Category Archives: Music

Every kind of sound imaginable.

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Pictured above, clockwise from top-left: Kevin Burke, Power of Dreams, The Golden Horde, Rollerskate Skinny, Auto da Fe, Aidan Walsh (Master of the Universe)

Last week, in our Friday Golden Discs competition, we asked you, rather than for any genre in particular, your favourite Irish gem that’s been forgotten by the march of time.

In fact, we asked you to finish the following sentence:

“I regard_______________________________as an absolute forgotten Irish classic because__________________________’

At stake was no more than a voucher guaranteeing its bearer a handsome twenty-five beans at any of Golden Discs’ fourteen locations around the country. And the competition was really, very tight. But there, as ever, can only be one winner.

Harry Molloy, one of Broadsheet’s regular commentators, with the well-deserved clincher:

I have found the most underappreciated but greatest Irish song that there is – this is especially strengthened by how much we tend to appreciate and replicate anything of value from this genre of music. Suitably, it is a song which no one I knew had heard of, and no once since has, until such time as it had been introduced to them.

It is ‘Mrs Gilhooley’s Party’ from Kevin Burke of the Bothy Band. With a song title like that you would be well excused to ignore, but I challenge you to stop and have a listen. Its best qualities are the fact that it is decent trad, of good caliber, it’s really funny, and you can’t watch it and not think how great it would be to see someone take that on live.

From an editorial perspective, this was an absolute heartbreaker to boil down to a few runners-up, but indeed, here they are. All of these tunes are also in the playlist embedded above, for your convenience.

Liam Zero: “I regard Season by Last Days of 1984 as an absolute forgotten Irish classic because, like the rest of the album it came from, it is one of the most wonderful pieces of music made on these shores, and it evokes joy and nostalgia and happiness and love and bliss and warmth and a late summer vibe that perhaps never actually exists in this country but which seems like a certainty this year once you hit play. It’s aural MDMA that doesn’t require you to go buying some dodgy pill from some dodgier bloke and then suffering the dodgiest comedown. It’s all the high and none of the low. It’s sunset and sunrise. It’s we’re going to be friends for EVER. It’s homebound contentment. It makes you gush this sort of rubbish. And it never got the love it deserved. It was forgotten from the start. But it’s goddamn fucking beautiful and I love it.”

Ferret McGruber: “I regard November, November by Auto da Fe as an absolute forgotten Irish classic because of Gay Wood’s evocative singing and bonkers stage performances, and Trevor Knight’s superb, ethereal keyboards. When it was released in 1982 it wasn’t like what anyone else was doing at the time. It’s also significant for being produced by Phil Lynott. Still makes me wonder what more he could have achieved had he stuck around.”

Gorugeen: “I regard Speed to My Side by Rollerskate Skinny as a forgotten Irish classic because it’s a rollicking, big sound and brings me back to Fibber Magees, main dance floor and the crowd going mental to it. But, nowadays all I get is blank looks when I mention the band or song. They should’ve been so much more.”

Me: “I regard Friends in Time by The Golden Horde as an absolute forgotten Irish classic because it’s a great song, with a Larry Gogan cameo in the video, but most of all when I went to listen to it on Spotify a few months back I couldn’t find their version, only the Ronan Keating cover.”

Baron Von Botter III: “Dudley Corporation’s Divil the Bit has it all. Swaying and lurching, threatening to topple over yet staying tight and lyrical. Abruptly ends after barely two minutes. All the elements of a classic.”

Friscondo: “It has to be one the the greatest Irish pop songs, Those Nervous Animals’ My Friend John. Great tune, great lyrics and now almost totally forgotten. I defy anyone not to love it on their first listen. Sligo has never produced anything better.”

Smith: “I regard Feeding Frenzy by National Prayer Breakfast an absolute forgotten Irish classic. An anthemic Phantom FM staple, with lyrics and jangly guitar representing true indie music away from the manufactured sound of mainstream radio.”

Al Jeers: “I regard ‘Master of the Universe’ Aidan Walsh’s Community Games as an absolute forgotten Irish classic because it’s the only song to my knowledge to conceptually decontruct that most Irish of all sports meetings.”

Donal: I regard Arclight by The Fat Lady Sings as an absolute forgotten Irish classic, because it’s still a cracking tune and it was our summer anthem at Ballyfin Jamboree in 1993.

Bertie Blenkinsop: Foremost among a number of great suggestions made by Bertie, who played a blinder here, was Power of Dreams’ Stay. – Mike

Goosey Lucy: Revelino’s Happiness is Mine. Listened to it non stop as a teenager.

Frilly Keane: Cypress Mine – Sugar Beet God. So good live that Zig ‘n’ Zag covered it.

