Tag Archives: crowdfunding

Hazel Larkin

Last week, an item by Hazel Larkin about parents having to resort to crowdfunding to pay for their children’s health needs provoked much discussion with criticism levelled at the motives of  its author.

Hazel writes:

Oh Lordy! There have been some weird things said about me in the comments here, and elsewhere. For quite some time now, I have had a policy of not reading the comments on things I write.

Everyone knows the comments section of the Interwebz is where the crackpots and conspiracy theorists hang out. When, however, I got the heads-up that the comments had turned from just nasty to actually defamatory, I reckoned it might be an idea to read the comments and address the nonsense therein.

I did speak with a solicitor, and – while I have a case, there is no point in suing people who have no assets worth suing them for. It’s also mighty expensive and time-consuming. Most people who say ‘just sue them’ have either no idea of the justice system, and how it works, or they are multi-millionaires who can afford to indulge themselves.

The piece that’s managed to get everyone in a flap was a simple enough article written on foot of a few campaigns I’d seen where parents were trying to raise funds for their children’s housing, educational, and medical needs.

I included links to these campaigns to illustrate my point. You know, fuelled on caffeine, and wielding my social justice warrior’s sword.

One of these was a fundraiser for a child whose family is struggling to pay for this child’s exceptional educational needs. It was set up by someone I know because he felt it was in the best interests of the family to protect them from the kind of vitriol that has been directed at other people (like Tara Flynn and Tracy McGinnis).

That is his call, and I completely understand where he’s coming from. Given some of the nastiness unleashed, then it seems he was right. What he didn’t expect was to have keyboard warriors cast aspersions on his excellent character.

Yes, he’s a friend of mine. Yes, I know the family involved, yes they wish to retain their privacy. No, I don’t blame them. Adults are not just cruel to other adults online, they are cruel to children, too.

John has many friends, both on and offline. As have I. He’s so upset by the things that have been said about him, however, that he has closed the fund and returned the money that has already been sent. I can’t say I blame him.

His professional reputation was being questioned and – even though he has done nothing wrong – he doesn’t have time to firefight. Nor should he be expected to. For that matter, neither do, or should, I.

As far as these funding campaigns are concerned, guess what? You get to decide what is, and is not, a worthy cause. You get to decide what to do with your time and money.

Some people think that collecting money to send flowers to a rape victim is a worthy cause, some people think that collecting money to fund the retirement of greyhounds is a worthy cause, some people think that collecting money to send someone on holidays is a worthy cause.

People can decide for themselves what resonates, and what doesn’t. GFM campaigns are set up every day.

Throw a few bob at them, or don’t – that’s entirely your own decision – but stop attacking men, women, and children because they don’t match up to what your idea of a person in need looks like.

Seriously, I thought we had learnt from the recent referendum campaign that one person’s difficulty is not the same as another’s, that we need to be less judgemental; that compassion goes a long way; that we are not entitled to every tiny detail of a person’s life, that some things are private. Clearly, I was wrong.

What strikes me, however, is the gendered element of the comments. By that I mean, the difficulty people have in this country with mothers trying to provide for their children. In Ireland, there is still a notion abroad that mothers raising children alone should be shamed. Including shamed for doing their best – even if that ‘best’ doesn’t look like what other people think it should look like.

If some young fella set up a GFM campaign because he wanted money to go to the World Cup in Russia and get some beers while he’s there, what would the reaction be? I’d be willing to bet that there would be a bit of annoyance, but also a lot of admiration for the sheer brass neckery of it.

People would think he was ‘gas’ and would be keen to know how he got on. That’s okay for a bloke – who would affectionately be called a ‘chancer’. But women, raising children on their own, and doing their best for those children? They get an entirely different shake of the stick. I find that interesting.

That aside, there are a few factual errors referred to in the comments, and they do need to be addressed:

1. There is no provision, in Ireland, for the special educational needs of children who are gifted. There hasn’t been since 2004. So these children can’t get access to the education they need through the state system.

