https://www.youtube.com/watch?v=_hf6ke1-i3E
US rally driver Ken Block rorts a souped-up Ford Fiesta around the streets of Dubai.
Other vulgar capitalist wastelands desperate for positive media coverage are available.
https://www.youtube.com/watch?v=_hf6ke1-i3E
US rally driver Ken Block rorts a souped-up Ford Fiesta around the streets of Dubai.
Other vulgar capitalist wastelands desperate for positive media coverage are available.
Rhett LeCompte performs the 1985 USA For Africa charity hit We Are The World using the Face Swap Live app to impersonate all the singers.
A PSA by the Stop The Harm drug policy reform campaign.
Pesky stoners harshing the official narrative.
A rather wonderful, beautifully lit stop-motion 2014 short by Estonian animator Anu-Laura Tuttelberg about a little clay girl lost in a painter’s studio.
Tony Zhou and Taylor Ramos examine Joel and Ethan Coen’s masterful use of the shot/reverse shot. To wit:
How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.
An ultra high definition tour of the stunning Zion National Park in Utah by the More Than Just Parks project.
A Slate Video compilation of some of the finest mots justes, acid quips and withering put-downs delivered by Dame Maggie Smith’s Dowager Countess of Grantham over the course of the Downton Abbey series.
A rather charmingly illustrated account by ISS astronaut Leland Melvin of returning from orbit with a new appreciation of the earthly things we take for granted..