How are things in Glocca Morra?

This week the theme of our voucher-less music chinwag is a sombre one.

It was chosen by ace Broadsheet film correspondent Andy Pipkin who is mourning the loss of two of his old work colleagues.

We send our condolences out to Andy and the friends and families of the departed.

Andy writes:

“At both funerals I met up with old workmates; we all had a passion for music and it bore through at the funerals as the music choice was both sad and uplifting as it was chosen by the deceased before they passed away.

“We all spoke about the music and what we’d have played at our funeral. So if it’s not too dark and as a celebration of their life…What song would you like to be played at your funeral and why?”

Here’s Andy’s choice.

And here’s mine.

Lines close on Saturday at Midnight.

Please include video links if possible.

Now, two weeks ago I asked you to name your favourite punk anthem. You answered in your tens. Stephen Moran won my esteem with this entry.

The Stooges – I Wanna Be Your Dog

Stephen writes:

“We always associate punk with the class of ’77. But there were many precursors to the CBGBs crew and The Clash. I’d date it to the class of ’69 and The Stooges and The MC5.”

Nick says: Congrats Stephen and thanks to everyone who entered.

Previously: Win Nick’s Esteem

From top: The Online Safety and Media Regulation Bill will outlaw content that causes offence; David Langwallner

The late great Ronald Dworkin taught me Jurisprudence and towards the end of his illustrious career, and in response to the Danish Cartoon incident, wrote a nuanced defence of the right to offend, saying:

“Ridicule is a distinct kind of expression: its substance cannot be repackaged in a less offensive rhetorical form without expressing something very different from what was intended. That is why cartoons and other forms of ridicule have for centuries, even when illegal, been among the most important weapons of both noble and wicked political movements.

“So, in a democracy no one, however powerful or important, can have a right not to be insulted or offended.”

Christoper Hitchens and others, such as the English judge Stephan Sedley, have remarked that the freedom to speak inoffensively is a freedom not worth having.

The Irish Government, through the Online Safety and Media Regulation Bill 2022, is purporting, in contradiction to the sentiments and arguments of Dworkin and others, to criminalise causing offence as well as harm.

It is Section 46JA of the bill which is the exact provision which criminalises causing harm or offence as judged reasonably. But by whom? A politically-appointed commission, of course. Vox populism. The mob. Mr. Varadkar and his oft expressed fear of unregulated journalism. Those who tell the truth about him and those he cannot influence not to do so. Well, now to be regulated by him and his cohorts. What a vista? Also offence to whom. The right-thinking members of the community? Us not them.

In fact, the act is contrary to the jurisprudence of the European Court Of Human Rights (ECHR) by which we are bound.

Now not everything is permitted, Holocaust denial or racist speech for example, but the parameters are wide or were. And, in a number of cases, such as Jersild  Vs Denmark and Lingens Vs Austria, the court has indicated speech encompasses the right to outrage and shock and such are the hallmarks of tolerance and broadmindedness.

Under the interpretative obligation implementing the ECHR in Ireland, the state is obliged as far as possible to follow that jurisprudence, but, crucially, as interpreted by domestic Irish courts, this is subject to existing constitutional protection which on speech are much more limited.

So, clearly the mandarin gambit is to criminalise domestically, seek to scupper or wait in the never never as the ECHR finds a breach many years later, at which stage it will be too late, and then water it down in terms of existing constitutional entitlements. We protect enough. The act is constitutional. Our good old boys can be relied on to say so.

It is deeply sinister and redolent of other historic Fine Gael legislation on controlling broadcasts from deemed subversive organisations. But who are the subversives? It is not just Sinn Féin historically that has blood on its hands.

The bill if enacted is a further escalation to a controlled form of corporate Stalinism. The suppression of dissidence. The dying of the light.

David Langwallner is a barrister, specialising in public law, immigration, housing and criminal defence including miscarriages of justice. He is emeritus director of the Irish Innocence project and was Irish lawyer of the year at the 2015 Irish law awards. Follow David on Twitter @DLangwallner

Previously: Simon McGarr: Unflattering Portraits

Last night.

Mother and Baby Home survivor Marie Arbuckle (top in 2021) joined campaigners Eunan Duffy and Frank Brehany (Breeda Murphy was away this week) to share her remarkable story of ‘cross-border child trafficking’.

After years of abusive foster care, Derry-born Marie, also known as Maria, was in St Joseph’s training school in Middletown, county Armagh when she got pregnant at 17 and brought to St Patrick’s Guild Mother and Baby home in Dublin to have her son, Paul. She was then taken taken back to Northern Ireland without Paul. The year was 1981 and they would not reunite for another 40 years.

Sasko Lazarov.RollingNews

This morning.

Via RTÉ News:

The proposed payment, which could be announced as early as next week, would aim to cover costs such as extra utilities bills, associated with housing those fleeing the war.

It would also act as an incentive to boost the number of accommodation places available for the number of refugees arriving in Ireland.

Yesterday, Minister for Justice Helen McEntee said that there will be no cap to the number of refugees Ireland accepts, even as the Government admits it is facing a struggle to house arriving Ukrainians.

Households expected to be paid up to €400 a month for hosting Ukrainian refugees (RTE)

Getty

Meanwhile…

1959.

BBC’s Tonight show

A relaxed Brendan Behan in conversation with English actor and presenter Derek Hart. The latter going full plummy.

Hic.

Any excuse.

Previously: Shoot Me In My Absence

SOAK – Purgatory

There’s a ghost in my house.

Derry’s indie star Bridie Monds-Watson (top) aka SOAK has collaborated once again with video director Ellius Grace for the latest single from new album If I Never Know You Like This Again, out on Rough Trade on May 20.

SOAK writes:

“‘Purgatory’ is about the weight of time and the perpetual fear of reaching the end of your life, unsatisfied with how you’d spent it. The song came out of a slump phase, I wasn’t really a fan of myself and honestly just felt rather lost.

“In ways that felt like its own purgatory. I was trying to figure out how to make myself feel better, become a ‘better version’ of myself. So I guess whilst this song is about panic, it’s equally about the pursuit of change.”

Nick says: Heaven can wait.

SOAK

The converted shop on Bird Avenue, Dublin 14 on sale for €775,000

 

This morning.

Fed-up, rent-robbed student converts old sweet shop into luxury dwelling.

Now, why can’t you show the same ingenuity?

He got up off his behind and did something.

Instead of whinging.

‘I was paying silly money to rent an absolute kip’ – meet the student who turned an old shop into a €775,000 home near UCD (Independent.ie)

 

Ah.

 

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