2. Ireland is a signatory of the UNCRC, Article 29 of which states: ‘1. States Parties agree that the education of the child shall be directed to: (a) The development of the child’s personality, talents and mental and physical abilities to their fullest potential;’

3. Clearly, the government is violating the rights of these children by not affording them the opportunity to develop their mental abilities to their fullest potential. Giftedness is hugely mis-understood and seen as some kind of ‘win’ for kids who are this smart. I thought it was worth challenging that misconception. I still think it’s worth challenging, but probably in an article just devoted to that subject.

4. I have had precisely one GFM campaign ever set up for my benefit. It has been referred to several times in the comments, and was set up to pay for my therapy as well as a final installment of my fees. The therapy element – which was the larger portion – has been ignored by every commentator. I had expected that my settlement would cover these expenses, but it hasn’t yet been paid. Sadly, my legal team never informed me of the fees and expenses involved in pursing recovery of the settlement (€10k+) until afterwards (refer to my earlier comment about accessing the law in Ireland).

5. It has been erroneously claimed that the Open University doesn’t admit students under the age of 18. In fact, it does. There is no lower age limit, but those under 18 must go through an additional set of processes for what they refer to as ‘young learners’.

My ‘gap year’ wasn’t nearly as glamourous or as expensive as it would appear people think. I lived in Asia for many years, and still have friends there, so when I returned to pursue my ex for child support (long, difficult, drawn out, involving many jurisdictions, still not resolved), I stayed with people I’d known for nearly 20 years. So, no accommodation costs.

When we flew to Copenhagen we paid the grand total of €1.80 for the three of us. Ryanair. You really can’t beat them (in fairness, it was a one-off to celebrate the launch of the new route: Three thousand tickets, sold over a three-hour period, for €0.30 each). Google it. Or check their Twitter feed. We stayed with friends there and in Sweden, too. Ditto the UK and the Netherlands – we got there as cheaply as possible, and stayed with friends. On occasion, we were treated to our fares, like when we went to the UK, and stayed with an old friend who needed help. Later, another friend saw I was suicidal because of the abuse my ‘family’ was putting me through in advance of my brothers’ trials. She reached out to me – with the keys to her spare house in a village in France. It was a mental health break, because it was either that or a psych unit. And if I took the latter option, where would my kids have gone? Into ‘care’? We all know what that’s like in Ireland. (Abusive family, remember, couldn’t leave the kids with them).

Laid bare like that, it’s not really very glamorous, or exciting, is it? And that’s without detailing the panic attacks, the constant anxiety, etc. etc. Yes, I have a lot of good friends. Probably because I am a good friend.

6. There have been allegations that I am not a PhD candidate in DCU. Well, I am. My supervisors are Dr Mel Duffy and Dr Eileen Courtney.

7. Aspersions have also been cast on the credibility of the course I’m offering for midwives and other birth workers, with the insinuation that there’s something dodgy about it. I don’t know what more would be expected than approval from An Bord Altranais agus Cnáimhsceachais na hÉireann.

8. Then there were suggestions that I’m workshy. Sadly, that line we were all sold about working hard at your education so you’d get a job? It’s a crock. The dynamics are very, very, different. (Hmm, might be another article in it). If, however, you have a job that you’d like to consider me for – I’d be delighted to hear from you. Also, I think it’s important to note that there is a difference between work and a job. I’ve picked up quite a few bits of work since I got back to Ireland, some paid (most unpaid) but securing a job is a different kettle of fish.

8a. It was interesting to note that there were plenty of commentators saying that I was
workshy, and then others actively, deliberately, and maliciously trying to scupper my attempts to earn. So – which is it? Which trope suits your idea of what a lone mother should look like? Can we get a consensus?

9. Then there’s the allegations of child trafficking. They are so bizarre, I don’t know where to start. For the record, I have never trafficked a child. Now, there’s a sentence I never thought I’d have to write.

