visualizeus
Now we have lonely PR shots involving oversized payment cards.
Eamon Ryan and Stephen Wheeler, Airtricity Managing Director (and indifferent customer) in St. Andrew’s Street Post Office, Dublin literally minutes ago, launching Airtricity’s new SmarterEnergy card.
The card is “an innovative customer payment card from Ireland’s fastest growing energy utitility that puts customers in control of their energy payments”. Which is a direct lift from one of Pearse’s poems.
(Photocall Ireland)
httpv://www.youtube.com/watch?v=J2KD98IMk5E
The first one was so cheap to make it was difficult to resist throwing out a sequel. And here we are – grainy, jumpy footage galore.
Release Date (Ireland): 22nd of October
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[CLICK the ARROWS to BROWSE]
Ah come on. What was the point in even having a competition.
They should have just called him ‘Red Panda’ and been done with it.
‘Rua’, indeed.
Tilt-shift photography uses a special lens to give real-world scenes the appearance of miniature models. Still images can be tilt-shifted in Photoshop by adjusting a photograph’s contrast, colour saturation and depth of focus.
Fine art search engine Artcyclopedia recently applied the technique to the paintings of Vincent Van Gogh, to fairly spectacular effect.
There’s a 16 image gallery including Starry Night (above) here.
None of these paintings has been added-to or removed-from or had its proportions changed. The effect is achieved simply by manipulating the light in the scene and adjusting the areas of the image that are more and less in focus, as you will see.
So you thought the National Conference Centre would induce another Carsonfest on the Irish Times letters page?
Think again.
Peter Molloy does try to get the ball rolling with a TWO Carson effort:

Éanna Brophy tries to spoils the atmos with his “Just grow up” preachiness (earning a dreaded THREE LolCreme diagnosis):

Fair play then to Dominic McCullough for rounding things up with a three ‘Surly-Carson’ zinger:

For decades, the Indian film industry has excelled at squeezing every last rupee out of a production budget, making spectacular movies at a fraction of the cost of its western counterparts. But what if Bollywood producers had Hollywood budgets?
Behold: Endhiran (The Robot).
At $43 million, it’s by far the most expensive Indian film ever made. To say they went to town on the stunts and special effects is putting it mildly. And yes, there are musical dance numbers.
Class.
httpv://www.youtube.com/watch?v=IzD-sRw5vx4