These are balloon animals.
The work of Japanese master balloon twister Masayoshi Matsumoto.
Five rejected poster designs by graphic designer Saul Bass (and the final, Kubrick approved design) for The Shining with handwritten notes by Stanley Kubrick.
READ ON: Rejected ‘The Shining’ Poster Designs From Saul Bass, With Stanley Kubrick’s Notes (The Film Stage)
Seinfeld’s George Costanza in various pop culture guises by Australian artist Nicko Phillips.
LEGO Will’s reconstructions of some of the vehicles of Mad Max: Fury Road.
The Princess and the Gigahorse look great.
The simpler lines of the Interceptor don’t translate quite so impressively to LEGO.
More here.
A useful recipe for edible, stackable, NOMable gelatinous blocks from Grant Thompson of King Of Random.
Details from Intimate Vestiges by Australian artist Fiona Roberts, blending traditional decor with elements of the human body. To wit:
a hair chair with ceramic mouths, a shag pile rug made up of thousands of ceramic fingers and a dark window, concealed by curtains that look back at the visitor are installed throughout the faux-bedroom. these conventional items of the house that generally go unnoticed, become here, the focus of the viewer’s attention, drawing them in to a personal narrative about everyday routines, memories, accidents, habits, and fear.
Currently on show at Kickarts Contemporary Arts in Cairns, if you’re passing.
Radio Newcastle commentator Nick Barnes’ meticulous, colour-coded match notes. To wit:
Despite the hours that Barnes pours into each page, he uses his notes only sparingly during actual gameplay. “They are there purely as a crutch and a point of reference if need be,” he said. “If I was a newspaper reporter, I could keep my match reports, but radio is transient, so my notebook is my personal record of the matches I cover.”