10. There was also a lot of concern about my bowels. I’d like to categorically state that, as far as I am aware, my bowels are fine.

11. If you’d like more intimate details of my life, feel free to pick up a copy of my book – it’s got a quote from Kate Holmquist on the front, which she is perfectly happy about:

No matter how good a Googler you are, Google doesn’t have all the answers.

I hope that was entertaining for you – I have nothing more to say on the subject – except that I have work to do, kids to raise, a PhD to keep working on, cats to feed, a few social justice campaigns to work on, and lots of coffee to drink.

Hazel Katherine Larkin is a ‘caffeine-fuelled social justice campaigner’. Follow Haxel on Twitter @HazelKLarkin.

Previously: Go Fund Yourself

From top: crowdfunding sites like GoFundme and IDonate: Hazel Katherine Larkin

All functional, loving parents strive to provide for their children. We accept – indeed, embrace – our responsibility to them. We know that it is our duty to ensure our offspring have the housing, clothing, education, and medical care that is suitable to, and appropriate for, their needs.

In a country like Ireland, when parents are unable – for whatever reasons – to provide for their children, it is expected that the collective social conscience will step in and help.

The administrative arm of this collective social conscience is largely expected to be the government. People pay up to 52% income tax (including PRSI and USC) on the understanding that it will be used to provide for the less well off; that the children of the nation will be minded; that the parents of children who have additional needs will be assisted.

Sadly, this is not the case. Increasingly, parents are having to put their pride in their pockets, and turn to fundraising sites in order to raise what they need to provide for their children.

It is humiliating for anyone to have to turn to the public to ask for help – especially because not everyone is compassionate, and people who do work up the courage to ask are often lambasted by people who feel that asking for help reeks of a sense of entitlement.

I would counter that everyone is ‘entitled’ to a home, an education, and medical care that is appropriate to their needs.

Instead of being annoyed with parents for asking for help so they can provide for their children, perhaps we should be annoyed with a government that is not honouring its social contract with the people of Ireland.

Perhaps we should be annoyed with a government that reduces citizens and tax-payers to beggars.

Perhaps we should be annoyed with a government that consistently ignores the pleas of the electorate.

Perhaps we should be annoyed with a government that consistently ignores the carefully researched, informed opinions of experts.

Perhaps we should be annoyed with a government that continues to undervalue the work that carers do in our society.

Perhaps we should be annoyed with a government that doesn’t seem to understand that, while individuals make up a society, Society is a collective, where the greater good of all members is considered.

Perhaps we should think, long and hard, about what we can possibly do to create a society where we are committed to providing the basics for all our children, and start to move towards a nation that fulfills the promise of the Proclamation of 1916 and ‘cherish all the children of the nation equally’.

Hazel Katherine Larkin is a ‘caffeine-fuelled social justice campaigner’. Follow Haxel on Twitter @HazelKLarkin.

Sons & Broken Noses

A modern western by Nigel O’Brien and Colin Feming.

Would you like to help finish it?

Colin writes:

Sons & Broken Noses  is a short contemporary Western and stars Jason Byrne and Eric Lalor, with veteran actor Frank O’Sullivan as the antagonist.

We have  an award winning script by Damien Aulsberry plus we’ve assembled a world standard crew and we think the promo (above) reflects this.

We need to spread the word far and wide to get as many backers as we can. It really will be a special little film but we need more reach.

Donate here

Sons & Broken Noses (Facebook)

Sons & Broken Noses (Indiegogo)


Does the prospect of “hallucinogenic piano-pop” tickle your feathers? If so, young beat combo Dr. Mindflip have what you’re after.

And they’re crowdfunding more goodies to tie in with their debut album, a concept piece based on cringe-cinema monolith The Room.

The band writes:

We have spent the last 2 years creating our debut – it’s a psychedelic B-movie rock opera (complete with voice acting and cinematic sound design) that we’re really excited about.

