He’s back!
Ace artist and Broadsheet pal Alan Nolan (top) writes:
Just to let you know, in case it is of any interest to yiz, I’m at it again – Every Tuesday during the dreaded lockdown I will be posting draw-along videos for the entertainment and amusement of kids of all ages. The latest in the series – draw a UFO – is available now (above) and there’s more drawin’ and writin’ activities on my website (at link below)…
Previously: Draw With Alan
Sunlight Chambers.
Harry Warren writes:
Walking along Wood Quay towards the city centre on a miserable rainy January day, I couldn’t help but glance through the grey drizzle at the architectural monstrosities of Dublin Civic Offices.
They were erected in one of the greatest acts of cultural vandalism in Dublin’s history. The most historically significant area of Viking Dublin was literally destroyed by the then Dublin City Corporation in the name of progress during the late 1970s and early 80s.
The offices, visually having as much merit as some hideous wartime command bunkers, were dumped upon and destroyed one of the greatest and best-preserved Viking settlements anywhere in Europe.
My mood dampened. Ironically a parked cars radio was playing Morrisey’s “Every Day is like Sunday” with the classic lines “In the seaside town, That they forgot to bomb, Come, come, come, nuclear bomb”. Never a more appropriate sentiment I thought.
My spirits lifted when I reached Capel St Bridge (Grattan Bridge). The delightful Florentine style Sunlight Chambers building came into view on the corner of Parliament Street and Essex Quay.
Originally it was the Irish headquarters of Lever Brothers and it was elegantly designed by Edward Ould of Liverpool in 1899. The building was named after their most successful product Sunlight soap. It was one of the first soaps to be made on an industrial scale and brought the company huge success. It is still on sale today in Europe. Levers later merged with a Dutch manufacturer and became Unilever. Today you probably buy their supermarket products like Domestos, Surf, Persil, etc.
Sunlight Chambers was built to impress being Lever’s Dublin headquarters, with its renaissance stye windows on the upper floors, a red terracotta roof with wonderfully sculpted glazed terracotta faience’s or friezes on two levels. They depict animated scenes of agriculture and industry and the making of soap, along with some delightfully sculpted ladies doing washing. Sexist? perhaps by today’s standards but it is of its time and the detail and colours of the friezes are wonderful.
The sculptor, Conrad Dressler, designed and crafted the series of four roundels and twelve panels around the three faces of the building. The glazed ceramic friezes were made in 1902 in Dressler’s pottery works in Buckinghamshire. They were commissioned to fit in with W. H. Lever’s philosophy that “good art should enrich everyday life“.
So, the next time you are in that part of Dublin City, look up and reward yourself with a bit of time to enjoy the beauty of the sculptures and the story they tell.
All pics by Harry Warren
From top: Illustration from A Journal of the Plague Year (1722) updated for 2021; David Langwallner
Daniel Defoe: The Plague Years. Review. Fictional Books (January 2023).
Mr. Defoe has just written a book about the last two years or more of unsettling unpleasantness and although it may not be published and is privately given to this reviewer it is unlike his recent text Robinson Crusoe (2017).
In fact it is not a work of fiction though like that text it does concern a man isolated and observing. Self isolating to coin a phrase de jour.
Thus Mr. Defoe stayed in London despite the advice of Doctors to chronicle the events described in his text. But where could he go after a while? No one was allowed to go anywhere except for a local walk, a brief controlled shop or a court room or hospital.
An earlier book was of course published at the time of the last plague in 1665 by a curiously similar named author.
I am led to understand by a learned Spanish friend of mine that the conditions in the city of Madrid and indeed by my publisher Dublin were much different during the plague and those countries have been more stringent in curtailing the liberties of subjects which sensible British opinion such as the noble Lord Sumption have condemned.
The slippery slope to the creation of a police state now sadly evident. I understand also that the Chinese have behaved very extremely but at great consolation to the mass of the populace but at great detriment to the impact on civil liberties not least of those in Hong Kong. The cause of liberty and indeed human rights are much imperiled by all of this embedded legislation.
Mr. Defoe chronicles the events in London of all his present citizens he encounters as The Plague visits in this year of our Lord 2020 and lasts for over two years and the sediments are still with us with the possibility of plagues to come.
He seems to have seen a lot and perhaps has not maintained all the rules about social distancing. London at least permits that limited level of freedom. Now from his observations Mr. Defoe has made a number of points of I think universal significance.
He is concerned about how astrology and the dark arts are gaining sway over the populace. He is thus obviously concerned about the quality and standard of governmental briefings. By indirection I suspect he is concerned about the rejection and denudation of scientific fact which has blurred both the standard of our public discourse and its responsiveness to this crisis and how spindoctering has taken over.
A point he might have made but did not in an escalating sense of crisis is that the rejection of scientific modes of analysis and the distrust of experts may have contributed to the present sorry impasse. But of course scientists are also manipulable and sell products too.
He is thus obviously perturbed how those who offer to the poor and gullible on the black market false information and fake solutions such as paper masks of dubious non proven validity should be disbelieved and one should not fall into that particular venus fly trap. In fact a German lawyer is accusing Pfizer of fraud and many are profiting from and have profited from social and economic collapse. Late dark capitalism.
Regrettably, he endorses as a Christian gentleman, how religion provides solace but that is the last thing we need now. Not religious solace but yes of course christian compassion to protect the wretched and poor of the earth with widening inequality.
He saliently notes how the poor and essential workers expose themselves to danger and danger to others as they irresponsibly interact of financial necessity and travel when they should not. He notes the fearlessness and the recklessness but does not, in my estimate, sufficiently weigh the desperation of Conorovirus Catch 22.