Golden Discs

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The Bonkpsych-rock sideproject comes to the fore

What you may need to know…

01. Beginning life as an outlet for Waterford/O Emperor man Phil Christie’s more eclectic ideas, The Bonk has since become something a bit more fully-fledged.

02. Since its emergence, The Bonk has gigged intermittently yet memorably, including a set at last year’s Sudden Club Weekender fest in Cork.

03. Streaming above (in a Broadsheet premiere!) is the video for the Bonk’s new instrumental single Monologue.

04. It releases ahead of a string of dates around Ireland this month and next, including a Leeside return date at Coughlan’s on April 20th (insert word-that-sounds-like-“bonk”-pun here), with support from Patrick Freeman. Full info on their social media in the coming weeks.

Thoughts: A wee creeper of a tune, led by unfettered synth noodling, but underpinned by steadfastly psychey experimentation.

The Bonk

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International Women’s Day is tomorrow, as are the Strike4Repeal actions around the country. With that in mind, Dublin Digital Radio, from midnight tonight, is carrying twenty-four hours of exclusively female voices.

This is rare move for an industry that recently fared poorly in gender equality by percentage, with women and female-identifying individuals comprising only 28% of voices on-air.

DDR collective member Cathy Flynn talks us through some of the highlights.

Dandelion (12am), Aoife Nic Canna (1am) and Kate Butler (11pm):
Aoife Nic Canna & Kate Butler both featured heavily in the recent documentary “Notes on A Rave in Dublin”, which sold out two showings as part of the ADIFF Festival. Dandelion will open 24 Hours of Women’s Voices with a live set of her signature soul sounds at midnight, bringing us into Wednesday, followed by Aoife Nic Canna. Meanwhile Kate Butler’s Witching Hour will close the day with a live set from 11pm on the Wednesday night.

Strike 4 Repeal Rev Radio (9am):
Strike4Repeal hit the airwaves at 9am with a guide to the day’s actions, and a soundtrack to get you pumped to get out on the streets and fight for your rights.

The Renunciation:
At 12pm and 6pm, instead of the Angelus, we will listen to 12 people’s abortion stories.

These Hysterical Women – A Discussion of Women in Psychology (12pm):
Sadhbh Byrne and Jill Woodnutt discuss the role of women in psychology and how this affects women’s mental health issues.

Quiet Angry Women w/Aisling O’Riordan (2pm):
Quiet Angry Women hosts music from women who whisper and shout their wants and needs. Female anger can be ignored and shrugged off. Over an hour Aisling O’Riordan will highlight music that is angry, ferocious and sometimes gentle.

Listen here, live or on-demand.

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Krayb Davidlive techno from Athlone spaaaaaace

What you may need to know…

01. Precious little information exists about the two-headed, seemingly crab-like beast that is Krayb David. According to label pressers, “he drifts through space and time”.

02. Despite the not-inconsiderable logistic problem of being non-committal about on which plane of existence to settle, Earth-bound record company Cut & Paste Records caught the beast long enough to agree to a vinyl release for one of his missives last summer.

03. Streaming above is most recent solo effort, Time Crabs Dream of Electric Egg Ships. Though not to be overlooked is newest effort AcidDavid, a titanic 36-minute live techno jam with fellow astronaut AcidFeen.

04. You can find them on a rare live outing at Community Skratch Games in Galway’s Bierhaus on April 15th and 16th. Ireland’s only live turntablism and skratch festival, no less.

Thoughts: Glitchy hip-hop at the wrong speed? Weird retro-futurist techno? You decide. The crab’s journey will likely wear on through the cosmos regardless.

Krayb David

Cassavettes

CasavettesLimerick alternative upstarts

What you may need to know…

01. A pensive, post-hardcore take on the broad alternative/indie sound is offered up by Limrock upstarts Casavettes.

02. Emerging in the latter half of 2014, the band has steadily built up a presence in their home city with single Maybe Someday and extended-player The Difference and the Distance.

03. Streaming above is new single Reunion, released last week via the band’s Bandcamp, accompanied by sleepy b-side In April.

04. Catch them next on April 7th in Limerick, supporting Anna’s Anchor at the Loft venue in a full-band show, with Empty Lungs and Life Goals alongside them on the bill.

Thoughts: Dense in their heavier moments, and weighing heavy even in moments of relative levity, “evocative” might even be too stock a word for these lads.

Casavettes

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Dublin Digital Radio continues to innovate on their self-created online airwaves, playing host to dozens of new shows from all over the country. It’s a big weekend for the station, with more shows debuting.

Collective member Aoife Davis writes:

Heading into March, we’ve got an even wider selection of shows at Dublin Digital Radio, with newcomers joining to airwaves weekly, including “Morning Gardening with Jenn“, “Digital Garden” and “Little L Records”.

