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The Specials, photographed by Jill Furmanovsky in November 1979 (and featured in the latest issue of ‘Mojo’) when the band played a double bill with The Beat at the ‘Stardust Club’ in Artane.

‘Dubdoug’ of Brand New Retro sez:

I love the suitcases, Easons shop, the Players Please billboard, the two-tone floor, the well dressed lady on the left, the fashion of others not with the Specials and of course the Specials themselves.

 

Via Brand New Retro

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Realtime face substitution by OpenFrameworks developer Arturo Castro. Made with Kyle McDonald’s ofxFacetracker, Jason Saragih’s facetracker library and parts of Kevin Atkinson’s image clone code.

I for one welcome our new face-stealing overlords.

via

Muirne Lydon (on floor) and Peggy Reme (on scaffolding), both easel painting conservators, work on the Marriage of Strongbow And Aoife (1854) by Cork artist Daniel McLise at the National Gallery this morning. The ongoing work on the painting can now be followed online.

Painting Conservation Goes Online (Tim O’Brien, Irish Times)


(Sasko Lazarov/Photocall Ireland)
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