VFX editor Richard Trammell tweaks a scene from Fight Club to better reflect the reality of the situation.
(H/T: Ruari Carroll)
VFX editor Richard Trammell tweaks a scene from Fight Club to better reflect the reality of the situation.
(H/T: Ruari Carroll)
[Top: the audience at the premiere of Frank at Sundance and , above, Maggie Gyllenhaal, Lenny Abrahamson and Scoot McNairy meet the press]
‘Frank’, the much-anticipated film from Lenny Abrahamson had its premiere at Sundance on Friday night.
How did that go?
“A faceless Michael Fassbender stars in this weird and wonderful musical comedy from director Lenny Abrahamson.” “…amid so much arch weirdness, “Frank” proves remarkably accessible. Behind its inscrutable exterior beams a welcoming smile.” – Variety
“Pleasingly and perhaps surprisingly, given the extremities of the material, the cast plays crazy with cool, measured aplomb.” “Even those unmoved by the film’s admittedly oblique emotional subtext, meanwhile, should appreciate it as a virtuoso showcase for Fassbender, exuding eerie frontman magnetism even with his face invisible for the bulk of the film.” – Hitfix
“The bizarrely brilliant “Frank” demonstrates that quirkiness need not be a four-letter word in the language of movies. It certainly won’t be for everyone, but this terrific and sublime experience, and strikingly original film, is mandatory watching for the adventurous viewer.” – Indiewire
“Frank”s biggest achievement is how it effortlessly slides from silliness to sympathy. Come for Fassbender wearing a goofy head and all of the extremely funny jokes, stay for the profound reflection on art, commerce, madness and companionship. This is, I feel, a very meaningful film, but it also has a good beat. 9/10” – Screencrush
“Indeed, the movie’s weightiest issue is the final tonal shift into more directly messaged, darkly dramatic waters. Thankfully, even if the shift immediately jars, Frank’s cast – both with and without giant head – rise to the challenge. Guaranteed to polarise, Frank is destined to go down in curio history.” – TotalFilm
Pic: Film4Insider
Previously: Howya Head
Research psychologist Kevin Dutton profiles one of the most nailed-down functional psychopaths ever to down a Martini.
The business card scene and Huey Lewis and the News scene from American Psycho superbly hipsterised by London/Amsterdam based creative agency Fickering Wall.
Making its premiere this week at Sundance is ‘Frank’, Lenny Abrahamson’s tale of eccentric entertainer Frank Sidebottom. Starring Michael Fassbender, Domhnall Gleeson and Maggie Gyllenhaal, the film follows Jon (Gleeson) who joins a band, and heads with them to a cabin in the woods to record an album. And leading them all is the mysterious and talented Frank (Fassbender), joined by his sidekick Clara (Gyllenhaal).
Release date: May 2nd Ireland & UK
First clip from Frank with Michael Fassbender (The Movie Bit)
Thanks Victor
Frank Sidebottom: the true story of the man behind the mask (Jon Ronson, The Guardian)
Previously: Howya Head

College Humor‘s top takes (3 of 10) on the 2014 Oscar Best Picture nominees.
A short by the hellopluto artist collective…
…about what’s inside a man’s head while going thru the “process” of ideation and creation.
In the mid 1920’s, cinematographer Claude Friese-Greene travelled around the UK with his (at the time) high tech colour film camera to create a famous series of films called The Open Road, subsequently restored and circulated by the BFI.
Last year, filmmaker Simon Smith retraced Friese-Greene’s journey through London, mimicking the timing, angles and location of the original sequences shot for shot.
If you’re at all familiar with London, the side by side comparison above is somewhat awesome.

A mere taste of the spectacular visual punnery on show at b3ta’s latest Photoshop challenge, to wit:
Everyone loves food and everyone loves films, this week we’re combining the two for maximum movie meal satisfaction.
See them all here.