We’re running a Kickstarter fundraiser to make physical copies. So far, we’ve raised enough to create CDs and we’re halfway towards raising enough to do a vinyl pressing – it’s always been a dream of ours and we’re delighted with the support we’ve received so far.

The Kickstarter campaign is running until midnight on Friday 12th of May and you can view it here.

Streaming above: last week’s video for single Massive Pockets.

Dr. Mindflip



A new long-form poem by John Moynes, Ireland’s most read living versemonger.

John is currently crowdfunding his debut collection of poems, written between 2013-106 and offering a darkly funny overview of Ireland’s ‘recovery”.

If you enjoy John’s ‘ricks you will love ‘Scenes Of Moderate Violence’ and you can can help get it published for as little as 10 Euros.

Pledge here

The Emerald Stone2

But they need YOUR help.

Reckoner Productions –  Writer/Director Alan Dunne (top left) , Producer Eamonn Tutty (top right) and Co-Producer Zeb Moore – want support from film fans tocomplete an ambitious children’s fantasy film, The Emerald Stone.

Eamonn writes:

‘The Emerald Stone‘ tells the story of Sarah and her brother Cian who are shrunk after encountering a strange emerald stone in their grandmother’s house.

This leads them on a journey in which they must work together to return back to normal size, but being only two inches tall dangers and obstacles block their way.

Donations to this campaign will help cover production costs and also post production to ensure we get the best possible film, and push it over the line to completion.

By donating and contributing to this campaign by any means be it financial assistance to pushing out our campaign to reach a wide audience, we can deliver a unique and heart felt film.

Pledge here

The Emerald Stone (Facebook)


Never mind.

Scenes Of Moderate Violence is the stunning debut collection from award-winning poet John Moynes (top).

Written between 2013 and 2016 it depicts a world recovering from economic turmoil and then collapsing into fear and despair. There is also “a bit about a time travelling cowboy who can recite two poems at once”.

Hairy, windswept and interesting, John is crowdfunding for the printing of the collection and is reaching out to followers of his cherished Limerick A Day slot on the ‘sheet, which has made him the most frequently read living poet in Ireland.

A small pledge here will get you the buke and the priceless gift of of long-form Moynes.

Scenes Of Moderate Violence by John Moynes (Unbound)

pressrecord-high-res pressrecordtracklistblack

Dublin-based live session series Press Record is expanding, and they need YOUR help.

Having recorded over ninety live performances and interviews since 2014, the group now looks toward continued sustainability.

Among initiatives to fundraise for new content are a compilation album of previous sessions, a lead-off single from the same, and the announcement of a Patreon crowdfunding campaign.

Writes 98FM’s John Barker:

Press Record #1 – featuring 11 of the most memorable live performances from the past 2 years. The proceeds from the album will support them in creating quality Press Record videos in the future and help promote more great Irish acts.

Press Record are releasing a new single from the album featuring the wonderfully talented O Emperor performing their song Trash Club live in-studio. The song is taken from the band’s EP ‘Lizard’ released in November 2015. Using this unique way of generating funding and released with the full support of the all the artists involved, the live album is available to purchase today for €10 with all proceeds going towards future Press Record videos.

The team has also started funding through a Patreon campaign which encourages fans and supporters of their videos to subscribe a small amount of money each month.

Streaming above is the team’s latest live video, for funky nine-piece TooFools‘ single Torn, also released this morning.

Press Record

Screen Shot 2016-03-02 at 14.55.18

Dublin-based filmmaker Kamila Dydyna writes:

“My new film The Betrayal is a 30-minute thriller written, directed and shot by women. It focuses on subjects relevant to women today: domestic abuse, revenge porn and sexual identity issues. Shot in Dublin over six days in early February, the film is about to enter post-production. We’re crowdfunding to cover the remaining production and post-production costs.”

Anyone who wishes to donate to the costs can do so here.

The Betrayal