Author Archives: Nick Kelly

Dublin art-rock gurus Girl Band are set to release their second album ‘The Talkies’ in September on the legendary Rough Trade label.

To celebrate, Dara Kiely and the gang have announced two shows in Dublin’s Vicar Street in November.

The first is already sold out but there are still tickets available for the second show on Saturday November 23.

We have two tickets (yes, TWO) to give away for the Saturday night show – all you have to do is to tell us what your favourite song is by either an all-female band or a female-fronted band and why.

My pet octopus will choose the winner (…only squidding).

To whet your appetite, above is  the band’s new video for ‘Shoulderblades’, which was directed by Bob Gallagher, shot in a studio in County Wicklow, and features a remarkable performance by dancer Oona Doherty, who is in sync with the intensity and claustrophobia of the music.

Imagine Black Swan soundtracked by The Fall instead of Tchaikovsky. But be warned: there will be blood.

Nick says: Lines must close at 7pm. Good luck to all our readers!

Girl Band

Anthony Coughlan

An open Letter to anti-Brexit Irish Times columnist Fintan O’Toole from Anthony Coughlan, director of the strongly Euroseptic National Platform EU Research and Information Centre.

Dear Fintan,

You conclude an article (Boris Johnson is the fool who would play the king, June  18) attacking Boris Johnson in the “Irish Times” by asking “Who better to speak for a reckless and decadent ruling class for whom everything is desperate but nothing is serious?”

This implies that you believe that the British “ruling class” backs Brexit, but is that really so? And are “reckless” and “decadent” really the apt adjectives?

I would have thought that the real situation is that what one might broadly term the British “ruling class” has up to now been predominantly supportive of “Remain”, but that the majority of UK citizens who voted to take back control of their law-making from Brussels by backing “Leave” in the 2016 referendum gave democratic legitimacy to the minority of the ruling class which favours Brexit.

It is this popular democratic vote that legitimises Brexit and it is presumably the reason why your own newspaper and many others who do not like Brexit want a second referendum in the hope that it will overturn the result of the first, as was done here with Nice Two in 2002 and Lisbon Two in 2009.

The economic side of the British ruling class – namely the City, the CBI, High Finance and Big Business generally – overwhelmingly backed “Remain” in the 2016 referendum and largely do that still.

The political side – namely Prime Minister David Cameron’s Government, most Tory Ministers and MPs at the time, plus their Blairite opposite numbers in the Labour Party, plus the senior British Civil Service, were also “Remainers” and many still are, although the more democratically minded among them realise now that, with the departure of Theresa May, they must accept and implement the referendum result or else see the electoral destruction of the Tory Party, the principal party of Britain’s “ruling class”.

Of course one might also say that Britain’s ruling class is to some extent divided on the EU and always has been.

When the UK first applied to join the then EEC in 1961 Labour’s Hugh Gaitskell criticized the Tory Harold Macmillan for proposing to abandon “a thousand years of history”.

Later, in the 1973-5 period, the Tory Enoch Powell and Labour’s Tony Benn opposed Edward Heath and Harold Wilson as they brought Britain into the EEC and kept it there.

I shared No-side platforms with the Tory Sir Richard Body and Labour’s Peter Shore and Tony Benn at various meetings in London during Harold Wilson’s referendum on staying in the then EEC in 1975 – the first ever UK referendum – when two-thirds of those voting voted to remain in the EEC.

At that time that there were only two major British journals backing the No side – the communist party “Morning Star” and the Tory weekly “Spectator”. The rest of the media, from “The Sun” to the “Financial Times”, strongly favoured staying in the EEC.

As I expect you know, it was the USA that originally fathered Eurofederalism. The first supranational community, the European Coal and Steel Community of 1951, was pushed by the Americans as an economic underpinning of NATO in Europe and to reconcile France to German rearmament at the start of the Cold War.

The CIA financed the European Movement for years. Later John F. Kennedy pushed Harold Macmillan into applying to join the then EEC following the 1956 Suez debacle.

In so far as the British “ruling class” had independent ambitions at that time I would say that it hoped that by joining the EEC it would either divide France from Germany or else be co-opted by France and Germany into a triumvirate that would help run “Yurrup”, as Edward Heath used call it, together.

Disillusionment at the failure to achieve either of those objectives is surely one of the elements in Tory rejection of the supranational EU “project”.

May I respectfully suggest that “Irish Times” readers deserve a more sophisticated analysis of the reasons for the shift in British “ruling class” and popular attitudes between 1975 and 2016 than to ascribe that change to press columns by Boris Johnson.

And what is the Irish Government’s contribution to the current state of Anglo-Irish relations?

