
The noggin-cosseting Kulle Daybed by designer Stefanie Schissler.
Apparently it’s like sleeping on a cloud.
The Campfire Fishing Rod ($30) a pole, a stainless steel line and a jig with four roasting hooks for your marshmallows, sausages, squirrel intestines, squid eyeballs or what have you.
Sugar Series – sweeties, gum, bars and other nommables organised by colour by Texan photographer Emily Blincoe (soon to be available as prints).
OCDeeply satisfying.

LEGO Architecture Studio (€112) contains 1210 bricks and a 272-page guidebook endorsed by leading designers including REX Architecture, Sou Fujimoto Architects, SOM, MAD Architects, Tham and Videgard Arkitekter, and Safdie Architects.
The bricks come in white and transparent only – allowing the user to focus on design.
A Kevin McCloud minifig would have been nice though.
Redditor LegateVarrus spotted this house in Japan fitted with a wraparound caged-in cat balcony.

Brazilian artist Butcher Billy’s rendering of famous quotes (some misquoted, sadly) in the instantly recognisable typefaces of the movies they’re taken from.
Previously: New Wave Superheroes



Your childhood ruined by comedian Dan Wilbur for his blog Better Book Titles.
Previously: Better Book Titles

Time Is a Dimension by Singapore-based photographer Fong Qi Wei is a series of landscapes shot from single vantage points over a period of 2 to 4 hours at sunset or sunrise, digitally sliced up and reassembled into layered ‘timelapse’ collages that illustrate the passage of time. Sez he:
The basic structure of a landscape is present in every piece. But each panel or concentric layer shows a different slice of time, which is related to the adjacent panel/layer. The transition from daytime to night is gradual and noticeable in every piece, but would not be something you expect to see in a still image.
Similarly, our experience of a scene is more than a snapshot. We often remember a sequence of events rather than a still frame full of details. In this series, I strive to capture both details and also a sequence of time in a single 2 dimensional canvas.
A 3m tall four-armed mecha suit made for WIRED by monster makers Stan Winston Studios and Legacy Effects (which created the Jaeger effects for Pacific Rim).
Premiered last month (with the help of Adam Savage) at San Diego Comic Con, (top) the second video shows a recent ‘walk test’ where the suit is being piloted by its creator Bruce D. Mitchell.