Behold: supergiant star AG Carinae, about 20,000 light-years away in the southern constellation of Carina. But what are those clouds surrounding it? To wit:

The star’s emitted power is over a million times that of the Sun, making AG Carinae one of the most luminous stars in our Milky Way galaxy. AG Carinae and its neighbour Eta Carinae belong to the scarce Luminous Blue Variable (LBV) class of stars, known for their rare but violent eruptions. The nebula that surrounds AG Car is interpreted as a remnant of one or more such outbursts. This nebula measures 5 light-years across, is estimated to contain about 10 solar masses of gas, and to be at least 10,000 years old. This Hubble image, taken to commemorate Hubble’s 31st launch anniversary, is the first to capture the whole nebula, offering a new perspective on its structure and dust content. The LBVs represent a late and short stage in the lives of some supergiant stars, but explaining their restlessness remains a challenge to humanity’s understanding of how massive stars work.

(Image: NASA, ESA, STScI; Processing: Judy Schmidt; Text: Anders Nyholm)

apod

“Even with a machine gun, ye still wouldn’t clear the place of rabbits. We need something more drastic. Gas didn’t work. Guns don’t work. Dogs didn’t work… I don’t know.”

1985.

Wabbit ‘infestation’ on the Aran Islands.

Thanks Ruadhain



From top: The Wellington Monument/Testimonial with bas-reliefs at the foot of the obelisk made from brass cannons captured at Waterloo

The Wellington Testimonial.

Harry Writes:

When Dubliners mention “The Monument”, they are of course referring to the Wellington Testimonial or the Wellington Monument in the Phoenix Park grounds beside Chesterfield Avenue. Arguably, both names for “The Monument” are correct as Sir Arthur Wellesley was very much alive when the construction work began but he was quite dead before it was completed. It was built between 1817 and 1861 to commemorate the victories of Arthur Wellesley, 1st Duke of Wellington.

Arthur Wellesley was born in Ireland in 1769. His place of birth is disputed, being born either in Mornington House in Dublin (now the Merrion Hotel) or in the town of Trim, Co. Meath. Daniel O’Connell’s quote describing Wellesley’s Irishness as, “just because you are born in a stable does not make you a horse” is very true.

He was quintessentially a British warrior, statesman, imperialist and aristocrat. He never considered himself Irish, he was from Ireland, but he was not of Ireland. He was part of an Anglo-Irish caste whose first allegiance was to the British Crown. He described himself as part of the “English garrison” and Ireland “in a view to military operations must be considered enemy country”

There is no doubting his courage or military successes. He had an illustrious military career after joining the British army as an ensign in 1787. He seen his first action in Flanders in 1794 He then served in India from 1797 until 1805. After a number of victories enforcing British power in India, Wellesley returned to Ireland band became Chief Secretary in April 1807 until he resigned the post in April 1809. From 1808 until 1814, he led the British forces across Portugal, Spain and France, winning many crucial victories against France and earning him the titles of Viscount Wellington of Talavera and Duke of Wellington, from the British Crown.

On 18 June 1815, Wellington led the British and Allied forces to victory over the French in the decisive battle of the Napoleonic Wars at Waterloo. Where “Napoleon met his Waterloo”. Wellington subsequently had a major political career becoming Prime Minister during the reign of George IV after being Commander in Chief of the British Army.

To commemorate “The Iron Duke”, Wellington’s military victories during the Peninsular War, a testimonial committee was formed in Dublin on July 20th, 1813, by the Earl of Roden. He first suggested his idea of a monument at, ‘a meeting of several noblemen and gentlemen of the Kingdom of Ireland’ at the Rotunda in Dublin on 20 July 1813. Wellington’s continuing military success and his major victory over Napoleon at the Battle of Waterloo in 1815 meant continued public support from that echelon of society in raising the necessary funds for the building of a monument.

A competition was held and a large number of potential designs were submitted by artists from all over the United Kingdom. Seven of the designs were shortlisted for the Wellington Testimonial. Models of the designs were put on public display at the Dublin Society’s House on Hawkin’s Street. Eventually, Sir Robert Smirke (1781-1867), design for an obelisk was chosen, a notable architect, he designed many major public buildings, including the main block and facade of the British Museum.

Smirke’s obelisk is a fine imposing structure of 62 metres in height, built of crystalline Kilgobbin granite, tapering upwards consisting of a four-sided shaft with a pyramidal apex, on a three-stepped monumental pedestal. There were also plans for a large statue of Wellington on horseback, accompanied by guardian lions placed on individual pedestals, but eventually after construction began the lack of funds ruled that out.

