Yearly Archives: 2016

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Green items from The Irish Workshop –  a platform for shoppers to buy directly from the workshops of Irish makers, designers and craftspeople.

Order today for St Patrick’s Day.

Charmiane Kenny, of the Irish Workshop writes:

Every year around St. Patrick’s Day, it is easy to find yourself struggling to find something green to wear, particularly if you want to look classy for the day’s festivities. Four Irish designers  help us in our quest to get our green on: Items can be ordered by clicking the links.

1. Award winning knitwear designer, Áine Knitwear, from Co.Clare has a selection of her lambswool designs in lime green. Gorgeous.

2. Dublin artist John Kirwan individually handpaints the scenes of the West, centred on Connemara’s stone walls, onto bowties. Dapper.

3. Milliner Davina Lynch handknits chunky Aran Hats with hand-dyed feathers – she calls them Lynchmobs. The forest green Lynchmob is perfect for St. Patrick’s Day – and for rugby matches too. Cosy.

4. Dublin-based textile artist, Brendan Joseph Scarves, distills beautiful places into woven scarves and bowties. This one is inspired by the Wicklow Mountains. Luxurious.

The Irish Workshop

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New Zealand Labour MP Iain Lees-Galloway

RTE reports:

New Zealand has passed legislation banning zero-hour contracts, in what is thought to be one of the first laws in the developed world to end the use of deals criticised as exploitative.

Opposition Labor MP Iain Lees-Galloway was joined by his political opponents in supporting the Employment Standards Legislation Bill to end the use of the deals under which employees are required to be available for work but have no guaranteed minimum hours.

“To the best of my knowledge it’s the first of its type [in the developed world], certainly in terms of the US and UK,” Mr Lees-Galloway said.

“It’s possible Denmark doesn’t have them because these type of contracts are all about exploiting loopholes and I don’t think Denmark had the loopholes in the first place.”

There you go now.

New Zealand bans zero-hour contracts (RTE)

Previously: Zero Hour Contracts And You

The ‘If And When’ Employees

homeless

A homeless person sleeping rough in Temple Bar in November 2015

In forming a government, unlike Lanigan’s Ball, it is less important who is stepping in and out again and more important what policies they agree on. All of the parties to the current dance have explained, during the election, that their priority is to “protect the most vulnerable”, but now we need to turn this into detailed multi-annual policies to reduce poverty.

The first step is to recognise the shocking scale of the problem. The CSO has found that, between 2008 and 2013, the proportion of our people experiencing “deprivation” nearly trebled to 29 per cent. This means being unable to afford two from a list of items like heating your home or eating a substantial meal every second day, a very basic measure in the 21st century.

More than a third of children and one in five of people at work were classified as experiencing deprivation, while the picture is worse for groups like Travellers, lone parents, the long-term unemployed and the homeless.

For decades we have danced around in the same pattern. In boom times, people in poverty are left behind, while in more austere times the same groups suffer the most. Breaking this cycle will need a long-term commitment to policies and investments to provide adequate income, quality work and services, funded by sufficient and fair taxation.

There has been plenty of research and experience to show what makes the difference between a country with high and low levels of poverty. Nearly 20 years ago, the all-party National Anti Poverty Strategy pointed to most of the instruments needed. However, strategies alone don’t change the world; we need solid commitments in the programme for government to end the dance of poverty and despair.

Anne Loftus,
Chairwoman,
Robin Hanan,
Director,
European Anti-Poverty
Network,
Upper Ormond Quay,
Dublin 7.

Tackling poverty (Irish Times letter)

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Breathe.

Set among the Travelling community

Peter Brennan writes:

 Our short film Breathe featuring John Connors (Love/Hate) has been selected by the British Film Institute and British Council to feature on BFI player as part of Five Films 4 Freedom, the world’s biggest online LGBT film festival.

Breathe will have its Irish premiere at the Dingle Film Festival on Friday March 18th [11am, St. James’ Church, Dingle, Co Kerry]…

Breathe (facebook)

Screen Shot 2016-03-11 at 10.25.30

Last October Caoimhe Butterly reported on working with refugees in Greece, Serbia, Croatia and Calais and the work she planned to do – specifically bringing a medical team out to Lesbos to help the people arriving on the island from Turkey.

Further to this, Caoimhe writes:

“For the past weeks, I’ve been editing a film of sorts – or vignettes- of those seeking refuge and lives of less precariousness. While in Lesvos the last time, we (myself and the great compañero Marcelo Biglia) interviewed folks from Syria, Iraq and Afghanistan and some of those working in solidarity with them – lifeguards with Proactiva, self-organised camps and places of respite.

…Our emphasis was on not contributing any further to an often reductionist framing of those on the move – one that emphasises vulnerability but not strength, endurance, dignity and the fragile, precious hope of being able to re-build lives of safety and meaning.”

Caoimhe Butterly

Previously: Giving Berth

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Cathal Brennan writes:

In 1916 Number 10/11 O’Connell Street was the location of Reis’s Chambers, which housed, among other businesses, the Irish School of Wireless. During Easter Week the insurgents captured the building and began broadcasting news of the Rising to the world.

The insurgents’ plans to capture the wireless school was one of the most daring and far sighted acts in revolutionary warfare and became a starting point for all modern revolutions. Capture the local broadcasting facilities.

Radio and the 1916 Rising (Cathal Brennan, Timeline.ie)

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Roisín El Cherif – Kerosene

What you may need to know…

01. Dublin-based Galwegian Roisín El Cherif comes to the singer-songwriter fray from a multimedia background, including assistant director work on Brooklyn, Vikings, and others.

02. Her experience informs the video to single Kerosene, which she wrote, co-produced and directed with FailSafe Films.

03. The tune itself is a proposition seemingly made for bigger stages, which gives precedence to El Cherif’s voice, at once plaintive and possessed of certain presence.

04.
Roisín is playing at King Kong Club in Dubland on April 5 and has a few live session vids upcoming via The OB Blog’s OBSessions series. Stay tuned to her various social media for more.

Verdict: Big, sweeping pop with an ambitious visual identity to match. Much here to love for fans of the singer-songwriter oeuvre.

Roisín El Cherif