



From the website Colouring Book Corruptions, wherein children’s colouring books are corrupted by adults.
Sweet
atRight So
atDr Paddy Smyth standing in the Rathgar-Rathmines constituency for Dublin City Council.
Wacky and conservative.
Meanwhile…
DowntownTrain writes:
No self awareness or cheerful self deprecation? Cathal Moran FF upon a house where nobody lives.
PR guru Max Clifford is found guilty of eight counts of indecent assault: http://t.co/72RrGT87Ya #c4news
— Channel 4 News (@Channel4News) April 28, 2014
The 71-year-old was cleared of two counts and the jury at Southwark Crown Court was unable to reach a verdict on one other. He becomes the first person to be convicted under the high profile Operation Yewtree sex crime investigation.
Max Clifford guilty of string of assaults on teenage girls (Channel 4 News)
Meanwhile…
…in a clip not shown until today the publicist is seen creeping up on Sky News correspondent Tom Parmenter during the trial.
Pic: BBC/YouTube
Rebelaisian
atHooch-infused high and low jinks depicted in a black and white video portrait of Cork city at night.
Shot on multiple nights but mainly in Oliver Plunkett Street on Arthur’s Day and during the Guinness Cork Jazz Festival last year.
Busker Jiri Meixner’s guitar gently weeps Sultans of Swing by Dire Straits.
Burp
Video by MJ Studio
Thanks Edel
That’s Gas
atMap of the day. From the Shell brochure about their planned shale gas project in E Ukraine…centred on Sloviansk! pic.twitter.com/FXA1qagwsH
— Daniel Sandford (@BBCDanielS) April 28, 2014
They’ll be coming for Leitrim next.
Related: Shell to Drill First Wells in $10 Billion Ukrainian Project (Bloomberg, November 2013)
Oceanic
at

New York based artist Samantha Keely Smith’s multilayered abstract ‘seascapes’ that are not in fact seascapes. In an interview with Never Lazy magazine she described them as:
…not at all real places or even inspired by real places. They are emotional and psychological places. Internal landscapes, if you will. The tidal pull and power of the ocean makes sense to me in terms of expressing these things, and I think that is why some of the work has a feel of water about it. My work speaks of things that are timeless, and I think that for most of us the ocean represents something timeless.










