Yearly Archives: 2014

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Pop tykes recording Do They Know It’s Christmas 

Bob Geldof has gathered a throng,
Of pop stars to sing a bad song,
All for charity,
Perhaps it’s time he,
Asked the locals, who think he is wrong.

John Moynes

(YouTube)

Water_infographic_publicpolicy

 

So if you were to take away Irish Water and it’s contractors backed by Ireland’s favourite non-resident billionaire, why should we pay for water separately?

The folks over at Public Policy (a neo liberal think tank backed by Atlantic Philanthropies) produced this infographic with their arguments.

*lobs water balloon*

Public Policy

trinity

They didn’t get where they are today by paying tax.

Jack Leahy writes

The establishment of the new company limited by guarantee would allow the College to seek charitable status from the Revenue Commissioners, given that the objectives of the company would support those of the College. Approval for charitable designation, which the proposal claims “should be available”, would exempt College’s online teaching from paying tax on tuition fees received.

In order to arrange effectively for the tax-free transfer of funds between the new company and the College it may be necessary that students pay fees directly to the College, who would in turn reimburse the company for “services rendered”.

As a distinct legal entity, it is possible that Trinity Dublin Online would be allowed to circumvent the public sector Employment Control Framework (ECF), which restricts the number of staff who can be hired from exchequer funding.

Trinity Plans New Legal Entity to Avoid Fee Tax (Jack Leahy, University Times)

midwife

This morning.

John writes:

Preparing for the protest today at the Nursing & Midwifery Board Hq, Carysfort Avenue, Blackrock [Co Dublin] at midday. Protest is against the 80% increase in retention fees in the past two years. With 50% of the increase occurring this year alone. Enough is enough.

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Protests in Donaghmede, Dublin 13 yesterday.

Cunning Hired Knaves writes:

“In Jobstown, Dublin, on Saturday afternoon, a woman was confined to her car for two hours. Insults were shouted. A water balloon was thrown. The car was rocked back and forth, and people banged noisily on the roof of the car. Following Garda intervention, and negotiation among the protesters, the woman was allowed to leave.”

“On the scale of things, on the scale of the massive structural violence inflicted by austerity policies in Ireland, this was nothing. Nothing. That did not stop a host of figures from Ireland’s political and media establishment, but also a good deal of polite society, from weighing in against the protesters, with terms like “scum”, “mob”, “fascists” liberally cast around.”

“In this regard, Joan Burton is a beneficiary of socialism for the rich. The concern for her wellbeing is a product of the indignation felt by the rich – and those who identify with them – when they feel that one of their own has come under attack. They look at her and ask themselves what if it was them, or what if it was a member of their family. The sympathy is second nature.”

“By contrast, the protesters who surrounded the car are an amorphous, menacing swarm. They are not people like “us”; they are not brothers or sisters or people struggling to pay bills or people enduring any kind of humiliation or hardship who have found a common cause together. The fact that they have appeared in public view, that they have stopped the normal order and flow of things where those who rule are treated with respect and those who are ruled maintain a harmless distance, becomes cause for instinctive outrage.”

“The idea that they might be stopping the car, and even hurling insults or a water balloon, because the government represents the interests of the rich whilst expecting to be treated like dignitaries, is beyond the bounds of polite conversation and contemplation. Joan is right because the State is right because the markets are right and because we are right, and that is that, and anyone who disagrees is an enemy of democracy. This, as I was saying the other day, is what demophobia looks like.”

“The focus on the Socialist Party TD for the area, Paul Murphy, and on his role in the protests, is in keeping with this fear of the mob. What is outrageous about him, from this perspective, is not that he is an elected representative and hence not behaving like the genteel legislator he ought to be, but rather that he is from a relatively comfortable background. And as such, he is a traitor to the cause of socialism for the rich.”

“People from relatively comfortable places, according to this line of thinking, have no business finding common cause with people from Jobstown, since the latter do not know their own minds: people like him should become accountants and vote Labour and remain respectable members of society. And if people in places like Jobstown do irrupt into our line of vision, it isn’t because they have decided among themselves to mobilise because they have had enough, but because they have been led astray. They are there to be led; they are not there to take part in politics, and if the Gardaí have to batter them, well, that’s regrettable, but they’re just restoring proper order, after all.”

“And the trouble for Ireland’s political and media establishment, and also a good deal of polite society, is that this “mob” is not planning on going away soon. And deep down, they know it, and they are scared. Hence it is easier and more productive to focus on a single brick than to contemplate the crumbling foundations beneath them.”

Socialism for the rich in Jobstown (Cunning Hired Knaves)

Related: Paul Murphy’s immaturity a disservice to real protests (Fionnan Sheahan, Irish Independent)

shauna

On Sunday night’s Countryfile on BBC One, Shauna Lowry met 94-year-old Castledawson blacksmith Barney Devlin who inspired Seamus Heaney’s poem ‘The Forge‘.

The BBC has been criticised for using subtitles.

Blatant condescension or an essential service?

YOU decide.

BBC slammed for using subtitles for Castledawson man in Countryfile programme (Mid-Ulster Mail)

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Located on one of the islands of the Turku archipelago in Finland, St Henry’s Ecumenical Art Chapel was designed by Helsinki-based Sanaksenaho Architects.

Redolent of the ribs of a boat and built in 2005 on a pine covered hill, the polished copper exterior (which will turn to turquoise with age) encloses a contemplative interior of warm wood.

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