Category Archives: Misc

vkaru
https://www.youtube.com/watch?v=ArxAu20TTdc

A story before bed-time.

From Russia-born (usually underwater) filmmaker Victor Karu, who writes:

A Pre-Election Bedtime Story is a moral tale to warn all Irish people to beware people bearing promises at the door this week. It is accompanied with footage of amazing people braving the wet weather, on Sat 20th Feb 2016, to march thru Dublin from all over the country to show their anger at the present government and established politics for the mess they have made of the country over the past decade. Music is ‘Sheep may safely graze’ and ‘Danse Macabre – no violin’ by Kevin MacLeod…

FIGHT!

strandhill1strandhill

Gnarly.

Strandhill, Co Sligo last year (top) and tonight (above).

Denise Rushe writes:

Did the weather do it or did someone steal the public art piece from Strandhill beach front?

The wily winds of the Wild Atlantic way?

A criminal surfing gang stealing abstract sculpture to order?

We may never know, bro.

Bottom pic via The Strand Bar (Facebook)

bannon3bannon2

Busted.

Longford Westmeath Fine Gael TD James Bannon (bottom) fleeing the scene of an alleged [Sinn Féin and Labour party] leaflet pinching incident in Ballymahon, Co Longford this evening and helping Gardai with their inquiries about same (top).

Ask him about the poster thing too.

Earlier…..

hogan

This evening.

From the Facebook page of Athlone councillor Paul Hogan, Sinn Féin candidate in Longford-Westmeath.

Bannon!

He’s gone bonkers again.

Gardaí attend scene of incident as election tensions rise in Ballymahon (Shannonside)

Paul Hogan (facebook)

Thanks Ronan and Michelle Herbert

Meanwhile…

Ah here.

Quality spin, in fairness.

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The Irish Refugee Council and End Direct Provision Dublin are inviting submissions from artists, painters, graphic designers, illustrators, writers, poets, photographers and printers.

The submissions can take any form, including cartoons, sketches, writing, graphics, street art, poetry, photography, etc.

Caroline Reid, of the Irish Refugee Council, writes:

The Irish Refugee Council and the End Direct Provision Dublin group are inviting artists to submit work in response to one of the three following questions:

What does ‘refugees welcome’ mean given the political and public responses in Europe to the most recent refugee crisis?

Institutionalised living marks a shameful part of Irish history. What does the continuation of Direct Provision say about contemporary Ireland?

Xenophobic rhetoric and sentiment beget rumour and mistrust. Can you debunk a myth or some common misinformation concerning refugees, asylum seekers or migrants that you have encountered?

The winning submission for each theme will get a large print run on tote bags to be used for the IRC’s extensive awareness raising campaigns.

The competition will be judged by a panel of Irish artists and is a great way for emergent artists to get broad exposure for their work.

Dimensions of standard tote bag (w) 41cm x (h) 50cm.

Closing date for entries is April 1.

See here for more information.

Meanwhile…

Free Saturday afternoon?

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Dublin Calais Refugee Solidarity writes

“On Saturday, February 27, European citizens will come together in cities across Europe to stand up for human rights, for refugee rights, and Dublin needs to add its voice. Join us along with thousands of people across Europe this Saturday, at 3pm at the Ha’penny Bridge, 15 Bachelors Walk, Dublin, Ireland.”

We are demanding that European authorities and governments take action now to open safe passage routes for all those who seek protection.”

Previously: Ireland And The Turkey Refugee Facility

Cannon Fodder

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Water-skiing footage shot in the early Seventies in Sligo.

With music by Tom Rosenthal.

Fionn MacArthur, whose father and uncle shot the footage, writes:

I find watching the footage nostalgic in a way. Especially seeing as I’ve grown up just right around the corner from my dad’s house where the footage had been filmed. I guess the fact that we’ve water skied right past the front door every summer (and still do) would have had an impact. I plan to shoot a short mini documentary on this topic within the near future. It will be great being able to implement the old super 8 footage with recent up-to-date shots.

Fionn MacArthur

Music: Tom Rosenthal

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From top: (From left) Theo Dorgan, Ruth McCabe, Dylan Haskins, Conor Lenihan and Andrea Pappin; and Theo Dorgan on RTÉ’s The Eleventh Hour in 2011

 

In yesterday’s Sunday Independent Gene Kerrigan recalled poet Theo Dorgan’s contribution to the 2011 General Election.

Not a poem but a crafted monologue that literally (as we used to say on the ‘sheet) rhymed with the mood of the day. It was also one of the sheet’s earliest transcripts.

