DF528 seen in Phibsboro in 1985. ©E.McArthur. pic.twitter.com/tMbG4jAW7o
— Photos of Dublin (@PhotosOfDublin) October 9, 2020
Phwaoar.
Mature vintage bus porn from the saucy, smoke-filled mid-1980s.
Name those jammers, anyone?
DF528 seen in Phibsboro in 1985. ©E.McArthur. pic.twitter.com/tMbG4jAW7o
— Photos of Dublin (@PhotosOfDublin) October 9, 2020
Phwaoar.
Mature vintage bus porn from the saucy, smoke-filled mid-1980s.
Name those jammers, anyone?
Colourful advertising on Capel Street, Dublin, 1988
From #DublinBeforeTheTiger (1982-1992),
my long-term, high-res series about the inner city in the years leading up to the Celtic Tiger.
For more images FOLLOW, RT and visit https://t.co/oQRmiSI5ya pic.twitter.com/5GJ1ayUxQd— David Jazay (@DavidJazay) October 8, 2020
1988.
Great, if often faulty, times.
With huge Post-It Notes.
Name those white goods, anyone?
BK Pepper – Colours
Don’t shoot the piano player.
Dublin contemporary classical composer BK Pepper (top) performs his new single ahead of the release of his album Territories next month.
Influenced by the likes of Olafur Arnalds and Nils Frahm, Pepper combines supreme melody with real emotion.
BK says:
“The theme of Territories reflects how borders have become increasingly visible in recent years, with migration, trade disputes and now a global pandemic reshaping how territories are perceived, defined and enforced around the world.”
Nick says: Worth his salt.
Juliette Gréco (1927-2020)
The votes are in.
Last week, with a charming, raffish €25 Golden Discs voucher on offer, I asked you to name your favourite underrated gem from the 1950s
French singer Juliette Gréco died a few days after the competition ended. She had to be the winner. Great song and performance and great entry.
But it was another wonderful selection all round.
Third Place:
Who’s Sorry Now by Connie Francis
SOQ writes:
‘I loved my aunt May- she had a way of shocking the family which as a child I found really funny. She said things which were completely inappropriate for a conservative country family and it was much later on that I figured out why.
She was reared in Goldenbridge in Dublin- for those who don’t know, that was a brutal industrial school ran by The Sisters of Mercy. She never ever spoke about it until one day she started with my mother and that hyper speak continued for another two weeks.
And then, at the age of 56 – she passed in her sleep – not even turning the sheets.
She met my uncle in the London dance halls and they married there – in London I mean. They arrived home on a bike with her in the leather trousers, heels and big dyed hair apparently.
So from the get go the family pearls were being clutched but she became as much part as anyone else. She encouraged me to try on girl’s clothes but I wasn’t that sort of gay – even then – but I am grateful for her being the first to spot the difference and let me know it was fine to be me- whatever that was.
And so with a few gins taken – to May – your favourite singer. (This song is also dedicated to the government on their virus strategy- obviously).’
Runner-up:
Ne Me Quitte Pas by Jacques Brel
Millie Madonna writes:
‘It’s one of my favourite songs ever. The emotion he manages to convey, you don’t need to know the language to understand the heartbreak and desolation in the song. I cried the first time I heard it and cried again once I was able to understand it. Kinda sums up how powerful music is for me.’
Winner:
Bonjour Tristesse by Juliette Greco (RIP)
Kingfisher writes:
‘Juliette Gréco’s deep, husky voice became the soul of Paris. Jean-Paul Sartre wrote, “Gréco has a million poems in her voice, it is like a warm light that revives the embers burning inside of us all. It is thanks to her, and for her, that I have written songs. In her mouth, my words become precious stones.” Here’s Bonjour Triestesse, from 1958 (above)’
Nick says: Thanks all.
Last week: Win Nick’s Voucher
Von Liz – I Just Don’t Like The C*nt
Language, Timothy!
Irish Berlin-based singer Von Liz (top centre) pushes the boundaries with this ode to drag queens and Traveller call-out video culture.
Von Liz’s album #ourextinction was recorded during the first lockdown.
Nick says: It’s showtime!
Thin Lizzy, Black Sabbath, Van Halen… pic.twitter.com/KnlVrdRnpf
— RareIrishStuff (@RareIrishStuff) October 7, 2020
When snug jeans were snug.
Location and date unknown (1979?).
Name those rockers, anyone?
Earlier: See Me Standing Here.
Aztec Camera covering Van Halen’s Jump #RIPEddie The full 6-minute recording with added intro, monologue and axe solo is here https://t.co/r2pPQpMChw pic.twitter.com/SYC52w0Q98
— Birmingham 81 (@Birmingham_81) October 6, 2020
See?
Even indie darlings such as Aztec Camera sought the late, great Eddie Van Halen’s melodic riffage
RIP.
Earlier: A Limerick A Day
Charlie McGettigan – Ordinary Boy
Family matters.
Ireland’s erstwhile Eurovision hero Charlie McGettigan pens an uplifting ode to his grandson (top) that will put a smile on your face.
His new album Tuesdays With Paul is out now.
Nick says: Boy wonder.
The new Kiely’s, Donnybrook, Dublin 4 https://t.co/iD4aeIk3Fb
— Archidub (@Archidub1) October 2, 2020
Oh.
Kiely’s pub in Donnybrook in Dublin 4 will make way for a seven-storey, 100-bed space shared accommodation living scheme, if plans lodged with Dublin City Council go ahead.
Kynsy – Happiness Isn’t A Fixed State
Go wild in the country.
Dublin indie starlet Ciara Lindsey (top) aka Kynsy dons face paint and frolics in the grass in the self-directed video for her new single.
Ciara explains the theme of the song:
“It’s a tug-of-war between the positive and negative thought processes that occur when a relationship ends. It’s about accepting the fact that sometimes you have to laugh the pain away or look at negativity head-on in order to feel positive emotions and have positive thoughts again.”
Nick says: Walkin’ back to happiness.