An eye candiful, ideogrammatic, animated, triptych homage to Hieronymus Bosch by Carla Gannis.
Go fullscreen.
An eye candiful, ideogrammatic, animated, triptych homage to Hieronymus Bosch by Carla Gannis.
Go fullscreen.
Filling time with gratuitous repetition.
Filling time.
With gratuitous repetition.
The DARPA Robotics Challenge, set up after the 2011 Fukushima nuclear disaster in Japan, aims to ‘accelerate the development of robots that can respond to man-made or natural disasters’.
This year, a transforming Korean bot won the $2 million prize.
Hurray!
Now here’s a montage of the robots that fell over.
A demonstration (filmed last December) of the ‘laser-art’ system at LasX Industries in Minnesota.
Drawing at a rate of 6 metres per second. an illustration is etched into a chalkboard surface in two stages: first raster mode (like an inkjet printer) and then, at about 1.40, vector mode.
You’ll like vector mode.
Director Jonathan Chong of Dropbear recommissions 240 audio cassettes, 1700m of video tape, 108 floppy discs and an old Walkman in a stop motion video for Australian DJ Opiuo’s Quack Fat (from the album Meraki).
Proper old school.
Making-of featurette here.

https://www.youtube.com/watch?v=9UPGRwMgJ3k
Cookie Monster covers Busta Rhymes’ ‘Gimme Some More’ thanks to some nifty editing by visual artist Benjamin ‘Animal Robot’ Roberts.
Now try Big Bird singing Big Pun’s ‘Still Not A Player’.

https://www.youtube.com/watch?v=XG9wGUvw0MQ
Editor Jacob T Swinney sez:
Many filmmakers pay homage to other films, but Tarantino takes things a step further by replicating exact moments from a variety of genres and smashing them together to create his own distinct vision.
Previously: The Blood Of Tarantino
Mario and Fafa test four things they found at stores that sell keenly priced but dubious quality items that also smell like cat pee.
A deft mashup of the trademark carefully framed shots beloved of Stanley Kubrick and Wes Anderson by editor Steve Ramsden.