Tag Archives: Ireland

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God is an Astronautrescheduled Dublin date & Cork date

What you may need to know…

01.
With a career spanning nearly fifteen years and nigh-on grandfather status in the post-rock genre, Glen of the Downs’ favourite sons God is an Astronaut have continued to evolve and innovate.

02. One of the country’s most successful musical exports of the past two decades, the band last year announced a new deal with metal label Napalm Records, and subsequent worldwide touring.

03.
Their most recent album, Helios/Erebus, is streaming in its entirety in the widget above, and available for download on its own, or in a frankly fantastically-priced bundle alongside the rest of their discography to date.

04. Before heading to North America throughout September, the band have two Irish shows: a rescheduled date for Whelan’s in Dublin on July 2nd, and Cork’s Cyprus Avenue on the 23rd.

Verdict: A phenomenal band that carry over all of their spacey, yet intricate sonic adventuring to their live show. Seldom seen in these parts anymore, and unmissable when they are.

God is an Astronaut

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ZASKAGot to Go

What you may need to know…

1.
Led by and named for frontman Max Zaska, this Dublin outfit has been garnering high praise for jazzy, forward-thinking funk and soul, and continues the momentum with new single Got to Go.

2. The accompanying video, streaming above, features a Countdown theme with a DIY vibe, and lots of Post-Its. Co-imagined, shot, and edited by Patrick Ryan.

3. The band launches Got to Go this Saturday with a date at The Sugar Club. Support from Kojaque. Tickets available here.

4. Fun fact, fact fans: people coming and going through the ranks over the years include Karen Cowley (Wyvern Lingo), Dylan Lynch (Little Green Cars), and some other obscure singer-songwriter… Hozier, or somesuch.

Verdict: Big grooves for them what wants them, even if they are little overly sunny for this time of year.

ZASKA

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Not Earth – released self-titled LP last week

What you may need to know…

1. Neither a band nor an album in the traditional sense, Not Earth comes about from a single four-hour recorded improv session in Cork’s Big Skin studio, featuring the trio of Dan Walsh (drums), Darren Keane (bass) and David O’Máthúna (synth).

2.
Says Darren: “We’ve played in various bands over the years but first played together as a trio in 2014 at an improv night run by Dan. Something clicked then and we jammed a few times culminating in the recording session.

3. Recorded, edited and engineered by Walsh, who cut the jams down to an album’s length, the resulting LP was mastered by Tim Fitzgerald (fka Twin Lights).

4. The album launched last night at Gulpd Cafe in Cork’s TDC, as part of Record Store Day weekend shenanigans, and is available for download from Bandcamp. This Sunday sees the Cork Improvised Music Club, under whose auspices the project’s initial jams occurred, host an open workshop in the same venue.

Verdict: Some fairly wild jams picked from the ether of improvisation. Spontaneity meets density and dexterity.

Cork Improvised Music Club

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Slow Moving Clouds – embarking on the Os Tour throughout April and May

What you may need to know…

1. Drawing on both Irish and Nordic traditions, Dublin-based Slow Moving Clouds present a rich fusion of sound and influence.

2.
Comprised of Aki (vocals, nyckelharpa), Danny Diamond (fiddle, Strohviol) and Kevin Murphy (cello, vocals), Slow Moving Clouds adds Murphy’s depth and penchant for experimentation to an already-successful creative partnership.

3.
Last November saw the band release debut record Os to critical acclaim, and recognition of their twist on the trad template leading to comparisons to contemporaries Lynched. Streaming above is the video to instrumental piece Devil’s Polska.

4.
The band heads on tour to support the record in April & May: April 30th at the Triskel in Cork, May 5th in Dublin at Bello Bar, May 20th in Galway at The Crane Bar, and May 28 at Belfast’s Duncairn Centre.

Verdict: Slow Moving Clouds draw from individual and collective musical lexicons to create fearless and inventive music, binding the traditional with the experimental.

Slow Moving Clouds

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The Mighty Stefplaying farewell gigs in May

Here’s what you may need to know…

1. The Mighty Stef are a band, led by namesake Stefan Murphy. But after four albums, two EPs and a decade of gigging, they’re about to call it a day, announcing their final live dates earlier this year before assuming other projects.

2. Most recent album Year of the Horse, released in September 2014, picked up critical plaudits, and distribution via London tastemakers Rough Trade. The entire Mighty Stef discography is streaming here, a patchwork of punk, alternative, and assorted influences that maps the changes the band has undergone over the years.

3. Onward and upward for the band, however: the titular Stef is working on the debut album of new project COUNT VASELINE, Gary Lonergan is developing a live set for his solo electronic compositions, while Daniel Fitzpatrick is recording solo material with Tom Cosgrave (The Minutes) and running O’Donoghue’s Open Mic, one of Dublin’s oldest open-mic nights.

4.
The band wind it up at the Empire Music Hall in Belfast on May 12, and say their goodbyes to the city that inspired the band’s existence on May 13 at Dublin’s Button Factory.

Verdict: Come out and show support for one of Irish music’s most enduring fixtures before they head for pastures new.

The Mighty Stef

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Caoimhín O’Raghallaighplaying Carlow and Cóbh this month

Here’s what you may need to know…

1. Plying his craft on a 10-string violin known as the hardanger d’amore, Caoimhín treads the world’s stages as part of a variety of duos, as well as with trad outfits The Gloaming and This Is How We Fly.

