Forms in Space… by Light (in Time) by Welsh artist Cerith Wyn Evans – a convoluted kilometre and a half of neon lighting suspended from the ceiling of London’s Tate Gallery.
The swooping, abstracted forms were inspired by Japanese Noh Theatre (sure that’s noh theatre at all, etc.) and choreology, wherein dance is expressed as notational form.
Noh for yeh.
A collection of images (wherein clouds of pristine white balloons add sudden, bizarre contextualisation to various buildings and natural structures) by French photographer Charles Pétillon.
Even he of the 54m long Covent Garden Cloud.
Invasions: currently on show at Magda Danysz Gallery in Paris.
Of this sinuous, extrapolation of the architecture of Osaka in japan, artist/filmmaker collaborative AUJIK sez:
Spatial Bodies depicts the urban landscape and architectural bodies as an autonomous living and self replicating organism. Domesticated and cultivated only by its own nature. A vast concrete vegetation, oscillating between order and chaos.
Music composed by Daisuke Tanabe.
A graduation film from The Animation Workshop of Viborg, Denmark. To wit:
The fibers of our being are what we seek to control. Through dance, do we fight the chaos or let it go?
Created By Universal Everything, and referencing the work of 1960s architectural avant garde group Archigram, Walking City is a mesmeric motion graphic video sculpture featuring a walking figure whose shape adapts ‘in response to the architecture she encounters’.
Three human sculpture pieces for the launch of the 2014 Western Australian Ballet Program by Adelaide-based body paint installation artist and photographer Emma Hack, whose work appeared (among other places) in the video for Gotye’s ‘Somebody That I Used To Know’.
Ours is Cee Dawg.