On 18 June 1817, the Lord Lieutenant, Lord Whitworth, the Crown’s senior representative in Ireland, laid the foundation stone for the testimonial with much fanfare at a ceremony held for the purpose: “The Lord Lieutenant … was attended by several officers of distinction and an escort of dragoons … The ceremony was attended by a vast concourse of carriages, and of equestrian and pedestrian spectators; the day being particularly favourable there were exhibited considerable beauty, rank and fashion. … The Lancers made a beautiful and warlike appearance… After the ceremony of laying the stone, 21 rounds were fired.”

Around 1820, the British Government provided brass cannons captured at Waterloo. After they were melted, they were used to mould the 3-D style bas-reliefs around the base of the monument. If you take a walk around the monument, the bas-reliefs display vibrant images titled, the “Battle of Waterloo”, “Civil and Religious Liberty” and the third the “Indian Wars”. The fourth has an inscription, in Latin and English: –

“Asia and Europe, saved by thee, proclaim

Invincible in war thy deathless name

Now round thy brow the civic oak we twine

That every earthly glory may be thine.”

Support for building the monument had faded somewhat by the early 1820s and due to a lack of funding, it was finally completed in 1861, nine years after the duke’s death.

On completion not everyone enjoyed the artistic merits of the monument as this early exchange relates,

Mr. Osborne: “Anyone who has been in the Phoenix Park must have seen the gigantic Milestone which is placed there in defiance of all rules of art and taste…”

Lord Palmerston: “Upon matters of taste men ought to be permitted to differ…the Monument in the Phoenix Park is in good taste.”

Mr. Osborne: “The Noble Lord must be an admirer of Milestones” -(Commons Debates, 1860)

So, today “The Monument” is a feature of Dublin, it is the tallest stone obelisk in Europe and it stands proud dominating the skyline all around it. Whatever your views of Wellington, it is part of our history and well worth a visit the next time you are in the Phoenix Park.

Harry’s Dublin appears here every Friday.

All pics by Harry Warren

Irish Nurses and Midwives Organisation (INMO), General Secretary Phil Ní Sheaghdha (above) has called for an urgent meeting with the HSE to discuss potential risks of the AstraZeneca vaccine

This morning.

Further to the publication yesterday of letter from the National Immunisation Advisory Committee (NIAC) to Chief Medical Officer Dr Tony Holohan highlighting new concerns that the risk of blood clots previously linked to the AstraZeneca vaccine is ‘higher after a second dose of the vaccine than previously understood’.

About 150,000 healthcare workers have yet to receive the second dose of a Covid-19 vaccine. largely AstraZeneca.

Via RTÉ:

The Irish Nurses and Midwives Organisation has called for an urgent meeting with the HSE to discuss the implications for second dose vaccinations of healthcare workers.

….INMO General Secretary Phil Ní Sheaghdha said her members have always supported the precautionary principal and if there are issues about receiving a second dose of Astra Zeneca that need to be clarified then they want that done.

Ms Ní Sheaghdha said many of her members are due to start receiving second doses of the AstraZeneca vaccine next week.

INMO seeking meeting with HSE over AstraZeneca vaccine (RTÉ)

RollingNews

Meanwhile…

AstraZeneca vaccine side effects: Reports of ‘life-threatening’ capillary leak syndrome (MSN)

Newly ratified DUP leader Edwin Poots at Dublin Castle last year

“They took photographs of blown up border posts to impose upon Northern Ireland people a harshest form of customs, and an internal market that doesn’t exist anywhere else in the world.

“They’re going to starve Northern Ireland people of medicines, no less, cancer drugs and other materials such as the food that’s on our table.

“And I’d say that’s a shame on the Irish Government that they done that. And that belongs to Fine Gael under the leadership of Leo Varadkar and Simon Coveney. So relationships are really, really bad with the Irish Government as a consequence”

Edwin Poots

A promising start.

DUP leader Edwin Poots says Irish Government will ‘starve’ NI of medicine (RTE)

RollingNews

Um.

Yesterday.

Howth, county Dublin.

Via Telegram

Meanwhile….

This morning.

Adrian Crowley – A Shut-In’s Lament

The eyes have it.

Vera Graziadei (actor, writer, director and poet) stars in the mesemerising new video for the third single from Adrian Crowley’s new album The Watchful Eye Of The Stars, out now on Chemikal Underground Records.

The vid was directed by Adrian and Trevor Murphy.

Adrian (top) writes:

“I felt the entire story could be told by just Vera’s eyes alone. When Vera stepped into the frame, I knew we were able to capture some magic.”

Nick says: The stars are underground.

Adrian Crowley

New oversized fruit sculptures by Kathleen Ryan – mould, fungus and decay grotesquely, beautifully picked out in precious and semi-precious stones, expressing transience, desire and the arbitrary value we place on things.

Previously: Best Before

colossal

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