(Thanks Dublin By Mouth: Niamh)
Tag Archives: 1916
From top: Patrick Pearse; The Triumph of Failure
Controversial Patrick Pearse biographer Ruth Dudley Edwards appeared on RTÉ Radio One’s Today with Sean O’Rourke this morning (presented by Keelin Shanley) to discuss Pearse’s life in the run up to the Easter Rising.
A quick tay.
Keelin Shanley: “It’s also been mentioned around Pearse, I mean he was a schoolteacher, he ran a school for young boys, but there had been questions written around the poetry he has written about young boys. Was he in love with his students? And was that also an issue that drove Pearse into revolution if you like…to suppress himself?”
Ruth Dudley Edwards: “I think he was enormously repressed. I have not yet got to understand that family [The Pearse family]. I don’t understand why there were four of them and none of them seems to have had a normal relationship of any kind sexually. Willie was in love with an eight year old girl. Now he never did anything wrong. He didn’t She was his model…”
Shanley: “This is [Patrick’s] brother Willie [a sculptor]?”
Dudley Edwards: “She was his model. He used to buy her lots of gifts. She died at 14 of consumption or something but that was the only recorded person that he is attached to.
Patrick Pearse was unquestionably in love with his pupils, some of his pupils, and he was known to have favourites.
It has come out from letters that were hidden for a very long time from pupils just saying he used to kiss boys on the lips and ‘some of us wouldn’t and some laughed and called him Kiss me Hardy and we knew it was really Frank that he was mad about’ but there’s no evidence. I would be astounded if ever there was a moment when he did anything you could regard as abusive to a child. I really think.”
Shanley: “Was this maybe part of his death wish?”
Dudley Edwards: “I think he was tormented by desires and it’s in some of the poems. ‘Why do you torture me oh desires of my heart’. I think he was utterly tortured and confused. He was a tremendous innocent in all sorts of ways..
He was terrified of women. Tom Macdonagh who is a very attractive character in this, he had a great sense of humour. he was very good for Pearse. He was probably Pearse’s best friend. They used to pull his leg all the time. There’s one occasion when some women, some nice looking women, came up to see St Enda’s [Pearse’s school] and they’re in the library. Pearse, McDonagh and the two women. McDonagh says to one of the girls ‘come outside‘ and then he says ‘just wait, it’ll take 60 seconds…’. And after 60 seconds Pearse is out of the room, shooting down the corridor…terrified of being left alone in a room with a woman.”
Listen back here
The Triumph of Failure (Irish Academic Press)
Previously: Pearse And His Little Lad of Tricks
The lads.
For the day that’s in it.
Dillon Ó Coise writes:
I’m an artist working in Connemara, and this is my first venture. I’ve been moved by the history of the 1916 Rising, and aimed to create a tasteful commemorative product. I’ve been very grateful for the interest generated so far.
The works focus on key figures of the Rising and offer a vintage feel. I believe inspiration is the key to creating: what better inspiration than those who sacrificed everything?
Tá súil agam go mbainfidh tú taitneamh as mo chuid oibre.
Fight!
Rising related Irish-made stuff to Broadsheet@broadsheet.ie marked ‘Rising Stuff’
For your consideration:
‘Baring Arms: 1916 in Tattoos’.
A short documentary From El Zorrero Pictures.
Tonight at 11:15pm on RTÉ One.
Thanks Ciaran
Unidentified response to Enda Kenny’s plea for schoolchildren to write their own proclamation to mark 1916-themed ‘Proclamation Day’.
Blummin’ cig-hating, tree-sewing, mini-Trots.
Pic via Ireland Uncut
Meanwhile…
This afternoon.
Cólaiste Bríde, Dublin 22
Via Cólaiste Bride
Mmm.
Execution
Maeve Fitzgerald writes:
Thought yez might like to know this is happening in The Reg bar in Waterford.
Rebelasian
atVibrant 1916 prints by illustrator Jon Berkeley
Jon writes:
The 1916 Leaders Project was commissioned for the Irish Independent by designer Joe Coyle in late summer 2015. The ten paintings featured as covers for a series of special supplements, edited by Ger Siggins for the Independent, leading up to the centenary of the 1916 Easter Rising.
Each painting depicts a key player, surrounded by other people and events of significance in the Easter rebellion, its preparation and its momentous consequences.
The paintings are a uniform size at 360 x 305mm, and will form part of the Irish Independent’s major exhibition in Talbot Street, Dublin, to commemorate the centenary of the rising. And available to buy as prints (at link below).
From top: Joseph Plunkett; Eamonn Ceannt; Countess Markievicz; James Connolly and Thomas Clarke
Thanks Annie West





















