An excellent promo for London-based VFX studio Cinesite with an equally excellent unexpected ending. Written and directed by animator Alvise Avati.
Category Archives: Film
Earlier this month, Faythe Levine and Sam Macon’s Sign Painters documentary premiered at The Sugar Club. This Dublin-specific documentary was shown as a supporting feature.
Colin Brady writes:
[Yesterday] we released a documentary film about Dublin’s relationship,history and influence connected with hand painted signs called ‘Gentlemen of Letters’. Although it’s not as common now, the city was once rich with beautiful hand lettered signs crafted by old school sign writers like Kevin Freeney. The film features interviews with Dublin based artists Maser, JamesEarley, sign writer Colm O’ Connor and the sons of Kevin Freeney, Pauland Kevin Jr.
Monty Python’s Killer Rabbit of Caerbannog in slipper form: €30 or, if you like, €25.
Careful. They have a vicious streak a mile wide.
Former digital artist Peter Szewczyk’s soulful horror short about an aging drunk and the demons that inhabit his mind.
Starring Naomi Scott, Lech Dyblik, and Nick Moran.
Flaunting another hi-res widescreen reel of goodness, Nisan ‘best job in the world’ Greenwich sez:
Gremlins (1984) playing in 70mm six-track Dolby surround at the IFI [Temple Bar, Dublin] – Tuesday the 17th at 18:30…
Howya Head
at
(L-R) Maggie Gyllenhaal, Michael Fassbender and Domhnall Gleeson
Lenny Abrahamson’s Fassbender/Gleeson headlining ‘Frank’ will premiere at the Sundance Festival next month.
Frank is based on the memoir by Jon Ronson about a wannabe musician (Gleeson) who joins an avant-garde rock band led by the enigmatic Frank Sidebottom (Fassbender) — a musical genius who hides himself inside a large fake head.
Any excuse really.
Fassbender and Poehler Make the Sundance Premieres Cut (Brooks Barnes, New York Times)
Previously: Meanwhile In Mexico
Have you seen the Belfast lad who is NOT auditioning for the new Star Wars movie?
Use The Farce wisely.
A college project by graphic design student Timor Barshtman:
…which depicts his ability to transform and reintroduce familiar actors as completely new characters with detailed network of connections through different movies.
A Slacktory supercut of excruciating mealtime scenes from various movies by video editor Alex Moschina.