Mr Dorgan spoke on the evening of the election – Friday, February 25, 2011 – on RTÉ’s The Eleventh Hour, hosted by Daire O’Brien as the count was under way.

He shared a panel with actor Ruth McCabe, Independent candidate Dylan Haskins (damn his beautiful unelectable eyes), Conor Lenihan of Fianna Fáil and Andrea Pappin, a former Labour Party press advisor..

Daire O’Brien: “Are we on the cusp of a big change here, Theo?”

Theo Dorgan: “I think we’re going through a great change. I think the Irish people have dealt the first decisive blow to the old politics. The biggest political party and the biggest political organisation on the island has been dealt a death blow. And next time out the exact same thing will happen to Fine Gael.”

O’Brien: “Unless…”

Dorgan: “No no. No unless. I’m absolutely predicting this. Nothing in this election has persuaded me that Fianna Fáil, Fine Gael or a great chunk of Labour understands just exactly truly a) how desperate the situation is, b) how powerless the old politics is to deal with it, and c) what’s coming down the line behind Dylan [Haskins] and the other young candidates, the other young Independent candidates especially, who are coming.

“I think Fianna Fáil is a dead piece of roadkill at the moment. It’s only hope is that the great lost leader of the Labour party, Mícheál Martin, takes a decisive leap to the centre and to the left and recovers its 1930s roots.

Fine Gael is going to absolutely lose the run of itself in office, and it’s already riven with contradictions; you have Lucinda Creighton saying the basic rate of tax is 55% and Michael Noonan saying that this is bizarre when Pat Rabbitte repeats it in the Dáil.

There is going to be, I think, a decimation of Fine Gael the next time out. People are going through a very strange, slow-motion crash of the State. They’ve dealt with one of the great monoliths. They’re now scrupulously giving the other monolith in the old politics its shot, and when that proves itself – as it absolutely will, I’m completely certain of this – a busted flush, then the new politics will happen. So it seems to me this is an interim moment in a long, unfolding process of change.

“And the crucial thing is, actually in a strange way, to ignore the State over the next two to three years, and resume and deepen the debate on civil society that was temporarily interrupted by this.”

Later

“It’s not just the political system. It’s the self-appointed political class. There’s a managerial approach to the Republic. There’s a distinction now, a profound and unhealthy distinction between the State and the people and, in there, the idea of the Republic has got lost… You now have a line-up, an alignment, between senior managers in the public and private service, senior managers in the private sector, senior politicians, senior civil servants and senior media figures – who have a sense that we, between us, know what’s going on and you are the little people. Now the actuality, when you look at it, is the rather embarrassing spectacle of Enda Kenny rushing over sort of to kowtow to Caesar, to Angela Merkel, without having the brains to realise she’s on the way out…there is a subservient strain in the Irish political class because, objectively, it has to be described in a comprador and a colonised situation and, yet, we’re not. So that contradiction is going to widen and deepen.”

Later

“If you look at Dylan’s website, you’ll see a model of how the new politics is going to go, it’s interactive, through a campaign.”

Later (when asked for reasons to be optimistic)

“Precisely the generation that’s rising up. I’m constantly, I always find you can go back to Bob Dylan for a quote. When he says, ‘When you’ve got nothing, you’ve got nothing to lose’ which I’ve always found, as an impoverished artist, a very useful mantra. He also says, ‘Something is happening and you don’t know what it is, do you, Mr Jones?’.

I think this generation [points to Dylan Haskins] knows it. And I’ve found what, you know, travelling the country in the last four or five years, there are, it’s actually a new way of thinking is struggling to be born and it’s not ready yet to be cut off at the neck and co-opted by the spinmeisters and by the image consultants. Incidentally, very old ways are coming back as well. We still have that feel for the prophetic insight and I offer you one, in light of the election. Today, in Salthill [Co. Galway], the school, the polling booth at St Enda’s National School, the floor collapsed, there’s a harbringer – the floor of St Enda’s National School…We’re at the diagnostic stage, we have to diagnose what’s wrong before we can talk about it.”

Later

“A large turnout in a general election is people reclaiming their democracy. It’s absolutely true that there was a big revenge component in this but I think it’s a big mistake to think that that’s all there was. People have been drilled and educated in the issues and they’ve said, ‘you’ve made a mess of it, step aside’.

But the sights of the exact same people who voted for change, apparent change, today, will now be on the same government with the same lack of mercy for bullshit and lies and spoofing. And I’m waiting, will it be a week or two weeks before, “oh, if we’d seen the books, we’ve had said differently…” There’s a dreary predictability about this but the people are waking up.”

Watch the panel’s discussion in full here

Previously: You’ve Seen The Trees. Here’s The Wood