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From top: Judy Kelly and Sinéad Kennedy, who created the documentary The Crossing; James Reynolds, of The National Party; and Paddy Monaghan, of Christians Concerned for Ireland;  Actor Liam Cunningham and Irish Independent columnist Ian O’Doherty.

Seeking an adult debate on the refugee crisis?

Look away now.

Last night.

On RTÉ One’s Claire Byrne Live.

The show’s panel – which included Minister of State with Responsibility for Defence Paul Kehoe, actor Liam Cunningham, who has recently visited refugee camps in Jordan and Greece, and Irish Independent columnist Ian O’Doherty – discussed the Irish Defence Forces’ rescue operations in the Mediterranean off the coast of Libya.

The discussion following the broadcast of The Crossing, a documentary by Sinead Kennedy and Judy Kelly in which they boarded the LÉ Samuel Beckett for one month and documented the rescue operations carried out by the Irish Defence Forces.

Readers may wish to note that, according to official figures from the UNHCR, 352, 822 people, seeking protection, have arrived in Europe by sea so far this year – compared to 1,015,078 in total last year.

It’s believed 4,742 have died or gone missing so far this year – however it is impossible to know how many people have died/disappeared without trace.

From last night’s show:

Large tay.

Claire Byrne: “There were two things that struck me – one, that the boats are sometimes sent away with only 50 miles worth of fuel, which is useless, and also that they’re giving, the smugglers are giving the phone numbers of the rescue ships to the people on those boats. So, are the smugglers relying on the likes of the Irish Navy service to pick up the pieces here? And, if so, should we be doing that?”

Sinead Kennedy: “Well, I mean I guess they are to a certain extent. But not every boat or PID, as they call them, a ‘platform in distress’, actually did have a satellite phone which, for me, was the more frightening thing. We were watching these horrendous rescues, harrowing scenes, you know, unfolding before your eyes and that was one thing but to think that the 299, the last rescue that we featured on the documentary tonight, not one of those single PIDs, there was three of them, of those rubber boats out in the sea that day, none of them had a satellite phone and they didn’t have a clue that they were meant to call anyone. And the ship stumbled upon them by complete mistake and you’re just thinking that’s 299 people that would have perished had, you know, the Irish Navy not been there, of the Defence Forces, sorry, and they wouldn’t even have been a statistic because who would have known that they were at the bottom of the Med, you know, a few hours later, the weather turned and they really wouldn’t have made it and they didn’t have enough fuel, as you say, to even turn back so it’s just frightening to think that people are actually doing this and this is happening absolutely we need to be out there. We need to be doing something.”

Byrne: “So you think those rescue missions should continue, regardless of the fact that the service might be being used by the smugglers?”

Sweeney: “Personally, yeah, I do think we need to be out there. I mean, there’s the argument that the Italians last year [sic] stopped everything after hearing a lot of negative commentary about what they are doing and are they just, you know, influencing people to come out and they’re gonna get picked up, etc, so they stopped and about 800 people died in one day, so I mean…”

Judy Kelly: “People will keep coming. The thing is Libya is a really, what really was shocking was to hear the stories of people’s experience in Libya and I think, to some degree, people are actually fleeing Libya as much as they are trying to go to Europe. I mean it really seems a terribly difficult place, so I think that they would be leaving anyway, to be honest, whether there’s ships there to rescue them.”

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Stuck for something a little different stocking-filler wise?

Dublin artist (and ‘sheet reader) Heather Thompson’s portraits are full of blood and longing, myth and pop culture; here you’ll find handsome devils and all-devouring mistresses in gold-gilt.

Following a summer solo exhibition in the Bernard Shaw, Richmond Street, Dublin 2 you can now get Heather’s prints and canvas bags for “mad cheap”.

Sez Heather:

There are four print designs available, including a very limited number of prints of Veda hand-embellished with gold glitter and paint. There’s also Tom Waits, Stoya and more. Decorate your walls or look tré swish carrying your groceries. All available in my online shop (at link below).

Heather Thompson Prints and Bags

Heather Thompson (Facebook)

Irish-made stocking fillers to broadsheet@broadsheet.ie marked ‘irish0made Stocking Fillers’. No fee.

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Actress Lynda Carter during a ceremony as the UN named ‘Wonder Woman’ its Honorary Ambassador for the Empowerment of Women and Girls in October.

This bad news comes from the UN
A woman gets picked on again
After fighting for rights
While wearing sheer tights
She gets fired by a panel of men.

John Moynes

Pic: Getty Images

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Sick of the way the game is covered?

The hype, the haircuts and the unwelcome ‘spit roasts’.

You may like an Irish football blog called Pollemma, which caters for the ‘thinking fan’.

Polemma‘s founders Alan Walsh and Paul Tierney explain.

We’re looking to change the conversation around football a little by avoiding clickbait, endless talk of massive transfers and a lot of the nonsense you hear about the game at the top level, and look at football from a slightly different perspective.

We write about the Irish game but also cover stories people might not be familiar with from England, Italy, Africa, Iran and wherever people are kicking footballs. From John Delaney’s antics at the FAI to how a team of refugees are challenging the status quo in Italy.

We do write about the bigger English and European clubs, but in our own way. We love the game, and we’re trying to make Pollemma about why we love it.

We’d love to hear from writers who want to tell interesting stories about the beautiful game, designers, film-makers, coders or anyone creating anything about football.

We’d be thrilled to feature work from like-minded fans. You can mail us at votepollemma@gmail.com or on twitter @votepollemma

Pollemma

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https://www.youtube.com/watch?v=72WQQMH6LZE

A distinctive, dialogue-free flat colour short by Luke Saunders. To wit:

The Fisherman is set in a neo-tokyo cityscape where electricity is a source of life for a diverse eco-system of mollusc like creatures. A late devoted scientist of these life forms has passed his life’s work on to his daughter, along with one part of his most prized catch. The other part, a mystical electric fish, has eluded him his entire life. An opportune discovery of this rare creature by a human inhabitant instigates an unusual mating ceremony, spawning a surge of life that traverses the gap between this life and the next.

Now for yeh.

shortoftheweek

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