Our highlights of the week include Gash Collective’s ELLLL, bringing you a selection of witch house, noise and left field bass, Sonntags Radio’s upbeat disco, house and funk and ambient, down tempo and soulful sounds from Underneath the Orange Tree, with James Rogers and Ruaidhri Finnegan.

This weekend is shaping up to be an exciting one, welcoming new show “Beautiful Swimmers” on Saturday at 7pm, while also looking out for Repeater with Eomac and our regular, Eoin Ryan with Shivers Radio on Sunday.

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This Wednesday, the station will also be running twenty-four hours of female voices for International Women’s Day, in solidarity with Strike4Repeal.

Writes Cathy Flynn:

The aim of 24 Hours of Women’s Voices is to make you feel inspired and excited this International Women’s Day/Strike4Repeal Day. We want to be the soundtrack to your day, whether you are at home, in work, or out on the streets. If you cannot strike and want to feel like you are part of the day, stick on Dublin Digital Radio, and feel the Girl Power through the air waves. Also, women’s voices make up only about 28% of broadcasting on Irish airwaves. 24 Hours of Women’s Voices is an example of the breadth of female creativity there is out there. We are taking this opportunity to have one day of 100% women’s voices!

Listen here, live or on-demand.

Our Krypton Son

Our Krypton SonDerry singer-songwriter

What you may need to know…

01. Christopher McConaghy, better known as Our Krypton Son, of course got his pseudonym from watching Superman II.

02. Having released his self-titled debut full-length in 2013, he’s shared the stage with big-name acts like Snow Patrol, Hozier, and Two Door Cinema Club, as well as treading the boards at T Vital and Other Voices.

03. Streaming above is the video new single Everything Reminds Me of You, taken from his upcoming second album, Fleas and Diamonds, releasing via Small Town America Records.

04. Catch him launching said long-player at a special gig in the Nerve Centre in Derry, this day week, Friday 10th.

Thoughts: Creating from the circumstances and tools at his disposal, McConaghy wrings big sounds out of big songs.

Our Krypton Son

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Last week, we asked you to provide us your favourite reggae tune.

In fact, we asked specifically:

“The greatest reggae track of all time is _______________________________because__________________’

As usual, a princely €25 voucher for any of fourteen Golden Discs outlets nationwide was at stake.

The competition was especially tuff but there could only be one winner

Niallo’s entry takes the bong gong :

“Greatest reggae song ? Prince Buster, yes, Peter Tosh, yes, The Wailers, yes, Toots, oh yes ! But, speaking as someone who’s been to Jamaica (been to Peter Tosh’s house/grave), there is only one spokesman for the good people of Jamaica who live in places like Russia (a town/ghetto out the back of Negril) and the Caribbean equivalent of the blues, and seeing as the quintessential reggae themed movie is its namesake… I’ll just leave this here: Desmond Dekker & The Aces’ Israelites. Tcha man.”

In other highlights from the skanking:

Walter-Ego: An unlikely contender for a reggae classic, but when The Pioneers’ favorite horse, Long Shot ‘Combat’ fell in the first race at Caymanas Park one afternoon, taking the the duo’s large wages with him, a classic was born. Released in 1969, Long Shot Kick de Bucket from The Pioneers.

Badatmemes: “It’s widely believed that the first Reggae song ever released in 1968 was by Lee Scratch Perry and it was called People Funny Boy. It has a baby crying in it. It’s effin brilliant. It goes like this.”

edalicious: “The greatest reggae track of all time is Big Five by Prince Buster because of the absolutely RIDICULOUS lyrics, and the big farty synth bits. Quality.”

Ploppy: “The greatest reggae track of all-time is Born For a Purpose by Doctor Alimantado, because even though he may not have been a qualified medical physician, the good Doctor’s 1977 classic is so full of fire and passion it can heal all wounds.”

Psydeshow: “The greatest reggae track of all time is I Chase the Devil by Max Romeo and the Upsetters, because I challenge you to resist its hypnotic rhythm. Apparently, some band sampled it heavily in the 90s, can’t remember their name; some young fellas who thought they were pretty smart, no doubt…”

Any excuse

Golden Discs

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Rory NellisBelfast solo folkishness

What you may need to know…

01. When not garnering loving glances from the Irish music press, Belfast singer-songwriter Rory Nellis is also the frontman of Belfast indie lads Seven Summits.

02. Having debuted formally with 2014 extended-player The Moon, Nellis’ solo run kicked off in earnest in 2015 with crowdfunded long-player Ready For You Now.

03. Streaming above is Nellis’ new single Casual Discrimination, an earthy riposte to the hardening of empathy in the current climate. Also available for free download.

04. It’s taken from upcoming solo record There Are Enough Songs in the World, releasing in November of this year.

Thoughts: A grand, uke-flecked piece of indie-friendly folk pop that sets the tone nicely for Nellis’ next long-player.

Rory Nellis