Maria Walshe writes:
“We’re back baby… (are we?) The old familiar high-vis builders’ jackets spotted tearing down the hoarding around the old Anglo site today.”
Anyone?
How Many?
at
That many.
Wait, what?
Yesterday’s Irish Independent.
Fr Adrian Egan
First in a short series.
When two people, not bound by blood or kin, love each other to such a profound depth that they want to make a lifelong commitment of faithfulness to each other, then that deserves to be acknowledged, celebrated and solemnised. We are all the better for it – individuals, families, communities and society are life-enhanced – and God in his heaven rejoices. That’s why I will be voting Yes on May 22nd.
Fr Adrian Egan, CSsR
Redemptorists,
Mount St Alphonsus,
Limerick.
Irish Times Letters
(Limerick Leader)
Shurlookit writes:
You may like this. Then again you may not. A making-of documentary of the lighting of the Spire in Dublin earlier this year as part of the UNESCO Year Of Light.
Independent candidate and erstwhile Jim Wells cheerleader Susan-Anne White invites uproar at the West Tyrone Decides debate at Omagh’s Strule Arts Centre on Tuesday.
The action starts around the 90 second mark.
Uproar over West Tyrone candidate’s ‘gay abuse’ comments (Ulster Herald)
Previously: Correctness Gone Mad
(Pic: Ryan McAleer)
(H/T: Nevan Riley)
All The Way
at
Seamus Carey tweetz:
Take a look at this glorious pic from a @YesEqualityWH canvass in Athlone tonight.
To which Enda Bolger tweetz:
…similar in Glasnevin also
MORE to folly
Thanks Enda Cunningham (The Connacht Tribune); Kevin Cramer (The Irish Examiner); Neil Henderson (The UK covers); Aran Brazil (The Irish Sun).
Covers to broadsheet@broadsheet.ie
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Too much talk radio or not enough?
From May 7th, TXFM Drive will broadcast a once-weekly series of anniversary themed album discussions presented by Joe Donnelly.
Joe writes:
This year, 2015, sees the anniversary of a wide number of hugely influential and popular albums. Through interviews with the producers behind the albums, I aim to get to the real story behind the work. How difficult was the recording process? Were there creative struggles? Did anyone realise the albums would become as successful and critically-acclaimed as they did? How exactly does the relationship between producer and band work or, in some cases, fall asunder?
’95 was a good year, in fairness.