
https://www.instagram.com/p/Bm_oCesArgI/?utm_source=ig_embed
A clever placement by Brazilian tattoo artist Menace with two related perspectives of the same beetle, depending on the position of the recipient’s elbow.
The balloon-twisting witchcraft of Masayoshi Matsumoto – each one between three and six squeaky hours in the making.
PLAY – an installation by Swiss artist Urs Fisher at Gagosian Gallery in New York: nine autonomous office chairs pre-programmed with choreography devised by artist Madeline Hollander swirl, swivel and interact with one another, sensing and avoiding visitors, who are free to walk among the herd.
When the chairs run low on power, they dock automatically with a machine inside the gallery which replaces the battery and processor housed inside each seat.
The impressive (and self taught) crepuscular needlings of Russian artist Vera Shimunia, crafted on palm sized embroidery hoops with a variety of textured threads.
Quality subversions covertly secreted in convenience stores by Jeff ‘Obvious Plant’ Wysaski.
The work of hamburg-based Turkish visual artist Sakir Gokcebag, who takes mundane household items (in this case, shoes and workboots) then slices and arranges them in humorous arrangements that look like digital compositions but aren’t.