies”.

More recently though, maybe due to shortening attention spans, streaming services or a simple push-back from writers who don’t want to put out War & Peace every time they do something, anthology series are currently where it’s at. Also, audiences at this point don’t want to feel like they’re making a six-year commitment every time something new comes along.

3. That has led to the rise of single-season stories like True Detective, American Horror Story, American Crime Story, Fargo and so on. Then there are single-episode series like Black Mirror, Philip K. Dick’s Electric Dreams, the upcoming Love Death + Robots, one called Room 104 and more.

4. The common theme for the latter group is they all tend to have a science fiction or supernatural angle. With that in mind it was probably a no-brainer for CBS to bring The Twilight Zone back to life. It first ran from 1959–64, then again 1985-1989, briefly in 2002, and now in 2019.

At the same time CBS were coming to this decision (it has been in development since 2012), Jordan Peele was over there reinventing himself from sketch comedy actor into Oscar-winning writer and director of Get Out (2017) which – as The Twilight Zone often did – blended horror and social commentary in a way that resonated with audiences in a very big way.

6. As well as executive producing, Peele will “host” the series as Rod Serling originally did, narrating the episodes and teeing up the stories.

Lots of familiar faces in there, including Tracy Jordan, John Cho, Kumail Nanjiani and also Adam Scott, who will play the lead in a remake of Nightmare at 20,000 Feet, one of the original’s best-known episodes and an early role for William Shatner.

8. The first look came in the form of a coveted “Superbowl trailer” a few weeks back, in which Peele pointedly asks “when truth is not even truth, what dimension are you in?” – surely a wry reference to the GUBU world in which we’re already living.

9. Meanwhile, Jordan Peele’s follow up to Get Out will arrive in cinemas next month. Us looks to have a similar theme to its predecessor, whereby an African-American family is hunted by their own murderous doppelgangers. Peele has said Us is more of a full-on horror movie; “spill-your-soda scary” as opposed to the “existentially terrifying”. Get Out.

10. The Twilight Zone will run on CBS All Access in the states, so hopefully it will appear on Netflix in this part of the world before long.

Doug’s verdict: Get in.

Release: April 1