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Steepletone

To celebrate Record Store Day last Saturday, Golden Discs offered us a Red Steepltone Discgo turntable (as above) to giveaway to a vinyl-coveting Broadsheet reader.

Consequently we asked, what was your first wax purchase?

You answered in your hundreds (mostly blokes).

Runners up:

Dudley: “My first ever purchase was a two-fer, in Golden Discs in Dun Laoghaire in about 1986 or 87.Queen – A kind of magic, and because I had the exact change left over in the gift voucher for it, Chris de Burgh’s greatest hits. One of those records changed my life forever. *waves from stripper pole*

Daddy Wilson: “My first ever vinyl purchase was Nirvana – Live From The Muddy Banks of The Wishkah, the first vinyl I owned/inherited from a collection in my parents’ attic was a Beach Boys live album. The next vinyl purchase was Radiohead: In Rainbows. Each of these albums holds pride of place on a shelf in my bedroom in my parent’s house. None have ever been played. Not even the old Beach Boys record!
The worst part of this? My daughter was born a few weeks ago and the first music she’s ever heard was Beach Boys, but she’s only heard it through online streaming!
The only thing that calms her now is listening to the Beach Boys and dancing with her Dad in the kitchen! It’d be great to be able to have our Beach Boys record spinning for her to look at while dancing.”

Ricardo: “My first ever vinyl purchase was Chris de Burgh’s Lady in Red single. I got it for my first true love the day before she returned to London after spending her summer holidays in Ireland. Ahhhh….1986, the summer of love.”

Father Filth: “My first ever vinyl record purchase was Queen’s – ‘Flash’ single, in the then supremely plastic-y orange branch of Golden Discs in Dún Laoghaire [Co Dublin] Barely able to view the top of the counter, I was a nipper, my Dad had to lift me up. Played until it was scraped clean of any audio grooves, on a Bush turntable from the 60s, with a stylus like a cat’s tooth…”

Garthicus: “Here goes (I’d really like that prize!): My first ever vinyl record purchase was… The Dirty Dancing sountrack… I was around 8 years old…”

Always Wright: “My first ever vinyl purchase was “Automatic for the People” by REM. I played it on Dad’s turntable, which was downstairs. To enjoy it fully I felt I needed to retreat to my own lair, which was upstairs. I turned the volume up and listened to that record for a solid year, muffled and magical, through my bedroom floor. It doesn’t sound as good any other way.”

Nathan Ketharinath: “My first ever vinyl record purchase was Lana del Rey’s Ultraviolence. I still don’t have a record player to properly make use of my few vinyls but I’d love the chance to do that someday!”


Liam Zero:
“My first ever vinyl record purchase was Full Circle by The Doors. At the time, I was bitterly disappointed with the album because Jim Morrison wasn’t on it… ironically, I would now consider not having Jim Morrison on an album to be a major plus point. Doesn’t make Full Circle any less rubbish of an album though. God it stinks. And I still own it.”

But there there could only be one winner.

Barry the Hatchet;

“My first ever vinyl record purchase was Disney’s Snow White and the Seven Dwarfs.

This was when I was a small child in the 80s, living in London with my parents and my paternal grandmother. My parents were broke 20-somethings who hadn’t really expected to be parents when I came along (hence living with my Nan). They were too poor and too busy saving money to move out on their own to afford any newfangled contraptions like cassette players. But we did have my father’s record player, which was his pride and joy. He had bought it with the money he earned from a summer job when he was sixteen, just after his own father had passed away. And he had survived through his grief, and through my Nan’s remarriage to an extremely unpleasant man, by listening to records and losing himself in the music.

My father particularly loved to listen to Bob Dylan and I liked to sit on the floor of my Nan’s back room and listen with him, though I didn’t really understand any of the songs. Once we were listening to “Knockin’ On Heaven’s Door” and I asked him.. “who’s Kevin and why is he never at home?” This prompted something of a crisis for my father, given that both my parents were staunch atheists, my Nan was a staunch Catholic, and nobody had yet worked out how to explain the complexities of this situation to a four year old.

Every weekend my Nan would creep up to my bedroom after I’d gone to bed and empty out her purse. She’d give me all her small change and I would marvel at this shiny treasure, stockpiling it in a little leather purse she had given me and feeling like the richest kid on earth. My parents didn’t know. This was our secret, and it made me feel so special and important to share something with her that nobody else knew about.

