httpv://www.youtube.com/watch?v=tNTid2wdavc
A dream come true.
Bonus feature: Tardelli.
Via PressAssociation
Thanks Ruairi Carroll
Tricolour Overload to broadsheet@broadsheet.ie
Not really.
But still.
Emma Kavanagh writes:
Given out free at Blackrock Dart station, Co Dublin, this morning promoting Leopardstown Rocks.
President Higgins and the average-sized rugby ‘ledgebag’ Malcolm O’Kelly ( former Irish lock) at Plan Ireland’s 75th anniversary party this afternoon.
That toddler’s look: priceless.
(Jason Clarke Photography)
httpv://www.youtube.com/watch?v=VtBkpfvNnPA&fb_source=message
The first webisode of The Live Sessions, a platform for new Irish unsigned acts presented by Michelle McGrath in Buck Whaley’s, Leeson Street.
They literally let you be the judge.
No cash, favours, etc. were given for this post
Chris Coffey writes:
The car is good but painting a tricolour on the road markings was a lovely touch.
Tricolour Overloads to broadsheet@broadsheet.ie
FuBar
at
The Stanley FuBar Demolition Bar ($20):
Forged from high carbon alloy steel, this ingenious tool features everything you need to strike, pull, pry, chisel, and chop down old material, including a P-shaped chisel, multiple nail pullers and strike-able surfaces, and a padded handle to reduce slippage.
Sure you could take down a house with it, but the best feature is the name.
Two sculptural lamps originally intended for London Underground’s current ‘Art Below’ exhibition, but subsequently banned for being too offensive.
UK artist Whatsisname is currently offering copies for sale. Each piece takes a month to make. Good Boy (top, the larger of the two) is £2,500 and Good Puppy is £1,000.
And yes, you step on the ‘turds’ to turn the lamps on and off.
But…
Darron Costello writes:
So my bike got stolen. Brought it all the way home from Canada in a box, and it gets robbed from the LUAS station [Ranelagh, Dublin, on Tuesday between 3-9pm]. A few friends said it might be worth sending it to you guys… hope you can help!”
Anyone?
The Tide is High But I’m Holding On.
By ADW who sez:
The original intention was to create a positive, hopeful piece of artwork depicting our capital city’s skyline set against a tiger-striped sunrise. The Tide Is High But I’m Holding On took over 120 hours to cut the six-layered stencil and is easily the most ambitious canvas I have painted to date.
The cover is part of a street art group show which opens in the Culture Box this evening (click here).