Yearly Archives: 2017

‘sup?

Jerome writes:

I stopped in Boyle, Co. Roscommon yesterday with my family to get something to eat. There was a teddy, doing some sort of stationary backstroke in the Boyle River. Trying to come up with a satisfactory explanation for my little girl has been tricky, and seemingly endless.

Can you help?

Suggestions welcome below.

Last week, with a Golden Discs voucher worth in the region of TWENTY FIVE Euros on offer, we asked you to select your favourite song by Nick Cave.

You answered in your dozens.

But there could be only one winner.

In reverse order then…

 

Nick Cave and PJ Harvey – Henry Lee

Penfold writes:

The Nick Cave track that has left the most indelible mark on me is “Henry Lee” because the guy’s voice is gloomily magnificent, with the added PJ Harvey the vocals here are sensual. You nearly feel like shouting “get a room” while listening to it.

Nick Cave and the Bad Seeds – Far From Me

Runlolarun writes:

The Nick Cave track that has left the most indelible mark on me is ‘Far From Me’ because it used to be the song that I lamented lost loves to – with my ever-consoling, unconditionally-loving cat Nudge in my arms; slowly circling the living-room-dance-floor together, tears and fur in my eyes, glass of wine to hand.

Then Nudge died and it was the song that I played when I walked into the sea on Sandymount Strand to scatter his ashes. It’ll always be his song now and lifts me up in such a bitter-sweet way in his memory.

Nick Cave – Peggy Gordon

Scottser writes:

The Nick Cave track that has left the most indelible mark on me is Peggy Gordon from the movie The Proposition it’s use in the movie is nothing short of genius. the song becomes the soundtrack to rape, murder, punishment justice and redemption at various times in the movie. it made me adore that melody to the extent that i sang it as a lullaby to my first born to get her to sleep each night when she was younger.

Nick Cave and the Bad Seeds – We Call Upon The Author

Aido writes:

The Nick Cave track that has left the most indelible mark on me is ‘We Call Upon the Author’ because while plenty of songs shake their fist impotently at god, few go in to such detail as to why.

Nick Cave and the Bad Seeds – Distant Sky

Bertie Blenkinsop writes:

Distant Sky breaks my heart, in fact the whole album is a hard listen, it’s like you’re intruding on private grief I don’t know how anyone copes after the death of a child, it must be the most devastating event for anyone to suffer, it’s difficult to even contemplate let alone live through.

Nick Cave and the Bad Seeds – The Ship Song

Andrew writes:

The Nick Cave track that has left the most indelible mark on me is The Ship song. It perfectly echoes my relationship with my now wife. We actually used the song for our wedding. There are so many though; Straight to You is outstanding, Red Right Hand and a brilliant cover of “By the time I get to Phoenix. Not forgetting The Mercy Seat. It really depends on the mood I’m in…

Winner

Nick Cave and the Bad Seeds – Into My Arms

Paraic Elliot writes:

The Nick Cave track that has left the most indelible mark on me is IInto My Arms because:
I have always struggled with the fact that I had been raised catholic and, from an early age, was told to believe in a “personal” god who had a unique relationship with me.

I struggled as an adult to express what I now believed as a skeptical, lapsed catholic. Suddenly, one day driving the M50 motor way I heard Into My Arms by Nick had a light bulb moment –  that was it in a nutshell – Nick expressed it for me :”I don’t believe in an interventionist God!” Just proves how much a lyric and a performer can play a large in someone’s life.

Thanks all.

Golden Discs

Last week; Cave of Earthly Delights

What you may need to know.

1. Look, I know it must seem like Marvel movies are the only trailers I actually write up here, and you’d be right, but it’s hard not to when they’re knocking them out this fast. If you don’t like the look of them, you should see the absolute tripe that comes and goes. Transformers 5? Cars 3? Ain’t nobody got time for that.

2. That said, I am looking forward to Manchester by the Sea 2: Electric Boogaloo.

3. Anyway, here comes Marvel, making it look easy again. Every trailer they roll out, whether it’s Thor: Ragnarok, Spider-Man: Homecoming and now this, is met with near-complete enthusiasm. In contrast to blockbuster rivals DC’s ongoing woes, that is. Wonder Woman has been very well received over there but the upcoming Justice League looks like another hyperactive, adolescent, CGI overkill snore festival.

4. While the format and formula looks largely to remain unchanged something-teen movies in, they key to that enthusiasm is the studio’s sharing and rotating creative contributions with appropriate directors. In the role of Thor, Chris Hemsworth has shown an unlikely comic talent, so the reins to Thor: Ragnarok were handed to What We Do in the ShadowsTaika Waititi. And Black Panther being Marvel’s first black superhero (est. 1966), who better to direct than one of the most talked-about young African American directors of the moment, Ryan Coogler.

5. Coogler is currently two for two, having made his debut with Cannes-prize-winning indie Fruitvale Station (2013), and the improbably excellent Creed (2015), his hip-hop hymn to Rocky Balboa. Both films, and this one, star The Wire alumnus Michael B. Jordan. Coogler was tapped for the Black Panther job just as Creed was being released, but it was too late to cast Jordan in the title role, since Chadwick Boseman was already filming the character’s debut in Captain America: Civil War (2016).

6. Alongside Boseman and Jordan, you’ve got Lupita Nyong’o, Forrest Whitaker, Angela Bassett and Marvel regulars Andy Serkis and Martin Freeman.

7. Strong use of Legend Has It by Run the Jewels, currently the toast of hip-hop and of whom Marvel Comics are big fans. Their fist/gun symbol has featured on more than one Marvel cover in the past couple of years.

