A video for Nashville-based electronica artist Makeup And Vanity Set (Michael Pusti) by Saman Kesh and Justin Daashuur Hopkins in which a tech enthusiast attempts to scam a retail platform by claiming his new monitor was never delivered, requesting a refund.
At first, the site’s AI reacts politely to the scammer’s increasing rudeness, then it exacts sweet revenge.
Whys and wherefores here.
The incoherent, unsettling but strangely familiar works of an AI programme ‘schooled’ in the street art style of Banksy. To wit
GANksy was born into the cloud in September 2020, then underwent a strenuous A.I. training regime using hundreds of street art photos for thousands of iterations to become the fully-formed artist we see today. All of GANksy’s works are original creations derived from its understanding of shape, form and texture. GANksy wants to be put into a robot body so it can spray-paint the entire planet.
Explore further, become confused and angered, buy prints, etc. here.
Caledonian stadium has no camera operator, relying instead on an AI controlled tracking camera programmed to follow the ball.
Except it’s not following the ball is it?
Experiments in digital extrapolation by photographer Bas Uterwijk (albeit subjective in the fine detail and employing a degree of artistic interpretation) – using Artbreeder AI software to extract real world features from painted depictions, portraits and sculptures.
Above: Elizabeth the First, Michelangelo’s ‘David’, Napoleon Bonaparte, Rembrandt Harmenszoon van Rijn, Jesus Christ, George Washington and Vincent Van Gogh
Tenuously related: The Descendants
Researchers from graphics Interface pioneer NVIDIA demonstrate their Style Based Generator Architecture for Generative Adversarial Networks.
In other words, artificial intelligence capable of generating human faces and other objects that don’t otherwise exist in real life.