That much older text by Mr. Joseph Heller, an esteemed American author, is worthy of consideration in this context. Now the premise is simple and that is a serviceman refuses to go on a flying mission or indeed any other mission with the certain prospect of death as to do so would be insane unless of course you were a Japanese Kamikaze pilot. Thus the indication he would not want to do so is an exercise in rationality.
The Catch 22 is that demonstrates his rationality and not insanity and thus he is trapped. Or rather an impossible universe creates the problem.
The larger Catch 22 is that as depression looms or is here we have to work but by working unless privileged to do so exclusively from the comfort of homes or sealed offices we are all part of Catch 22. If we do not work then the social structure and economy will collapse and resources are dwindling and we will not be bailed out. If we do work we risk self immolation.
In a most salient passage Mr. Defoe notes:
“I only hinted before, but must more fully speak to here, namely, that men went about apparently well many dyes after they had the taint of the disease in their vitals, and after their spirits were seized as they could never escape it, and all the while they did so they were dangerous to others.”
Thus he is aware of the spreader or the silent spreader and many extreme actions have been proposed and were implemented in this respect. But what choice did they have or do we have. There is no alternative. TINA.
The watchmen figure highly in his book the enforcers of self isolation but he I think does not fully understand how their now putative and assumed authority can be abused and who shall watch the watchman as movement, liberty and dignity were and are still restricted and many arbitrary and random arrests took place and indeed random acts of civil disobedience and said powers are now given permanently to the Hobbesean state to abuse.
There are watchmen in effect now in abundance and of course a growing harvesting of personal data and information for reasons we know not but cannot only speculate. Doubtless we will know soon.
He notes how the tavern shows were closed or curtailed and condemned in a civic fashion by those who flouted the rules and engaged in those illegal vices. Well a little puritanical. The puppet show continues and the taverns closed and opened and closed again in a merry go round for we should be sociable beings for that is all we are creatures in now a worldwide magic lantern show. Smokes and Mirrors and it is very difficult to know what is going on in a world of illusions, fakery and fake news, spin doctoring and assumptions of false dawns.
He notes that the much criticised alt right President Trump lost the election in far off america and was replaced by an ostensible democrat Biden but nothing changes and trumpery or neo liberalism continues and the poor die in truckloads worldwide.
Something he neglects to mention is that we still have had access to the Brave New World (an even older book by Mr. Huxley) of the London hatchery of Netflix and social media. The bread and circuses of our new dehumanised, atomised and distanced existence. Working and looking at things from home.
Defoe does deal with how information travels fast but not with the quality of the information provided and shared gossip by the sans culottes is very dangerous. Word of mouth and I believe what The Daily Blah says got also us in this predicament and the social panic that ensued.
The most disturbing thing he demonstrates is how the pit of disposal and the knacker’s yard is the common fate of many and how human disposal needs to be quickly dealt with to avoid the dispersal of infection and spread of the same. The hospitals have become like scenes from a war zone for that is what is what or society has become.
The last two years or so has been a salutary reminder of human behavior at its worst and indeed best and the resulting confinements and social chaos as well as undignified deaths in an under resourced hospital system often by key workers something we should not wish to see again in 2023.
But yet I fear all has changed and the chronicle of Mr. Defoe is not an isolated one and there will be more to come unless the present order of neo liberal globalization changes which it will not.
John Gray, the UK academic, in evolutionary descriptive not evaluative terms has spoken and written about a form of Malthusian population cull. Conorovirus achieves that in increments as may austerity, depression et al. This is a turning point not for the good in human affairs.
Mr. Defoe chronicles the sheer amount of early deaths caused by this visitation. A form of Malthusian Social Darwinism he might have added. The death of the disempowered by a world leadership corporate and political obsesse with thinking in terms of numbers and not people.
David Langwallner is a barrister specialising in public law, immigration, housing and criminal defence including miscarriages of justice. He is emeritus director of the Irish innocence project and was Irish lawyer of the year at the 2015 Irish law awards. His column appears here every Tuesday and Friday. Follow David on Twitter @DLangwallner
Illustration via Samzdat Writer’s Co-Op
NO TIME TO DIE 8 October 2021 pic.twitter.com/HZlNG5kz8t
— James Bond (@007) January 22, 2021
This morning.
Stream it already.
The Heritage Council writes:
Cork Otters is a new short film by Cork Nature Network exploring the otters of the River Lee, Cork’s most elusive residents. Premiering on the 2nd of February, Places are limited, so get your e-ticket for this free event (at link below).
Dr Colm Henry, Chief Clinical Officer, HSE at Dr Steevens’ Hospital for the weekly HSE operational update yesterday
“Transmission levels at the moment are frankly far too high” for schools to reopen, says Dr Colm Henry pic.twitter.com/zgPSs06BQg
— RTÉ News (@rtenews) January 22, 2021
This morning.
Speaking on RTÉ’s Morning Ireland, Dr Colm Henry, Chief Clinical Officer, HSE said it is tragic to be talking about school closures again and no one wants to see this protracted because of what children experienced during the first lockdown.
However, he said, transmission levels are currently ten times what they were in early December.
He said this needs to reduce to a much lower level “before we can add to additional risk by the mixing of crowds at school settings”…
Transmission levels too high for schools to reopen – Henry (RTÉ)
SON – Almost
The voice of the rising SON.
SON is an acronym for Clare chanteuse Susan O’Neill (top), whose single shimmers with atmosphere and a visceral intensity.
The video is also full of startling images.
Nick says: SON shines.
Kingkida’s entirely appropriate Sergio Leone inspired trailer for the best space western in the galaxy.














