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Movie of the week: Me and Earl and the Dying Girl (105 minutes, 12A) Directed by Alfonso Gomez-Rejon. Starring Thomas Mann, Olivia Cooke, Ronald Cyler II.

Greg (Thomas Mann) is a savvy student focussed on getting through high school in one piece. When his mother bullies him into spending time with the titular dying girl, Rachel (Olivia Cooke), resentment predictably leads to respect. Me and Earl is smarter than your average high school comedy. Jesse Andrews’ bright script (adapted from his own novel) is razor-sharp, consistently funny and cliché-free. The quirkiness might be a bit much for some, but the three young leads are magnificent. The immensely likeable Mann is the stand-out. No doubt Marvel is already fitting him up for the Spider-Man reboot after the inevitable failure of the forthcoming reboot.

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Ricki and the Flash (101 minutes, 12A) Directed by Jonathan Demme. Starring Meryl Streep, Kevin Kline, Mamie Gummer.

Meryl Streep continues to slum it in the doldrums of musical comedy as a bargain basement Joan Jett. After abandoning her family to pursue the dream of rock stardom out in LA, Ricki returns home long enough to get her estranged daughter a haircut and pedicure, then leaves again. Diablo Cody’s seriously flawed script sets-up scenarios rich with dramatic potential, and then abandons them in favour of songs… Oh so many, many songs. Imagine a sequel to Stop Making Sense (1984) with Berlin instead of Talking Heads and you’re halfway there.

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Dope (103 minutes, 16) Directed by Rick Famuyiwa. Starring Shameik Moore, Tony Revolori, Kiersey Clemons.

A series of wacky mishaps leaves MC Hammer impersonator Malcolm (Shameik Moore) holding $100,000 worth of drugs in this messy mashup of Boyz n the Hood (1991) and After Hours (1985). Rick Famuyiwa’s movie suffers from an acute identity crisis. Social commentary shifts to trite melodrama via coming-of-age sex comedy with the attention span of a Snapchat session. The unintentional laughs come from the cringe-inducing musical score (remember when Family Guy parodied the Fresh Prince?). By the time Famuyiwa walks home his solitary provocative idea, any potential has been squandered under a mound of ham-fisted morality and weak material. Like a Nickelodeon after-school special directed by Kevin Smith with cussing and N-bombs.

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The Transporter Refuelled (96 minutes, 15A) Directed by Camille Delamarre. Starring Ed Skrein, Ray Stevenson, Loan Chabanol.

Ed Skrein whispers his way through an approximation of the Stath in this redundant prequel to Luc Besson’s action franchise. The Transporter Refuelled is essentially a movie about a guy with a car who can drive well. This might have stood a better chance if the producers had ditched the Transporter label altogether and just started from scratch. As it stands, the action is too slick and the fight scenes too choreographed to stimulate any sense of danger or excitement. There’s some gubbins about a prostitution ring run by the Russian mafia, but that’s all pretext to the MTV-style faux lesbian titillation and car porn. If that sounds like your thing, then fill your boots. Otherwise, The Transporter Refuelled is best avoided.

Mark Ryall will criticise movies for food. See his blog  WhyBother.ie for a closer look at this week’s releases.

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https://www.youtube.com/watch?v=ZBxt49Dwpqk&feature=youtu.be

Last night.

Grafton Street, Dublin

Gill writes:

The Disney Store on Grafton Street opened its doors at midnight to Star Wars Fans to experience the new range of Star Wars: The Force Awakens products as part of Star Wars Force Friday [today]…

Star Wars: The Force Awakens opens in cinemas on December 18.

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Bob Geldof

Bob Geldof spoke to Dave Fanning this morning on RTÉ Radio One, ahead of his performance with the Boomtown Rats at Electric Picnic this weekend.

After discussing music, the conversation turned towards refugees.

Dave Fanning: “Back in the Eighties, obviously everybody knows you saw [BBC’s] Michael Buerk on the television, you realised something had to be done, you jumped out of your seat and said, ‘we gotta do something’ and you did Band Aid, Live Aid, and the history is all there. And I’m reading from the headlines in just this morning’s paper, I got two here, the Irish Independent, a drowned toddler, ‘the harrowing symbol of a migrant crisis’ and The Guardian, ‘the shocking cruel reality of Europe’s refugee crisis’. Like I mean in terms of just, do you just look upon that as a dad or look upon that as maybe something you could do or something you’ve done before that you can do again or what way do you see it?”