2.
Among these stages have been the Sydney Opera House, London’s Royal Albert Hall, and the Lincoln Centre in New York..

3.
O’Raghallaigh recently became the artist-in-residence at the National Concert Hall, Dublin and will be working with collaborators on monthly live shows ’til June. All the info here.

4.
Among a spate of upcoming gigs with The Gloaming and his NCH residency are a smattering of once-offs, including a May 14 show in Visual Carlow with Iarla O’ Lionáird, and a solo show on May 23 at Cobh’s Sirius Arts Centre.

Verdict: A unique instrument with rich, droning tones is Caoimhín’s tool of trade, and his mastery of it is testament to a true artistic calling, as he, among others including his The Gloaming bandmates and contemporaries, write a new chapter in trad’s history.

Caoimhín O’Raghallaigh

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A banner placed on the Ha’penny Bridge in Dublin in February, calling for safe routes for people seeking refugee protection

Lecturer in Geography at University College Cork Piaras Mac Éinrí writes:

I don’t want to go into too much detail so as not to identify any parties, but I heard some truly disturbing stories today about the Department of Justice and Law Reform’s handling of such issues as family reunification for Syrian refugees.

A case in point: the woman in Syria who wanted to join her family in Ireland and who was obliged to travel at extraordinary personal danger and expense in order to obtain an identity document for onward travel, only to be informed that it would not be acceptable.

Assurances were given by Frances Fitzgerald, inside and outside the Dáil, that Ireland would be generous about such matters.

The reality is that a paltry number of individuals and families (I think approximately 20 individuals) have been accepted from Lebanese refugee camps in the past several months, while the bigger relocation programme, announced with much fanfare and whereby 4,000 people were to be accepted from overcrowded ‘hot spots’ in Greece and Italy, appears to be completely blocked.

A particular feature of the Department’s current approach seems to be that, even when people are brought in through UNHCR-brokered programmes, it is all done in virtual secrecy.

I met one Syrian family in Mallow a few weeks ago, as I wrote on Facebook at the time, as they had accidentally met up with friends of mine here who had themselves lived in Aleppo.

There are eight Syrian families in Mallow now – there is no security issue, or need for confidentiality, or anything else. Yet it has taken weeks to put them in touch with people who can help them, speak their language, provide them with the most basic assistance.

What is this about, if it is not an obsessive concern with control and an excessive wish to block anyone from civil society from offering help and support?

I have no doubt where much of the fault lies.

In all the changes which have taken place in government (and governance) in this country in the past half-century, one department remains virtually untouched. The Department of Justice has ‘captured’ virtually every minister appointed to it over the decades (I was told today that, for all of his faults, the only exception was Alan Shatter – he initiated a one-off programme of his own for Syrians and the civil servants hated it).

Their securocratic obsessions and slavish subservience to British policy (in the name of protecting the Common Travel Area), as well as their stubborn refusal to engage with other stakeholders, shows that nothing has changed.

My own experience as a civil servant in the 1980s was of dealing with a close-minded, bigoted, sometimes racist and utterly intransigent mindset.

Contrast this with the change in other departments, who now engage actively with other stakeholders – Foreign Affairs and the development policy community are a case in point.

Remember the Hungarians who came in 1956.

They were treated so badly by official Ireland that the vast majority could not wait to move to Canada, a country which offered them a real welcome.

Ironically, the camp where they were (literally) detained, Knockalisheen in Co. Clare is, perhaps not surprisingly, now a Direct Provision Centre. A kind of ‘no-place’ for invisible people.

The Department hasn’t changed since then; as far as I am concerned they have blood on their hands.

But ordinary Ireland has and stands ready to accept refugees in some numbers and make them welcome.

The twin new dangers now are that an absence of government makes ongoing paralysis ever more likely and a possible Brexit will lead to new talk of border controls and craven assurances from our securocrats that even greater care will be taken to prevent ‘undesirables’ from entering this jurisdiction in case they might attempt to use it as a back door to the other place.

I know that the big picture must be addressed and the war must be stopped. This will require greater efforts from the international community than have been evident to date.

In the short term, with Russia pursuing its own agenda, the USA convulsed by the run-up to the presidential elections and an incumbent lame duck and the EU fragmented and divided in several ways, there is little to hope for.

Already there are signs of multiple breaches of the ceasefire supposedly in place.

But, in the meantime, we have a role to play in our own small way and Ireland is in flagrant dereliction of its duty.

Please write to your TDs, if nothing else.

If you have the time and the energy, join an NGO/activist group, tell your students or school pupils about the situation, contribute funds to people providing support.

Syrian refugees in Ireland now (Piaras Mac Éinrí, Facebook)

Thanks Mark Malone

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EaladhaHurricanes

What you may need to know…

1. Cork post-metal/post-rock trio Ealadha have quietly set about impressing a lot of fans of the genre in the past year…

2. Not the least of whom are 2FM/2XM’s Dan Hegarty, who’s been somewhat of a champion for the band, giving their past two singles regular airtime.

3. Sticking their heads above the live parapet, the band gigged consistently throughout 2015, including a featured slot of IndieCork festival’s new music programme, and making the trip to Dublin for the Mother Fuzzer’s Ball.

4. Hurricanes is taken from upcoming debut EP Limit of Our Sight, the artwork for which was revealed yesterday on the band’s Facebook. More details impending.

Verdict: Atmospheric, soaring stuff that doesn’t spare their own tendencies toward heavyweight tones and riffs in pursuit of beauty.

Ealadha