Select works on permanent display at the MTA Museum:
Discovering and curating “arts” around MTA stations all over NYC. Open 7 days a week, 24 hours a day.
Select works on permanent display at the MTA Museum:
Discovering and curating “arts” around MTA stations all over NYC. Open 7 days a week, 24 hours a day.
A montage of gorgeous imagery from the first six seasons of Game Of Thrones lovingly compiled by The Solomon Society and set to Tchaikovsky’s 1812 Overture..
The friendly culmination of a gif-a-day visit to Los Angeles by London based animator James Curran.
Inspired by Jacob T. Swinney’s compilations of the first and final frames of selected films, Celia Gómez follows suit with her own version, featuring TV series from Hannibal to Friends.
Is there anything to be gleaned from such juxtapositions aside from spoilers?
You be the judge.
Related: And the First Shall be Last
Always watching – Jorge Luengo Ruiz celebrates the voyeurism of Alfred Hitchcock as evidenced by scenes from The 39 Steps (1935), Young and Innocent (1937), The Lady Vanishes (1938), Rebecca (1940), Foreign Correspondent (1940), Notorious (1946), Strangers on a Train (1951), Rear Window (1954), To Catch a Thief (1955), The Trouble with Harry (1955), Vertigo (1958), North by Northwest (1959), Psycho (1960), Marnie (1964), Topaz (1969), Frenzy (1972) and Family Plot (1976).
A new animation by artist Jake Fried who blends ink, gouache, white-out and coffee to build up his animations in layers, each one covering the previous one, invariably resulting in a completed canvas several inches thick.
Previously by Jake Fried: Head Space
Dissolve (they of the excellent This Is A Generic Brand Video) sez:
Scenes you’ve seen … or have you? Using Dissolve stock footage – and the magic of editing – we’ve created this impressionistic homage to some classic movies. Can you name all 14 films?
Of course you can.
Music: Retro Smash Hit by Pat Andrews
Tech Noir – a single serving site of cinematographic gifs with subtle but highly atmospheric movements.
Yes, If We Don’t, Remember Me is the daddy when it comes to this kind of thing but, hey, it’s all good.
Slovenian photographer Matej Pelijhan’s recent collaboration with 12 year-old Luka, whose mobility is limited by muscular dystrophy to operating the joystick of his electric wheelchair.
Pelijhan’s photo series, shot from above (and in the style of Adele Enerson’s baby dioramas from 2010) without digital manipulation, depicts the young chap engaged in all manner of physical feats.
Papercut action vignettes by designer and photographer David Reeves: impressive atmosphere and depth of field from an inexpensive, low tech set-up.