As Ray Bassett has pointed out, Taoiseach Leo Varadkar’s intransigence on the issue of a time-limit to the North-South ”backstop” in the hope that this could be used to scupper Brexit altogether, has helped to get rid of “Remainer” Prime Minister Theresa May and hand the leadership of the Tory Party to one of the Brexiteers., while damaging underlying Anglo-Irish relations for possibly a long time.

Can our own “ruling class” not give better leadership to the country than this?

Yours sincerely,

Anthony Coughlan, Director, The National Platform EU Research and Information Centre

FIGHT!

Rollingnews

Meanwhile…

Luse writes:

This year’s Reith Lectures are by Jonathan Sumption. In the 4th and final lecture on constitution and whether or not the UK would be better off with a written constitution (He argues it wouldn’t, Welsh, Scottish and Northern Irish devolution would have been harder to implement.) he ends as with all the lectures with a question and answer section with the audience, resulting in the following piece of beauty. Page 9 at this link, in which Mark Reckless, yes the one and the same is put back in his box.Considering the scaremongering nonsense that was written to Fintan O’Toole, (above) I thought it might be an additional addendum…

Ah here.

This morning.

The summit of Seahan, Dublin/Wicklow mountains.

Archaeologist Neil Jackman tweetz:

There are a number of megalithic monuments on the summit. Unfortunately the ‘Druid Order’ have recently damaged the large cairn by quarrying it to make a stupid shelter that they handily signed.

The absolute gonks. (I’ve reported it to National Monuments). Please don’t screw around with 5000 year old tombs.

The utter irony of them writing ‘Please keep tidy’ on a site they damaged I’ve also picked up a fair amount of litter around there too. I’m going to build a Wicker man.

Yikes.

Fontaines DC – Sha Sha Sha

Fancy a day at the circus? Then let Brian Chatten and his crew be your guide.

Directed by Hugh Mulhern, the new video from the Dublin post-punk tyros sees them larking about in costume at Duffy’s Circus amidst the acrobats and the bikers. A splendid time is guaranteed for all.

‘Sha Sha Sha’, whose riff has echoes of The Clash and The Cure, can be found on their album ‘Dogrel’, which has been generating a serious buzz across the Atlantic.

Nick says: Bring on the dancing horses

Fontaines DC

Free Saturday?

Dublin Music City Fair writes:

100s of quality second hand LPs, singles for sale in our June pop up record fair in the very centre of Dublin City.

6 Traders, free admission, 1st floor, 2 lifts, fancy library bar and in the middle of Dublin’s finest record shop trail. Best little fair in Dublin.

In fairness.

Dublin City Music Record  Fair

 

What do we want?

Fair Rent, fixity of tenure and beardy in Coventry.

FIGHT!

Captain Boycott?

Slow Moving Clouds – Starfall

Irish/Icelandic trio Slow Moving Clouds offer new variations on old forms, finding a hidden door connecting Martin Hayes with Sigur Rós.

Last year’s album ‘Starfall’ was a slow-burning gem and they have just released a video (above) for the title track, which is as minimalist as they come.

Slow Moving Clouds play the Workman’s Club, Dublin 2 tomorrow night in an intriguing double-bill.

Support comes from Italian/French duo Varo, who have just uploaded a live video featuring their drone-driven rendition of an old Scottish folk tune from 1793, ‘Ye Jacobites By Name’, in which band members Consuelo Breschi and Lucie Azconaga are joined by Helen Diamond. Their sound is a mix of Irish trad, medieval, baroque and folk.

Nick says: If you really don’t know Clouds at all, now is a good time to get acquainted.

For your consideration.

An Evening with singer songwriter and Sonic Youth bassist Kim Gordon (above)

In the IMMA Courtyard, Royal Hospital Kilmainham, Military Rd, Kilmainham, Dublin 8 on July 17.

Featuring a performance by Body/Head, an experimental electric guitar duo composed of Kim Gordon and Bill Nace; poet Elaine Kahn; and guitarist Heather Leigh.

Tickets here

Pic: David Black

Ruth Brosnan – Good Enough

If ever a song has a positive message we can all get behind, it’s Ruth Brosnan’s debut single.

A graduate of the Cork School of Music, the Cork native has written a song overflowing with kindness, compassion and empathy for those hit hard by life’s slings and arrows. It turns out the song was inspired by her own life experiences.

Ruth says:

“I lost my mother when I was 14 and several close friends to suicide. I think if younger people particularly had this song/video on their phone to listen to and to watch, it might encourage them to think before they act.”

Nick says: In using her talent to help others, Ruth shows that the only thing bigger than her voice is her heart.

Ruth Brosnan