Spanish filmmaker Celia Gómez explores the cinematic match cut technique, wherein scenes are joined by retaining the position and/or motion of objects to preserve continuity and flow.
Previously: More First And Final Frames
Spanish filmmaker Celia Gómez explores the cinematic match cut technique, wherein scenes are joined by retaining the position and/or motion of objects to preserve continuity and flow.
Previously: More First And Final Frames
Carl White writes:
My sister sent me this video today that was produced,shot and edited by my nephew, Oisin O’Connell. It’s really poignant. I wonder if you guys could post it and help bring attention to a really worthy cause.
DCUMPS [Dublin City University Media Production Society] sez:
We, at DCU MPS, are absolutely delighted to announce that the Charity for the DCUtv 24-Hour Broadcast will be The Peter McVerry Trust. Our Committee unanimously voted in The Peter McVerry Trust, after it was suggested to us by our Deputy Events Officer, Laura, who, herself, battled with homelessness for two years when she was only a child. She, of all people, knows the hardships of homelessness and how hard it is to deal with, which is why we are so looking forward to contributing to such a wonderful cause….
https://www.youtube.com/watch?v=jzUFCQ-P1Zg
A promo for the 2017 BMW 540i directed by Neil Blomkamp starring Clive Owen, Jon Bernthal and Dakota Fanning.
Bad Lip Reading’s version of the second Trump/Clinton debate. To wit:
Donald and Hillary try to top each other’s poetry while occasionally fielding questions from the audience.
First debate here.
Alvy Carragher writes:
You’ve shared my videos a few times, this is one about a poem (‘Numb’) you’ve previously published which was trolled quite horrifically. It’s called Unsolicited Advice from a Failed Male Poet. And there was an article put up on the Guardian about it for a bit of background.
READ ON: Irish Poet Who Wrote About Rape Ordeal Hits Back At Online Trolls (Guardian)
The 2016 Oscar winning live action short film by Irish writer/director Benjamin Cleary – now available to view online in its entirety courtesy of the New Yorker.
Thirteen minutes well spent (if, God forbid, you’re using a regional masking browser plugin), to wit:
…a young London typographer named Greenwood (Matthew Needham) stutters to the extent that verbal conversation is difficult. When he tries to resolve an issue with a service representative over the phone, he can’t get the words out; the operator, gruff and impatient, hangs up. (For surliness, she rivals the operator in the old Yaz song.) When a woman approaches Greenwood on the street, he uses sign language to avoid talking. But in his thoughts, which we hear, he does not stutter.