One Sunday afternoon, my parents and I were wandering down the Broadway when we popped into a charity shop because my mother liked the look of a hideous fuzzy jumper with oversized shoulder-pads and a floral pattern.

My father went to look through the LPs, drawn to them as he always was (although he hadn’t bought one since I was born and he had developed Responsibilities with a capital ‘R’). I went with him and copied him, flipping though the records like I knew what I was doing. And that’s when I found the Snow White soundtrack. A record just for me. And I had to have it.

“Absolutely not”, said my father “that record player is for music – real Music!” (with a capital ‘M’ – he was and still reamins a purist about these things) And so he refused to buy it for me and we argued and my mother was summoned to intervene. And just when it looked as though he had won, I pulled out my ace-in-the-hole. My leather purse. My Nan’s secret treasure. Just enough to buy the record. And my father was beaten.

I listened to that record every day until we moved out and moved to Dublin and the record player had to be left behind because it was too big to bring along. My father stored it in the attic of my Nan’s house, whispering sweet nothings to it as he did, telling it he would come back for it. I think the only thing he was glad of was not having to listen to that damn Snow White record again.

And then, suddenly and sadly, my Nan passed away. Her horrible husband wasted no time in throwing out all my her things and all my father’s things and putting the house up for sale. And the pain of losing my wonderful Nan was, for my father, all the worse because the one symbol of what had kept him going through his father’s death – that record player – was gone now too. He had lost both his parents and his pride and joy.

He still has the records though. Inexplicably he brought them with us when we moved to Dublin. Like he wanted them close to him. If I win this turntable, I’ll give it to my father. And we can sit on the ground together and listen to ‘Knockin’ On Heaven’s Door’.”

Thanks all

Previously: All Hands On deck

 

athens

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From top: A room for refugees at a shelter in an abandoned government building in Athens, Greece; Dr Julien Mercille

In Athens, Greece the author visits a shelter for refugees displaced by conflicts in the Middle East.

Dr Julien Mercille writes:

There are currently 53,000 refugees stuck in Greece, but you wouldn’t notice if you didn’t look for them.

So I decided while in Athens this week to see what the current situation was.

I heard about a volunteer-run project in the city providing accommodation for refugees and made my way there to check it out.

When I get there, two or three Afghan and Syrian families are at the reception desk and want to check in. The place is  a makeshift hotel in a former government building.

The hotel’s receptionist is a middle-aged woman of the authoritarian, don’t-mess-with-me type, who constantly looks at you over her glasses. She communicates with the migrants through a younger female Middle Eastern volunteer who translates whatever goes on in the lobby.

The atmosphere is a bit chaotic but gives a good idea of how difficult it is to deal with a massive influx of refugees.

One Afghan family of eight (or two families of four, I’m not sure) is asking for a room. The receptionist is trying all possible combinations on the large spreadsheet on her desk.

“Room C6? No, there’s too many Syrians in that one. Room D11? No, there’s already three babies in there and only one mattress. Room B9? No, the Afghans there are already taking up all the space.”

The translator asks, “What about C6?”

“No, I told you—it’s full of Syrians in there!” replies the receptionist.

“What about B9 with the Afghans?”

“No, it’s too crowded, I just told you!”

The receptionist loses it easily, but they eventually find a room. Everybody is relieved.

Next is a Syrian couple.

The receptionist lets them know that they’re now full for tonight and that there are no rooms left. But the Syrians are determined and proceed to go down the list of progressively crappier options.

“Can we get a tent then?”

“No, the tents are all occupied for tonight”.

“Can we get the couch so?”

“No, the couch is already full for tonight”. I wonder how many people they can really pile up on that couch anyway.

“Can we get sleeping bags and sleep on the floor?”

The exasperated receptionist calls a volunteer who, a few minutes later, comes back miraculously with two sleeping bags. Sorted.

It’s now my turn. The receptionist is now in a sensitive state, and I’m suddenly reminded that it’s not only Broadsheet commenters who don’t like me.

I say I’m a journalist and I’m here to have a look around. Her reaction is instantaneous: “Journalists, no way! You have to leave! No journalists inside, the mass media is bad!”

I tell her not to worry, I write for Ireland’s least read mainstream publication,

It doesn’t work.

“Journalists are not allowed in, they have hurt what we do.”

