Category Archives: Music

Every kind of sound imaginable.

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The Cork Quarter Block Party festival’s second round of acts has just been announced, following on from their announcements before the Xmas break.

Among the additions are YMLT-endorsed noisemakers Le Boom, Wastefellow, ooSe, Dowry and Myles Manley, as well as Not Earth, Ganglions, Super Silly and a bunch more.

Also added to the bill – the return of zero-commitment choir The Sing Along Social, Cork hip-hop legend Stevie G’s Vinyl Love night, and Bum Notes Dragaoke.

The live art portion sees the addition of absurdist third-wave feminist performance piece SNAKE TALK, and a DJ set/performance in The Rave Space, assembled by UK performance artist Will Dickie, while the street art/public engagement bill is added to with Alternative Routes, a sculptural installation on Coleman’s Lane; Volxkuche, a community dinner party, and circus artist Darragh McLoughlin’s live performance in the now-former Dunnes’ Stores shopping centre, exploring the space and with it themes of the current property and rental crises.

All happening February 3rd-5th on North and South Main Streets, Cork.

More here.

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SillkString-laden alt-folk from Cork

What you may need to know…

01. Sillk are a Leeside three-piece, and while at their heart a folk band, exhibit noirish/chamber-pop tendencies in places, due mainly to a dense undercarriage of cello and violin in their tunes.

02. The band’s debut E.P. Time is a Clock, recorded by Elastic Sleep/African Fiction man Chris Somers, releases this week on CD and digital download.

03. Streaming above is the video new single Switchblades Don’t Sleep, taken from the extended-player, directed by Eadaoin O’Donoghue and shot by Enrique Carcinero.

04. Launching tomorrow night at the Village Hall venue on Patrick’s Quay, Cork at 8.30. More info here.

Thoughts: A dichotomy of light-hearted play and heavy subject matter, balanced, bearing a wide, irreverent grin.

Sillk

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The wax continued to rule all in 2016, as 3.2m LPs were sold last year in Britain, outstripping the number of downloads and matching streaming revenue.

This is the format’s best year since its initial decline became apparent in 1991, and a 52% increase on 2015’s total UK LP sales, according to the BPI.

Why? Apparently, it’s down to two things: the migration of older former enthusiasts and ‘young people’ driven to own the physical record after discovering music on streaming services.

READ ON: Record sales: vinyl hits 25-year high (Guardian)

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David Attenborough

The world’s most famous naturalist and documentarian turns his hand to observing sounds and musical styles in their natural environs in a very special programme broadcast last month on BBC Radio 3.

David Attenborough reveals a side of himself that nobody knows, as a collector of music from all over the world. We hear the stories that surround it, and the music itself.

One of David Attenborough’s first projects was ‘Alan Lomax – Song Hunter’, a television series he produced in 1953-4. The famous collector of the blues and folk music of America gathered traditional musicians from all over Britain and Ireland and, for the first time, they appeared on television.

David loved the music, the people and, inspired by Lomax, he became music collector himself.

From the start there was a connection between wildlife and folk culture broadcasting: BBC natural history staff shared an office, and equipment, with colleagues busy recording traditional songs, tunes and stories.

Soon after ‘Song Hunter’ Attenborough began travelling the world for the series ‘Zoo Quest’. This time the hunt was for animals, captured live for London Zoo.

The series also looked at the culture of local people and if he came across music Attenborough recorded it. In Paraguay he met some amazing harp players and recorded what became the series’ signature tune. This started a craze. Remember Los Trios Paraguayos?

Wherever he went to make programmes David Attenborough recorded musicians. When the lads carrying the crew’s baggage in New Guinea started singing, he taped them. He recorded songs in Borneo longhouses, drumming in Sierra Leone, gamelan music in Java, Aboriginal didgeridoo players and palace music in Tonga.

Attenborough gave the music to the BBC and it has sat, unheard, in the Sound Library ever since. Now he listens again to recordings he made half a century ago. He reveals the memories and stories they evoke, and his delight in the music.

In fairness.

Listen here on BBC Radio.

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Naive TedLimerick weirdo beat don returns

What you may need to know…

01. Co-founder of the Community Skratch Games festival, and founder of the Unscene label/collective (see yesterday’s YMLT), Naive Ted is arguably one of the cornerstones of independent music in Ireland, in addition to his own ever-expanding body of increasingly experimental beat-tapes and production credits.

02. We’re reliably informed the follow-up to 2015 magnum opus The Inevitable Heel Turn is on the way.

03. Streaming above is a video released on the quiet over the post-Xmas/pre-New Year fug, for single Post-Factual (That Old Chestnut).

04. Appearing next at Quarter Block Party on North Main Street, Cork, from February 5th to 7th, where he’ll be performing all-new material which may or may not be new-LP-related. More info here.

Thoughts: More oddball beats and pieces with a reliably lo-fi feel, albeit a tad more ’90s-feeling in places. Looking forward to hearing where this might lead.

Naive Ted

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MankyyClare beatmaker gets in with the first new release of the year

What you may need to know…

01. Mankyy is the beatmaking pseudonym of Clareman Daithí MacCrúitin. At a tender eighteen years of age, he’s already been up and down the country, sharing stages with This Side Up and the Cuttin’ Heads Collective.

02. Debut extended-player Character Development guest appearances from a litany of Irish hip-hop leaders, including Limerick trio Same D4ence, fellow prodigy Jonen Dekay, and Spekulativ Fiktion.

03. The E.P. is available for streaming and download in the widget above.

04. Technically the first release of the year in Ireland, the E.P. dropped in the early hours of New Year’s Day, via Limrock beatgods The Unscene.

Thoughts: Some absolutely scorching guest bars are the cherry on top of a well-developed, dense and eclectic collection of beats.

Mankyy

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Released over the holidays, and already well past 30,000 views, is episode one of Dónal Dineen’s No Disco reboot/new show, This Ain’t No Disco.

Eschewing video clips and segways for a full, as-live music and talk experience, the show was filmed and directed by Myles O’Reilly.

Per the show’s Facebook:

With no budget or sponsorship and powered only out of passion, the musicians and crew who worked to bring you this episode did so voluntarily. To help keep This Ain’t No Disco on our screens please, like, share or tag a friend. All we need to stay afloat is your love.

This Ain’t No Disco

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Off the heels of the news that the UK Official Charts Company will be taking over the running of the various music sales charts in Ireland,..

…is the frankly much better news that sales from bandcamp.com, the main online music delivery service utilised by a vast majority of independent artists and labels in Ireland, will be counted as part of the overall tally on a weekly basis.

This is massive news for independent & DIY Irish artists and labels despite the fragmentation of the music market and the resultant changes in relevance the charts have undergone.

Fight!

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