8. Now. Black Panther was Marvel’s first superhero and it’s not insignificant that the Studio is now putting up the cash for an Africa-set, black-cast, black-directed blockbuster. Relatively few black actors have fronted mega-budget blockbusters (Will Smith is the only one I can think of off the top of my head); for an unknown like Boseman to lead one is unheard of. Combine that with the recent feminist success of Wonder Woman this month, and it’s apparent that attitudes are changing in Hollywood. Who said Blockbusters don’t matter?

9.
Not linking to it, but racist dicks on 4chan and Twitter are having their say all the same. Something about a liberal agenda, you can guess the rest. It will be interesting to see how the film will address racism as it exists in the world today.

10. On the topic of “#OscarsSoWhite and the steps taken by the Academy to revise its imbalance, read this excellent New Yorker article.

11. That remarkable Afro-future costume design comes from another Coogler collaborator Hannah Beachler.

Verdict: Panther like a Panther

Release Date: February 9, 2018

Listrade

Back in 2008, an outsider politician took on the establishment. His pitch was simple, they don’t listen to you and they are in the pockets of Wall Street. They are the rich elite, serving the one percent while having long ago abandoned the pretense of caring about those who are struggling and the working class.

Despite being a long way behind in polls, despite being written off, a rousing speech in Iowa against the establishment, promising those hit hard by the recession hope and change. It proved a turning point in Barrack Obama’s campaign for the Democratic nomination against Hillary Clinton.

Eight years later and the DNC is surprised that the same people who’d been told Hillary was the establishment and was serving the one percent, didn’t change their minds and vote for her this time around either.

Populism. It’s a nice term. Has a patronising ring  about it too. Seems like it’s only appealing to the uneducated voter, not the learned, they would never fall for it. Like the learned don’t read “popular fiction”, they read “literary fiction”.

Over the last twelve months we’ve seen several elections and a referendum. Populism has played a significant part in all results. There are common features to populism, but it’s too easy to ignore them because of the division between left and right.

When it’s Trump or Le Pen appealing on populism, it’s only appealing to old racists and uneducated. When it’s Corbyn or Sanders, they’re “galvanising” the youth. And it appears that there is some truth to that in terms vote demographics as opposed to motivations.

They all blamed the “establishment” whether it is the established political parties or those that hold influence over them. They all pointed to the current political system not working. They pointed to your woes, your struggles and more importantly, they offered solutions.

The best thing that happened to Corbyn was the leak of the draft manifesto. The leak was malicious, an attempt to ridicule Corbyn as an old out of touch Trotskyite.

In the words of the Gibb brothers “I started a joke, which started the whole world crying. But I didn’t see that the joke was on me, oh no.” (I prefer the Faith No More version)

Instead of mocking, people looked at the manifesto and thought it was pretty good. It had actual bone fide promises and deliverables. The Tories had little. Their promises were to look into social welfare, look into health care but only when re-elected. No substance, at least none that people could easily see.

Macron’s election and later majority shows that even the centre-right can take advantage of populism, especially when running against a far right populist. You can even create a new political party and still win.

The key is to understand that there are a lot of people out there who are not seeing the benefits of the recovery. Those who have been left a long way behind due to austerity. Those who aren’t working for financial, pharmaceutical or tech companies and aren’t seeing the benefits of globalism. They want hope, they want change.

They will follow a leader who can speak for them who can give them a solution. It looks like they’d prefer it if that promise didn’t involve the prospect of goose-stepping and mass deportations. But, you know, any port in a storm.

Then there’s Leo Varadkar.

Leo.

Dear God.

Leo has decided to vilify the left and their supporters. He’s right from one perspective: they are a threat and are likely to be a threat in any election. But he’s now put him and his party exactly where everyone suspected they were: the establishment.

There’s a chance that this attack on the left will have similar consequences as Hillary’s “bucket of deplorables”. The disenfranchised have shown that they will turn up and vote against you when they are given a figurehead. Leo has set himself up as they perfect foil for anyone who wants to take up that mantle.

Who exactly is advising him? Has he read any analysis of the last 12 months? Or is this actually his idea of how populism works?

The left don’t have to respond, they don’t have to do anything except capitalise on Leo portraying himself and his party as the vindictive establishment.

The only thing standing in the way of the left (or any party) is concrete policies and a cohesive party. Which admittedly is a pretty big thing to not have and, unfortunately, they don’t.

Anyone could do this. The alliance of the left could come together under a new party.

The alternative is that one of the other parties takes up the mantle. But we’ve seen that it’s only ever effective for those who can show that they are “outsider” and underdogs. It’s an opportunity for the right too, in the spirit of Macron.

In a very turbulent year, we have seen that there is widespread disenfranchisement with the political class. The parties will always have their base, but that base is always small.

Their success is reliant on swinging voters and the youth staying at home. Now even the swing voters are looking for change and the youth seem to have got its act together.

It will probably need someone who isn’t currently part of the political world. But the opportunity is there if they want to take it. Leo has set it up perfectly for anyone to capitalise on this, if they want to.

I’m just worried nobody does want to.

Listtrade can be followed on Twitter: @listrade

 

Gino Kenny TD (left) and William Campbell

The third part of an investigation into “unproven medication being offered to Irish people suffering from serious illnesses” by the Here’s How Current affairs podcast.

Host William Campbell writes:

 I ask Gino Kenny why he and People Before Profit are promoting the idea that cannabis is a miracle cure for cancer and many other illnesses….

Listen here

Here’s How