The latest New Yorker magazine with cover by cartoonist Adrian Tomine
Party at the bottom.
Ian Dent writes;
The New Yorker’s covers are so, so good. Always really elegant, saying a lot with very little. They really can’t be praised highly enough…
Last fall, Andrew Hozier-Byrne, a twenty-four-year-old Irish singer-songwriter with a deep, burnished voice, released his first EP, “Take Me to Church.” The dark and soaring title song struck a nerve: its lyrics confront religious dogma, and its arresting video addresses homophobia and oppression in Russia. The song ricocheted around the Internet, with more than seven million views on YouTube, and the EP went to No. 1 in Ireland. Hozier (he goes by his middle name) grew up in the country, in County Wicklow, and his entertainment was limited to his parents’ record collection: albums by Nina Simone, John Lee Hooker, Tom Waits, and other soul and blues artists. As a teen-ager, he led an eight-piece blues band, and his precocity is evident in his current work, which has the spare lyricism of an old soul. Hozier’s self-titled début album comes out on Oct. 7, and he’s on a headlining tour of North America that ends at Irving Plaza on Nov. 5-6.
Hozier’s portrait and ‘write-up’ in The New Yorker.
Fair play, in fairness.
Fall preview (The New Yorker)
Illustration: Marc Aspinall
OK. Maybe the last one.
Elegant representations of Ireland/St Patrick’s Day in The New Yorker.
Thanks Sibling of Daedalus