Bob Geldof: “I look at it with profound shame and a monstrous betrayal of who we are and what we wish to be. That’s how I look at it. We are in the moment, currently now, a moment that will be discussed and impacted upon in 300 years time, a fundamental shift in the way the world has worked for the last say 600 years. Power has been sucked out of the West and moved East; technology, once it met money, was multiplied by human greed, collapsed the world economy. If there’s a new economy there needs to be a new politics, there isn’t and it’s a failure of that new politics that led to this fucking…sorry…this disgrace, this absolute sickening disgrace. And late last night, you know, I couldn’t get my head around this so, at about 12.30am I started banging out this piece and I said, ‘ok, let’s take on now, let’s put our money where our mouth is’, so I am prepared. I’m lucky, I’ve got a place in Kent, I’ve got a flat in London. Me and Jan would be prepared to take three families immediately in our place in Kent and a family in our flat in London immediately and put them up until such time that they can get going and they can get a perch on the future. I cannot stand what’s happening. I can’t stand what it does to us. I’ve known and you’ve known and everyone listening knows the bollix we talk about our values are complete nonsense. You know, once it comes home to roost you know, we deny those values, betray ourselves but those values are correct and it happens time and time and time again. So we are better than this, we genuinely are I don’t want to drag you back to the [Boomtown] Rats but, you know, that night on the Late Late where Bono and Gavin Friday were looking at the show and went, ‘what’s this’ and you know Joe O’Connor and various others were going, ‘yes, yes’. You know the point about Ireland at that point, I say to Gay Byrne, is that I always viewed Ireland as a sort of deep-diving whale that every Friday night it was allowed to come up and vent for two hours and then go back down again, get pushed back down again and in those two hours you saw an elegance, an intellectualism, a humanity, a maturity, that wasn’t allowed by the powers-that-be then and eventually of course it made itself known and felt. The same is true now. You know I do understand, of course I understand, the economics and the politics, ‘ah yeah but if we let some more in, we’ll…’ All right. All right. I do understand when [British Prime Minister David] Cameron says the root cause of this must be addressed. Yes it must but we are in a period of fundamental shift.”

“Twelve years ago, I was in Lampadusa, the island where first, you know the people were arriving from North Africa and I was with the Mayor and we went to a refugee camp because he told me every morning he woke up to the sight of men, women and children dead on the rocks around Lampadusa. So I started talking about this. Of course the Daily Mail, you know, were scathing and derogatory and saying, ‘Geldof, you know, doesn’t know what he’s talking about’.

They rang the mayor of Lampadusa and he denied he ever met me but it was happening then because when people are poor, they move. I am an economic migrant, Britain accepted me and let me got on with it. I couldn’t do it in Ireland which made me very bitter about Ireland but made me eternally grateful to the British people for saying, ‘Get on with it, dude’. And I did. The same thing is true of thousands of Irish, millions, in America, Australia, Britain, everywhere else, this is happening again except it’s people fleeing war not famine and economic hardship, that will increase as the environment decays. The environment makes people move from one area of a resource to another. It’s happening and has happened all over Africa. For 40 years, Dave, 30 years I’ve been dealing with refugees. Last year I was in the board of Somalia and Ethiopia like with the refugees from the Somalian war – all of this is happening now. We must have the politics and the humanity to deal with it. It makes me sick and a concert won’t do it.”

Listen back in full here.

Boomtown Rats at Electric Picnic

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From left: Eddie Hobbs, Lucinda Creighton, David Fitzgerald and Senator Paul Bradford at the Renua think in at Woodquay Centre, Dublin yesterday

So some wealthy folk reckon that,
The rates of our tax should be flat,
And the wise Mr Hobbs,
Thinks this would create jobs,
But what are the chances of that?

John Moynes

(Eamonn Farrell/RollingNews.ie)

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The LE Eithne in the Mediterranean last month

Ireland has taken fewer refugees than any other country in the EU. Many people are understandably concerned about the impact of a refugee influx on Irish workers.

But past experience shows that immigration, even by refugees, can be an economic win/win that benefits native workers as well. A study of Denmark’s experience with refugees fleeing the Yugoslav wars in the 1990s has shown that, far from “stealing” native jobs, low-skilled refugees created jobs and pushed up native workers’ wages by allowing for greater specialisation in the economy. Similar studies, such as of Cuban refugees to the United States, have found no harm to native workers.

Working with the rest of Europe to take a greater number of refugees need not be costly to ourselves. Unlikely as it may seem, they may prove to be an economic blessing in disguise.

Sam Bowman
Deputy Director,
Adam Smith Institute,
London.

Irish Times Letters

(David Jones/RollingNews)

Broadsheet.ie