I’m asked to leave without knowing what journalists have written about the place. I wonder if they insinuated there were terrorists in the place, or drugs, or something else. It could be any of those things. But if one needed an example of how low people’s trust in the media has sunk, regarding refugees or anything else, this is it.

As I walk back to my hotel I decide to go through the Parliament’s park for a change of scenery.

I see a few people walking their dogs and their weasels. Yes, weasels.

A weasel walker explains that there is a weasel party organised in the park today.

Life goes on in Athens.

Julien Mercille specialises in US foreign policy and terrorism and is a lecturer at University College Dublin. Follow him on Twitter: @JulienMercille

Top pic: Sorin Furcoi/Al Jazeera

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https://vimeo.com/162383274

Apparently so.

Wrecking the Rising – a new three part drama series from Tile Films filmed at a full sized GPO set constructed inside a hanger at Galway airport. To wit:

The series follows three modern-day Irishmen, Ernest (Owen McDonnell – An Klondike / Single Handed), Tom (Sean T. Ó Meallaigh – The Callback Queen /Vikings) and Seán (Peter Coonan – Love/Hate [currently narrating RTE’s Inside The GPO series]), who endure listless and unexciting lives living in Dublin. Their only enjoyment comes from staging re-enactments of the Easter Rising. After being mysteriously transported back in time to 1916 they cause a huge blunder that has the potential to wreck the Easter Rising before it has even begun. Somehow they must keep history on course – and figure out a way to return to the future.

Wrecking the Rising: TG4, 9.30pm on three consecutive nights from Saturday 23rd to Monday 25th April, 2016

(Thanks Catherine)

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Work taking place on the LXV building at the corner of Stephen’s Green and Earlsfort Terrace, Dublin 2 last October

 

Denis O’Brien took advantage of a new tax-efficient legal entity established by the government last year when he sold a landmark building on St Stephen’s Green in Dublin for a reported €30m profit.

O’Brien reportedly sold the LXV building, on the site of Canada House, for €85m last month.

A Sunday Times investigation has revealed that on May 25 O’Brien transferred the ownership of the LXV building into an Irish Collective Asset-management Vehicle (ICAV), a legal structure established by the government two months earlier to attract corporate investment funds to Ireland.

The Real Estate Development and Investment Fund ICAV was set up by William Fry solicitors, which acts for both O’Brien and Fieldsville, the company owned by Catherine O’Brien, the billionaire’s wife. Fieldsville was responsible for developing the six-storey high LXV block on the corner of Earlsfort Terrace, which is almost complete.

O’Brien uses government vehicle to avoid €10m tax on LXV sale (Mark Tighe, Sunday Times, April 3)

Revenue officials are investigating the operation of a new tax-efficient corporate vehicle designed for the funds industry, which is instead being used for property investments.

.. On Thursday, Michael Noonan, the finance minister, responded to questions about ICAVs tabled by Pearse Doherty, Sinn Fein’s finance spokesman, and their use by [Denis] O’Brien in a property deal.

Doherty stated this had resulted “in the exchequer being deprived of corporation tax, income tax and capital gains tax earned on profits from source assets”.

Noonan revealed the Revenue Commissioners have told him they are “currently examining recent media coverage concerning the use of investment funds for property investments. Should these investigations uncover tax-avoidance schemes or abuse, which erodes the tax base and causes reputational issues for the state, then appropriate action will be taken and any necessary legislative changes required will be considered”.

[Denis] O’Brien did not respond to questions relating to his use of an ICAV. The shareholders for the ICAV used by O’Brien are two William Fry trust companies. The firm regularly acts for O’Brien in tax cases.

Revenue probes O’Brien deal over LXV building (Mark Tighe, Sunday Times, April 17, 2016)

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You may recall a previous post in which Dublin-based filmmakers Conor Maguire and Paul Webster appealed for support as they prepared to travel to Greece and create a documentary.

Further to this…

Conor writes:

Last month Paul Webster and I spent two weeks speaking with residents, volunteers and refugees on the island of Lesvos, Greece. We wanted to understand what was happening on the island and any preconceived notions we had of the crisis were quickly challenged by what we saw and heard. In this trailer you will hear local resident Eric Kempson quantify the death toll in the Aegean Sea and describe the international response as we travel along the road leading to the ‘life-jacket mountain’ near the northern town of Molyvos.

Borderland: A Short Documentary (Facebook)

Previously: Documenting Lesbos