‘Fair Game’
atLast night’s RTÉ Radio One’s The Media Show host Conor Brophy discussed political satire with England-born Kilkenny-based Sean Hardie – one of the brains behind Spitting Image, Bremner, Bird and Fortune and Not the Nine O’Clock News.
Mr Hardie said the Barry Murphy-led series Irish Pictorial Weekly was the best satire “I’ve seen in any country for a long while.”
He also discussed the ‘controversial’ depiction of Squee above (but not the possibly more ‘controversial’ depiction of presidential assistant Kevin McCarthy).
Conor Brophy: “Did you bat those things around though in terms of whether you would actually go down that direction or not, because I’m thinking one of the things you don’t want to do is get into belittling people because of the way they appear.”
Sean Hardie: “It’s a very difficult one that, because sometimes what you want to try to do is get the essence of what a persons like. So, if someone is like a bear or someone is like a cow or someone is like a monkey, it’s a very useful image to have in your mind and their physical body language is bound up with it. There’s a very interesting case in point with Oliver Callan and our president as to whether you reference the fact of what our president looks like.
I mean Oliver is a terrific impressionist. It’s an awkward kind of an area as to whether…I mean the fact about Michael D is – he’s a great man, he’s done wonderful things and his heart is exactly in the right place but he’s a terrible old gasbag and when you see him walking out and representing the nation, there is something which says our dignity is not quite where it ought to be at the moment, which doesn’t belittle his achievements as a president but the physical thing is – do you do it, don’t you do it?
It’s a fine line. If all you’re doing is saying so and so has got a stutter, you’re not really achieving anything. But if it’s part of who they are, then yeah, it’s kind of fair game….”
FIGHT!
Listen here
Thanks Liam Geraghty
This morning.
Brussels, Belgium.
Donie O’Sullivan writes:
[Finance Minister] Michael Noonan sporting a shiner in Brussels this afternoon…anyone?
Aggrieved Greeks?
German boot-licking gone horribly wrong?
Seagulls?
We may never know.
*popcorn*
atEddie Rockets, Rathmines.
It puts our back up.
Back up against the wall.
Any excuse.
Thanks Brian Bolger
Fart Noises
atWhat you may need to know:
1. In the aftermath of a family tragedy, young author Edith Cushing (Mia Wasikowska) is dislocated to an eerie house that breathes and bleeds, and soon discovers that her new husband Sir Thomas Sharpe (Tom Hiddleston) is not who he appears to be.
2. Guillermo del Toro’s back to his creepy best after the giant robot rock ‘em sock ‘em headscratcher, Pacific Rim (2013).
3. This looks very Tim Burton. Good Tim Burton, not bad Tim Burton.
4. Del Toro wrote the script for Crimson Peak after Pan’s Labyrinth in 2006, but Hellboy II (2008) and a fruitless two-year journey to Middle Earth got in the way.
5. Coincidentally, Hiddleston and Charlie Hunnam both auditioned for the role of Thor (2011) before Chris Hemsworth got the part.
6. That funereal PJ Harvey song playing over the trailer is her cover of Nick Cave’s Red Right Hand. This version was recorded for the second series of BBC’s Peaky Blinders. If you’re not up on Peaky Blinders, then you’re missing a treat.
7. Broadsheet Prognosis: Bloody good.
Release Date: October 16.
(Mark blogs about film, TV and other stuff at WhyBother.ie)
Can you decide @broadsheet_ie? Late for Valentine’s or early for Christmas? Or just strange? Spotted in Aldi, Galway. pic.twitter.com/LQFoGOrObF
— Andrew Gibbons (@andrewtgibbons) February 16, 2015
This morning.
Defiantly-clad comedian Brendan O’Carroll and dancing mini Mrs Brown tykes (Eva Crean, left and Ella Hannon) celebrate the announcement of Brendan as the Grand Marshall for the Dublin St Patrick’s Day Parade.
(Leah Farrell/Photocall Ireland)
A short documentary about model maker and photographer Michael Paul Smith and the wonderful world of Elgin Park – a meticulously detailed diorama series featuring miniature buildings and cars of the 1950s America brought to life with a hawk’s eye for detail and a nice line in forced perspective.
Now available in book form.
Related : A Model Town














