Pleasing movie juxtas by Hungarian digital artist Pixel Faker.
Tag Archives: scene
The work of Spanish artist José Manuel Ballester – familiar old canvases with the humans removed – newly apposite in the current climate.
(Above (from top): Leonardo da Vinci’s “The Last Supper” (1498); Sandro Botticelli’s “The Birth of Venus” (c.1486); Francisco Goya’s “The Third of May 1808” (1814); Jan Vermeer’s “The Allegory of Painting” (1668); Pablo Picasso’s “Guernica” (1937); Diego Velázquez’s “Las Meninas” (1656) and Théodore Géricault’s “The Raft of Medusa” (1819)
Quid Pro Quo
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Lessons From The Screenplay explores how the most effective movie scenes often follow the three-act structure of entire movies, books and plays.
A case in point: one chilling exchange between Hannibal Lecter and Clarice Starling in Johnathan Demme’s ‘The Silence of The Lambs’.
More (in the form of a more in-depth podcast) here.
High Brow
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The masterful eye-art of Tal ‘Scarlet Moon’ Peleg.
Previously: Eye Candy
MORE: Tal Peleg’s Art Uses the Eye as Its Canvas (Insomniac)
A second installment of filmmaker Vugar Efendi’s side by side comparision of film scenes and the art that probably inspired them.
Previously: Art And Film
The ‘micro Baroque’ artworks of Colombian artist Mateo Pizzaro – miniscule graphite drawings packed with detail.
A rather fine short featuring a deftly edited juxtaposition of animation and film clips, recently premiered at SXSW.
Made by Ornana Films (they of the excellent Confusion Through Sand)
(Thanks Benjamin Wiessner)
Tiny Dramas
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Miniature dioramas by Kendall Murray – an ouevre already well represented by the likes of Bettina Güber, Slinkachu and Christopher Boffoli, but hey, they’re very small and there’s always room for more.
The entire opening scene of Daniel Craig’s first outing as James Bond painstakingly recreated in blocks frame by frame by the wonderfully named Brick Tease.
Two incredible hand-drawn animations by Jake Fried, who uses one sheet of paper per animation, layering Tippex, paint, ink and coffee to create the fleeting details of changing scenes.
By the final frame, each sheet of paper is covered with a layer of mixed material, inches thick.