
The Sky Hawk RC glider (£250) streams a live 5 megapixel SD recordable video feed back to a 3.5″ (8.9cm) LCD screen on the controller.
The glider has an onboard gyro and can be switched to self-correcting autopilot mode for balanced flight.

The Sky Hawk RC glider (£250) streams a live 5 megapixel SD recordable video feed back to a 3.5″ (8.9cm) LCD screen on the controller.
The glider has an onboard gyro and can be switched to self-correcting autopilot mode for balanced flight.
“@rhesusnegative: @BraySummerfest we are still looking for the owner of this little puppy twitter.com/rhesusnegative…” @broadsheet_ie #lostandfound
— Bray Summerfest(@BraySummerfest) July 15, 2012
Ukrainian DJ Jim Pavloff shows how to reconstruct The Prodigy‘s Voodoo People and Smack My Bitch Up using all original samples.
Chiptune artist Inverse Phase has reimaged NIN’s Pretty Hate Machine using eight different 8-bit systems (including Commodore 64, Atari 800 and NES) to create something that sounds like it belongs in an early nighties side-scrolling shoot-’em-up.
Thought you might be interested to hear an interview with the Jax Banksy aka Dublin-based artist Mick Minogue that was on Culture File on RTÉ Lyric fm yesterday. In it, Mick talks about giving physical form to memes including his deadly Nyan Cat piece for Gallery 1988 in LA (above) And I’m pretty confident it was the first (and probably last!) time the Nyan Cat theme was played on Lyric!
Listen here.
The video for The Parachute Ending (2009) by French DJ crew Birdy NamNam – animated by Will Sweeney and Steve Scott.
Strap in good and tight before 1:00. Things get good ‘n’ weird.

http://www.youtube.com/watch?v=6CkxlOQ_prA
Continuing today’s mirror theme, here’s a cute video for French musician Yuksek‘s single ‘Off The Wall’ (geddit?), produced by SoLab.
The making of video shows how it was done by running the same sequence, minus the mirror effect.

Pictures from Iain Macmillan’s ten-minute 1969 photoshoot for the Beatles’ iconic Abbey Road album cover.
See the full gallery of outtakes here.
The Beatles crossed the road a number of times while Macmillan quickly took six photographs. 8 August was a hot day in north London, and for four of the six photographs McCartney walked barefoot; for the other two he wore sandals.
Shortly after the shoot, McCartney studied the transparencies and chose the fifth one for the album cover. It was the only one when all four Beatles were walking in time. It also satisfied The Beatles’ desire for the world to see them walking away from the studios they had spent so much of the last seven years inside.
The Abbey Road cover photography session (The Beatles Bible)
Also beat facism and always use the continuous imperative tense.
A 30-year-old Woody Guthrie‘s resolutions for 1942.