https://www.youtube.com/watch?v=FthEJGR61c8
‘Movie overanalysers’ The Film Theorists explore the deft editing of camera tilts, whip pans, push-ins, blurred and dark screens (inspired by Hitchcock’s Rope [1948]) that made Alejandro González Iñárritu’s Birdman seem like one long continous shot.
Which it wasn’t, obviously.